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About The print. (Oregon City, Oregon) 1977-1989 | View Entire Issue (Jan. 16, 1985)
Ul i The Arts College receives guest director By D. Dietrich Of The Print She may be called a guest director at Clackamas Com munity College, but Merril Lynn Taylor is considered a veteran and a common asset to stages up and down the West Coast. Taylor is now in charge of production of the college’s winter term play “Towards Zero” by Agatha Christie. Theater Director Jack Shields has been substituted by other directors in the past, but only while on sabbatical or due to illness. This year Shields opted to recruit a guest director to benefit the students’ by enabl ing them to sample a different director’s style and influence on a production. The idea is one Shields has entertained all along and he said he believes, “one of the : great values of my education was being able to study and work with six different direc tors during college.” Taylor is a woman Shields describes as, “A lady of monumental skills,” and a “sparkling actress.” Her ex tensive list of achievements in the arts surpasses allowable space but highlights include at tending the Guild Hall School in London, performing in the Stanford Reperatory Com pany as well as many others in Prince Purple Rain By J. Jason Of The Print Question: Who can master fully produce a raw guitar sound, keep a steady dance beat, bend your ears with strange keyboard sounds and, basically still be considered a “soul” performer in most record stores? Well, the answer shouldn’t be too far from your record collection, if you are like any one of the millions of people that have boosted “Purple Rain” to the top of Billboard’s album chart for nearly 15 straight weeks. Page 4 California. She will earn her master’s degree in theater arts at Portland State University upon completion of one French final. Taylor performed at the col lege last year in her role as Mrs. Gamadge in “The Best Man.” Her background in theater includes a comprehen sive career in dance theater, management, directing and ac ting. She said that she likes the community college setting because “there is a good varie ty of people, ages and ex perience.” Taylor has also directed at a community col lege in New Mexico. Her description of the atmosphere at a community college is “vital.” The play for winter term was selected before Taylor ar rived on the scene, but she said she was pleased with the choice of a Christie mystery. Taylor’s interests are directed toward feminist writers and women in literature. Christie is one of few novelists that adapted and wrote novels as plays. If a tag was to be put on Taylor’s career she said it would be in the “performance arts.” She expressed an enjoy ment in arts management, but would continue to expand on her experiences as both an ac tress and director. “It does a Guest director Merril Lynn Taylor makes com production of ments to Neil Hass and Marlyce Baird during Zero.” play rehearsal. Taylor is directing the college ’s director a lot of good to act,” coaching, stage veterans need she said, adding that directing to work off bad habits. Taylor gives one a “broader view as called the mixing of new and old actors at a community col an actress.” Taylor’s role as guest direc lege a “nourishing thing,” and tor involved the selection of has found the atmosphere at the cast, which was completed the college “very warm.” - One of the assets she cited during finals week of fall term. Now she must see that about the college’s production rehearsals run smoothly, con is the addition of David Smith flicting schedules are ironed English, who has been con out and, as opening night tracted to be the set designer draws near, the play’s for the Theater Department characters find their motive this year. Taylor worked with and carry out the emotions English before during Pacific University’s production of “A called for. She admitted the variety of Doll’s House.” She said she experience in the cast creates found him “really a pleasure some difficulties. While begin to work with.“ After the college’s produc ners take more time for tion is completed, Taylor Agatha Christie’s “Towards Photo by Joel Miller plans to work on a one woman show she’s putting together which will include the works of two women playwrights, Brecht and Strindberg, and other works by women poets. The college’s production of “Toward Zero” is scheduled to run March 7,8,9,15 and 16 at 8 p.m. with a matinee show ing on March 17. The play will also be taken to the Coaster Theater at Cannon Beach dur ing spring break and will run March 28,29 and 30 at 8 p.m. Taylor said she believes the experience of taking a show on the road is invaluable for its requirement of the company’s need to adapt to new surroun- dings. Music Review Prince, the nasty one responsible for all of this, has consistently evolved his music from a mere Michael Jackson sound-alike, to a new sound all his own. Countless magazines tend to compare him to the likes of Jimi Hen drix, Little Richard and Elvis Presley. Rather than comparing him with anyone, I like to think of his work as the beginning of a new style of music, just as con troversial as rock and roll. The first hint of this new musical style occured in 1979, two-thirds of the way through a disco-ish second effort album called “Prince.” All of a sudden a loud guitar, nothing short of Jimmy Page, burst out. The song “Bambi” will go down in history as the spark that lit the Revolution. And who is behind the Revolu tion? Prince’s current lineup of band members are, Lisa Coleman, Wendy, Bobby Z, Brown Mark and Matt Fink. Okay, maybe the success of Prince owes much to the fact that a movie strategically weaves this masterful music into it’s soundtrack, Maybe it’s because Prince himself stars as the main char actor. Maybe the fact that this music is a departure from anything before it isn’t a reason at all. The success of this album pro ves that the general public is ready to venture into the realm of Prince’s lyrics, too. I won’t even mention anything about his concerts, except that in many states concert-goers must be 18 to enter the show. Prince writes about such things as sex, sex and even sex. Occasionally he will incor porate a computer (Computer Blue), a car (Little Red Cor vette) or a dove (When Dove’s Cry) into these lyrics, but generally sex is the rule. This adds to his music and most definitely to his show. His lyrics, seemingly as crude as can be, are basically tongue- in-cheek and many times con tain hidden innuendos. The movie can give you most of the information need ed to better understand this young man from Minnesota. It will take several enjoyable listenings to understand what each song means. “1999,” Prince’s double album made in 1982, is the best example of his sexual innuendos. “Darl ing Nikki,” is the best example from Purple Rain. The final astounding characteristic about Purple Rain is the quality of three songs, including the title song, which are recorded live, yet sound just as polished as and more powerful than the rest of the album. What we all have to watch out for next, other than Prince’s next LP, is who will attempt to challenge him. No one is near Prince at his own game now, but if this blend of all forms of rock takes hold like it now seens to be doing, someone is bound to pick up on his success secrets. Clackamas Community College