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About The Clackamas print. (Oregon City, Oregon) 1989-2019 | View Entire Issue (Oct. 28, 1998)
2______ TT h E ClAckAMAS P rínt Wednesday, October 28, 1998 Truth & Consequences: In search of an Absolute I have spoken often in this space about what is wrong and what is right. I have made claims of the most bold and daring sort, all the while portraying these values as “moral” and “true.” reflections of another, “higher” standard, the yardstick by which moral codes are judged. But what do we mean when we say that the one view is right and the other wrong? We are admit- ----- ting that there really is I an Absolute Principle I behind the codes of the I cultures—a something ■ that “right” can mean. IpS Otherwise “right” I means nothing more S' than “I like it best this —" way,” and of course, if I like punching your face bet ter than waving and saying hello, you are hard pressed to argue the point on those terms. Relativism is a sure killer of a culture. It is when the hedonism and moral decay of the Rome finally caught up with her that she found herself with a crum- bling societal foundation, and the barbarians stormed her gates. Relative values are a personal scourge as well. Beginning with only human reason, without any thing higher to judge against, ends in futility and despair. Leonardo Da Vinci, one of the most brilliant humanists of history, discovered this pessimism of humanism at the end of his life when he realized he could never find meaning from pure reason. The lesson here is that without a standard, what the late philoso pher Francis Schaeffer calls the “universal,” reason is meaningless and argument worthless. Without an Absolute, there is nothing left. There is no regret at the Holocaust; there is no rage at the atrocities of the Middle East and Asia. There is only, “Eat, drink, and be merry, for tomorrow we all die.” But I assert that there is more. I believe that there is a light of truth, percieved by Socrates, proclaimed by Christ, and disseminated by Paul of Tarsus, by which we can live our lives. I show you a more excellent way. TldE AI t AR of AN U n I< nown Cod JOEL P. SHEMPERT Copy Editor The question of course begs to be asked, “What is true?” We certainly are confronted in today’s intellectual world with legions of adamant viewpoints, all arguing their own moral superiority and claiming status as “truth.” They can’t all be true, can they? I believe that without an abso lute standard of truth there can be no ethical decisions of any kind, and reject the kind-hearted yet ill- conceived notion that all points of view can be equally accommo dated. To some extent, there is a move in our society to do exactly that— to reconcile all beliefs as equally valid, equally true. This partly arises from a belief that moral prin ciples arise from cultural values, and thus are relative to each soci ety. This claim is a reversal of the Aristotle’s hierarchy of the pur pose of knowledge—from Truth to Morality to Technique. What is true about the universe leads to the formulation of moral principles; then (and only then) can the prac tical use of knowledge be wisely determined. A collection of ideas do not sud denly become “morality” simply because a majority of people in a given group decide that they hap pen to like them. Rather the ethics professed by a society should be Pay Now, Educate Later The first week of November is coming upon us fast. In the month of October, Rock the Vote regis tered approximately 400 new vot ers among the students on the ition program. This is a safe way for families to pay now for college tuition with a plan that will protect them against future college tuition increases. The family he acrec I will be guaranteed that B | the tuition they pay now I will be all that they pay ane I no matter how much the ■I costs have gone up. ROBERT SCHOENBERG The drawback Editor-in-chief to this plan is that if the tuition costs raise faster Clackamas campus. than the interest earned by Now is the time to the state on the collected translate those 400 funds, they will come up votes into action. short when it is time to use There are a number them. The Legislature pos of important ballot sibly would have to pay for measures that concern the difference, and this college students across the state; would cause budget cuts in other one of them is measure 55, which areas. would expand the state Also, this is a plan that benefits government’s financial guarantee the middle class—it probably to a state-run prepaid college ta would not be a financial aid to low- TI S TI- ie P ro F * Editor in Chief: Robert Schoenberg (x2576) The Clackamas Print aims to report the news in an honest, unbiased, profes sional manner. The opinions expressed in The Clackamas Print do not neccesarily reflect those of the student body, college administration, its faculty, or The Clackamas Print advertisers. Products and services advertised in The Clackamas Print are not neccesarily en dorsed by anyone associated with The Clackamas Print. The advertising rate is $4.75 per column inch. All signed let ters to the editor should be 300 words or less and will be considered for publi cation if submitted by 1 pm the Friday prior to publication. The Clackamas Print is a weekly publication and is dis tributed every Wednesday except dur ing Finals week. Feature + A&E Editor: Jeremy Stallwood Sports Editor: John Thorbum Business Manager: Kristina Brooks (x2578) Copy Editor: income families. This measure directly influences the ability of families to pay for college in the future. It is an im portant decision for voters, who must weigh all the outcomes of ei ther its passage or defeat. For our 400 new voters, it offers an oppor tunity to cast their ballot and make a difference—a good proposal to cut their teeth on. Staff Writers: Kara Alexis Kevin Naumann Angie Daschel James Khosravi Mandi Linstrom Eric Eatherton Staff Photographers: Joel Shempert Photo Editor: Toni McMichael Amy Parrish Timothy A. Bell Advisor: Graphic Design: Linda Vogt (x2310) Secretary: Karl Katzke Advertising Design: Megan Oldenstadt JoAnne Gale Cartoonist: Joel "Israel" Gunderson Announcements: Leah Chapin