Image provided by: Clackamas Community College; Oregon City, OR
About The print. (Oregon City, Oregon) 1977-1989 | View Entire Issue (Jan. 12, 1983)
‘Gandhi’ more for enlightenment than entertainment By Troy Maben Of The Print ‘7t is possible to live in peace, ” these words were spoken by one of the biggest most influential political (as well as spiritual) figures of the 20th century, Mahatma Gan dhi. He was a small man in his political and military power compared to some of the other world leaders of the time such as Hitler, Stalin, and Roosevelt, but he successfully freed his home country of India from the then strong-rule over his country by the British. He accomplished his homeland’s freedom almost single handed- ly by his stand on “passive resistance.” The life of this extra ordinary individual has now been brought to the screen in Alumni art on display A celebration of at by some noted alumni of Clackamas Community Col lege will be presented to the public during a two-week “Alumni Art Show” offered Jan. 10-21 at the College. Works of sculpture, pain ting, graphics, ceramics and more will be on display in the Pauling Center Lobby. A 7 p.m. reception will kick off the show on Jan. 10.- Steve Sandstrom, J.D. Perkins, Sylvia Dobbes and Jerry Upchurch will be among flie artists displaying their work. The show, and the reception, are free. For more information, contact the art dept., ext. 386: the twenty-year endeavor by Sir Richard Attenborough in his cinematic accomplishment of the film titled “Gandhi.” This film really can’t be classified as an entertainment movie, and it can’t be classified as a biography, ft is in a class all by itself, bordering on the form of art. All in all, the film has aspects of all three, entertain ment, art, and biography. The entertainment aspect comes from its photography, acting, and story development. The care, research, and time that was put into this film can almost classify it as pure art, a masterpiece of film work. Altogether however, this film is more of a documentary/ biography about a man and his struggles to fight for what he believes. The film is so com plete, it covers almost every aspect of this man’s life, from young lawyer to old man. Gandhi was a young black Indian lawyer in Africa when he first learned of prejudice. He was traveling on a passenger train in a compartment where blacks were not allowed. His persistence to stay where he was got him literally thrown off the train, and this single inci dent started his fight for the rights of others. Gandhi won many rights for Indians in Africa due to his persistence. He then set off to India to continue his fight for the rights of the people in his homeland. During the time of helping Africans with their in dependance, he became almost hermit-like wearing only white wrap-around robes made from cloth that he himself had spun. This was his testimony to Billy Rancher recreated a funeral procession that incorporated nearly a third of a million people. Can you imagine paying for all of those extras? The viewer can easily see the care and devotion that went into producing this film. It is superbly photographed in many of the actual places where the real events took place, paying close attention to details and character develop ment. The film contains such notable actors as Sir John Gielgud, Martin Sheen, Can- dice Bergen, Trevor Howard, and Ben Kingsly. The most notable performances in this film come from Ben Kingsly in the title role, which could possibly win him an oscar when the time comes around. The makeup transforma tion of the actor (Kingsly) to the leader (Gandhi) is truly fan tastic. In the film Kingsly changes from a young lawyer in his twenties to an 89-year- old man. It is nearly impossible to tell the two apart when com paring actual photographs of the once spiritual and political leader to Kingsly in costume. Not since Dustin Hoffinan’s Photo courtesy of Columbia Pictures tranformation from a young Ben Kingsly in his role of Gandhi. man to an old Indian Chief in the movie “Little Big Man” has others. By putting aside world demands for nonviolence were the effect looked so convinc ly possessions, he could show heeded. In addition to nearly ing. The main drawback to this the world that we was not get starving to death, Gandhi was ting involved in his crusades for beaten, imprisioned, and har- film, if it can be classified as a drawback, is the length, nearly his own personal benefit. rassed continually. In order for his peace ef His escapades and hunger three and a half hours long. forts to happen, Gandhi went strikes brought him much There just doesn’t seem to be on numerous hunger strikes recognition, and by the time of enough action to carry it that almost killed him, and he the second world war he was through that length of time. stayed on the strikes until his know throughout his country The viewer might lose interest and around the world. In a toward the end. But one must public ceremony in his take into account as to why this homeland, Gandhi witnessed film was made. ft was not made England replacing the British purely for entertainment’s month. With all this support flag with that of the flag of In sake, but rather a form of art. and loyalty, no wonder Ran dia. Gandhi’s devotion to his “Gandhi” might not do so well cher feels “it’s the best place on lifelong cause had finally paid at the box office, possibly off; he achieved independance because it’s too sophisticated earth to be.” for modern audiences. for his country. Now, as for the movie However, it will be said about Gods’ by choosing other local musicians he had met along the itself, to say that it was a this film that it is a creation of way. He decided on musicians tremendous production would contemporary art to pass he liked not only musically, but almost be like saying “Gone through the regular run of also as people. “If they played With The Wind” was just theatres and the medium of television, to rest upon the good, that was a fringe another movie. For instance: One of the scenes of the film stack of classic films. benefit,” Rancher said. In their year and a half ex istence, Billy Rancher and the f Unreal Gods have not only become Portland’s number one M j©* w These specials are for you on- band, but have also released an 1 \ ly. Please show copy of this album and a just-released ad and your student body Christmas single on the Boom card for these prices. Chuck record label. Boom Chuck is Rancher’s own label, 81/z ft. GARCIA which he hopes to make the $10.00 Steelhead Rod $24.95 Value biggest independant in the Pacific Northwest. Local rocker makes good By Vicki Archila Of The Print Billy Rancher and the Unreal Gods is the name of a band that plays the Portland rock scene. They have been hailed the next band to break on a national level. Playing upbeat pop, with a strong dance beat, Rancher and Com pany have established themselves a very loyal follow ing. Rancher didn’t always want to be a rock and roll star. He was much more interested in baseball and his father was a pro-ball player for the Brooklyn Dodgers. He was going to school on a scholarship for baseball when he decided on a musical career. He got his first influence when a friend turned him on to Bowie and the Rolling Stones. Then in 1976, Rancher won a David Bowie look-a-like con- test. The prize was being chauffeur-driven to the show sipping sherry in the the back seat, and meeting everyone in the band. Rancher’s first band started in a garage with his brother. T took a crash course in guitar playing and singing,” he said. He played with that band for a year and a half. He then assembled the ‘Unreal Rancher does quite a bit of bouncing around between Portland and New York, where he is now working on a new albut to be titled “Made in Hong Kong.” Also in the works is a video, hoping to coincede with the album’s release. Rnacher hopes to finish both projects before the Musical Festival in France. If he can do this in time, it could lead to possible tour dates in Europe. ‘They offer a little more for the price at the door,” Ran cher said of the Goddess A Go- Go, two Portland dancers who work with the band. The future of the ‘Goddess’ is up in the air right now, but Rancher plans to use them in upcoming videos. Wednesday, January 12, 1983 Claiming his music is “Floating rock and roll, unstylized music,” Rancher writes about “whatever hap pens to pop into their (the au dience) minds at the moment,” he said. His music is simple and basic, not too serious, which some fans think is a refreshing change from the too serious, political, depression music of today. Rancher feels he owes quite a bit to the Portland scene, because of all the sup port given to him, with even a half hour T.V. special aired last CCC STUDENTS Skis Hot Waxed Athletic Shoes Dick Wengel 222*6900 Memberships Auto Insurance Life Insurance $5.00 Value While You Wait All in stock Steelhead Reel ZEBCO Spin $22.95 Value Ski Parkas Mens - Ladies in bsmt. your choice $1.00 10% OFF $10.00 50% OFF I I LARRYSlp&WTtK . OREGON CITY SHOPPING 11 NTI H OPE N9-9DAli Y . page 7