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About The print. (Oregon City, Oregon) 1977-1989 | View Entire Issue (March 11, 1981)
The adventures of Jim Bridwell By Steve Lee I Of The Print | I I I I I I I I I II I I II | Jim Bridwell, one of the five best climbers in the world, described two of his many mountain climbing expeditions and illustrated his lecture with a slide show Friday . Bridwell has climbed moun- tains, cliffs and peaks in Europe, South America,- the continental U.S. and Alaska. He has climbed with many world-class climbers, including Joe Brown, Ron Kouk (lately of “That’s .Incredible” fame), Royal Robbins and Yvon Chouinard (inventor of much of the modem climbing equip ment extant in the world today); tp name a few. With 19 years experience in climbing, Bridwell is good at what he does, and “Wide World of Sports” knows it. Yesterday he left for Alaska to do a climb that they will be film- ing for future use on the air. This is not the only time Bridwell has been asked to do a spot on television. In a movie entitled “High Ice,” starring David Janssen, Bridwell and some of his cohorts were called in to do stunts and to set up the rigging for the camera crews. Now you know how all those fantastic shots were filmed. Furthermore, he hopes to ■ work with Mike Hoover, I Academy Award winner on a I climbing film called “Solo.” I Hoover has also done' two I spots for “Wide World of ■ Sports,” and was the I cameraman for “Eiger Sanc- ■ tion,” with Clint Eastwood. As if that weren’t enough, I the Mountaineers Publishing I Company. of Seattle, the I largest publisher of moun- B taineering books in the world, ■ wants him to write his ■ autobiography and a ■ documentary-style book on his I adventures while climbing B Cerro Torre in Argentina. About his expedition to ■ Argentina, he said, “I thought ■ about if for a long time,” 10 B years to be exact. It cost him B several thousand dollars to get | down there with all of his equipment and his partners, and to get across the country to his base camp. Previous to his assault on the mountain, there had only been three major ascents without fixed ropes. To use fixed ropes means to anchor the climbing rope at both ends, rather than letting it hang free as in most climbs, in order to keep it from flying around in the fierce winds that abound in the area. The wind can sometimes reach 300 miles an hour. “Sometimes the wind gets so bad that a rope can get worn out in only five days,” Bridwell said. The whole adventure sur rounding his Cerro Torre climb was filled with problems and setbacks. To start with, after landing in Argentina, he and his friends rented a bus to transport them and their gear to Cerro Torre. The engine “gave up the ghost” out in the middle of the Pampas with no help to be found. Finally , another bus came by and gave them all a lift to a town a little further down the road, where Bridwell arid com pany rented a truck on which the shocks promptly broke. After sliding off of the road and into a ditch a few times, the group made it to their destina tion—a small town at the base of the mountain . There they met an Italian ex pedition, which was both a curse and a blessing, for at any given time they were invaluable as a source of aid or advice, yet without batting an eye would steal bits of equipment as occa sion granted. After hiking to the base of the peak, a snow storm came and forced them to leave some equipment in a snowcave while they sought shelter in the town below. Returning to the site of their buried equipment, they dug a hole about 40 feet square and four feet deep in search of it. They lost all $2,000 worth of it. “As far as I know, it’s still there,” he said. Disgusted, his partners came Staff photo by Brenda Feltman Jim Bridwell took time to answer questions after his slide show. back to the U.S., and Bridwell found a new partner, one Steve Bowen. Bowen was an expert ice climber, s0 he led the climb whenever there was any ice on the route. Bridwell led on the rock. With some difficulty, they summited the peak and started down. At one point Bridwell slipped and fell 150 feet, stret ching his rope 30 feet. A cou ple of well tied knots were the only thing that saved him. He broke three ribs, and dislocated some joints, and cut and bruis ed up many other parts of his body. He was in deep pain, but he had to get down off of the mountain immediately because a heavy storm was moving in. Bridwell’s hands were so bat tered from ' his accident and from exposure that he did nothing but rest for about a week after the climb. Altogether, Bowen and Bridwell did over 5,500 feet of climbing. Of technical merit is the fact that. Bridwell wore a wetsuit to •climb in. He was testing the Vapor Barrier Theory (heat loss through sweat, very basically) to see if a wetsuit would help him retain his body heat, yet keep him warm. He was satisfied with the results and said he didn’t think it would be too long before there are some major breakthroughs in mountaineering clothing as a result of the testing going on these days with wetsuits. Contrasting the old days of climbing to the present times, Bridwell said, “We can thank the ‘New Wave’ climbers for all of the equipment that gets stolen now. In the early ’60s and ’70s, we used to be able to leave ropes, packs and other gear at the base of a climb and not worry about it, but now if you leave anything it’ll get stolen by social degenerates I call ‘New Wave’ climbers.” The beauty of sign language comes to life By Steve Lee Of The Print little boy, Stack has been com municating through signing “One of the most beautiful every day of his life. In fact, he forms of communication is sign was hired by KGW Channel language, for it requires total “8” News to sign on each concentration on the part of all broadcast for nine years, until parties involved, and the eye this past September when he appeal is in itself a wonder came to work for the College. ment,” said a student in the As a result of his being with College’s intermediate sign Channel “8” News, Stack had language class. the opportunity to make many This beautiful language educational films about sign comes to life on Tuesday nights language. These films are used in Clairmont Hall. Between 15 in. his classes as instructional and 20 students are actively aids. learning the art of signing, When asked why they are tutored by Henry -Stack, a deaf taking the class, students’ Iman highly skilled in signing. responses included: “We have I This is Stack’s second term a deaf son and we want to las sign instructor for the Col- communicate with him better” lege. From the time he was a (Hans and Marianne Witzen- burg); “I’m going to be a doctor and sign language will broaden my ability to communicate with my patients” (Thad); “I know some deaf people”; “I want to further my education.” They also volunteered much about the difficulty of the class. “It’s easier to sign than to read sign. In a foreign language, for example, it’s easier to hear and understand the language than to speak it.” In answer to that statement, Stack said that he often has to help his students, because “signing is difficult to the untrained, eye.” The average person doesn’t take sign language, which says something about the caliber of i student who does. It takes a special type of person, with a special love for people, to put in the time and effort to learn to communicate in sign language. Stack says, “You have to have a strong feeling, and notice small things.” One thing many people may have wondered about is whether deaf people in dif ferent regions of the country have any kind of an “accent” in their signing. The answer is yes, to a limited extent. Stack says that deaf people in Oregon may do a few signs dif ferently than those , in Washington, but the difference is so slight that it doesn’t pose much of a problem. In fact, a person familiar with sign language can be more at ease in a foreign country than a person speaking a foreign language with his voice. France is a good example, since many of the signs used in American Sign Language (ASL) were originally developed by the French (FSL). Stack will be teaching ad vanced sign language next term. The class will meet on Tuesdays from 6:30 to 9:30 p.m. in Clairmont: In a book by Beryl Lieff Benderly, singing is called “dancing without music.” Think about it. Page 5 Wednesday, March 11, 1981 centimeters SN: OL0055 Colors by Muriseli Color Services Lab