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About Just out. (Portland, OR) 1983-2013 | View Entire Issue (June 1, 2007)
eatingout eating out eatingout eatingout film NEW HOURS! WE RE OPEN TIL 9 pm IT-V a > >»! « 7901 SE STARK STREET • 503 253 1051 Eat the Crepes, Drink the Wine, Read the Magazines...Repeat. Lunch, Brunch, Dinner & More 2621 SE Clinton St. 233-5656 Jean Malin, an openly gay nightclub entertainer in real life, found his one scene in 1933's Double Harness reshot with another actor because of studio fears about his notoriety. Learning from the Past Historian curates monthlong series of queer-centric cinema by Christopher McQuain ITALIAN RESTAURANT & BAR OWMIR, MABCO F MATTAR OLI WITH A 1961 OAJA, BAROLO. ROME, CASTELLI ROMANI, CIRCA 1966 Passionate by nurture, Naturally Italian. 120 NW Third Avenue Portland, Oregon 97209 503-224-3285 www.hobospdx.com Parking Validated @ Sow t Park NW Davis A Front 4IO NW 21st Ave 503.274.1572 _ Open Nightly For Dinner FREE PARKING www.bastastrattoria.com n honor of Pride Month, Turner Classic Movies—that venerable cable oasis of bona fide cinephilic credibility—is broadcasting Screened Out: Gay Images in Film, a series for which a treasure trove of queer-interest films has been assembled for broadcast. It covers decades of film history, from near the birth of the medium all the way up through the watershed cultural (and political) moment of Stonewall. From its earliest entry, 1912’s silent short Algie, the Miner, to its most recent, William Friedkin’s 1970 touchstone/ lightning rod The Boys in the Band, the series Barrios is rightfully proud of what has been accomplished: “The fact that TCM is devoting eight full nights to this festival, with 44 films plus this amazing group of guest commentators (includ ing Alan Cumming, Charles Busch and Michael Musto] is still stunning to me. I’m just awed by this kind of support, and in great admiration of TCM’s willingness to extend itself in this fashion.” Among those 44 films are unequivocal classics such as 1933’s Queen Christina (Garbo, the queen of the title, has an affair with a countess); the giddy Rock Hudson/Doris Day sex comedy That encompasses multiple genres and styles of films Touch of Mink, from 1962; Otto Preminger’s 1962 with queer themes or characters, mining TCM’s political thriller Advise and Consent, with its plot vast film library to bring to the fore some occasion turning on a closeted senator and featuring the ally surprising but unfailingly interesting selections. first-ever Hollywood depiction of a gay bar; and The germ of the idea for Screened Out can be Robert Aldrich’s dark lesbian comedy from 1968, traced back to 2002’s Out on Film, Atlanta’s queer The Killing of Sister George. film festival, where a chance meeting between Even more tantalizing than revisiting these author Robert Barrios (from whose 2002 book the familiar and much-discussed favorites, however, is series derives its title, timeline and sensibility) the chance to catch those films for which the series and Lee Tsiantis—a Turner has gone a bit further off Entertainment attorney with the beaten path. In an enthusiasm for film and 1930’s Way Out West, Barrios’ work, and with modern audiences have connections to the ranks at a chance to catch the TCM—led to the eventual now virtually forgotten realization of the project. William Haines, the first With other TCM monthlong gay movie star, in action. showcases, such as last year’s The lesser-known work Race Hollywood: Black of two queer directors, Images in Film, offering what George Cukor’s Our Barrios calls “an excellent Betters ( 1933) and precedent of sorts,” he and the Vincente Minnelli’s network’s programmers have Designing Woman (1957), been working in earnest for blend prominent gay almost a year now to curate Film historian Robert Barrios (left) co sidekicks into their and develop Screened ( >ut. hosts Screened Out with Robert Osborne. frothy comedic mixes.
