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About The west shore. (Portland, Or.) 1875-1891 | View Entire Issue (Oct. 1, 1886)
298 THE WEST SHORE. but one left, the first corner was the lucky one. There were complications of the gnme by which a bet could be divided or doubled, but in his efforts to explain these the proprietor got hopelessly astray in his English, and finally wound up by saying "you no snbbe." After watching the game, for n few minutes, inspecting the barred cage in which the cashier enshrined hiuiBelf be fore a huge iron safe, and biking up a collection to hire tho orchestra to stop playing, we said good-night and passed through the many guarded jxirtals into the street Wo were much interested in a pawn shop, and stop jsmI to observe tho Chinese method of "soaking" valu ables. Within a wooden stall, accessible only by a stair way in tho rear, reached through a securely bolted door, stood tho pawnbroker. The stall was so high that he could not wo over it, and was surmounted by an iron railing extending to tho roof, but pierced in the center by an operturo almut two ftet square. Tho needy Mon golian advanced with a pipo and holding it up, thrust it through tho hole above his bead, tho broker taking it from his band. In a minute a slip of paper was passed back on which was writ Urn tho amount the broker would advance on tho pipe. This was apparently not sufficient, for tho paper was returned and tho pipo handed back to tho customer, who took his departure. Neither party to this transaction saw tho other, lly pursuing this courso tho broker never knows who are tho owners of tho arti cles in his jxNutession. Across tho hall from tho pawn broker's stand was a counter where lottery tickets were being sold. Chinese lottery is indulged in extensively, not only by tho Mongols, but by many whiles, some of the latter developing into regular " lottery fiends." For twenty-fivo cent one can purchnso a ticket upon which are printed alxiut forty characters. He marks a certain iiuiiiIht of these with ink, taking one ticket himself and leaving a duplicate with tho seller. Every night there is a drawing, and if ho has marked a sufficient number of tho winning characters ho is paid a sum of money iu proportiou to his success in guessing. Tor a larger sum ho can mark a greater number of characters with the MMutibility of his winnings being proportionately in creased. It sometimes happens that a small investmont brings largo returns; but like every other lottoiy game, where one wins a multitude lose, and the persistent player is certain to drop a great many quarters into the money bos. In the liasomout below a popular beer hsll wo found saloon devoted exclusively to the Chinese. It con tained a bar, seats, and an old pool table, and it was ooiuieal to see the awkward handling of the cues by these imitators of the gilded youth of America, In their potations they by no means ooufiuod themselves to beer, but indulged in mixed drinks as well The fa vorite eecmed to be a cocktail, which the bibulous Chinaman considers the very acme of liquids. They rested thoir elbows against the bar, soat upon the floor, tilted thoir hats upon the backs of their heads, and in other ways conducted themselves in tho most regulation style. In this particular, at least, they are becoming Americanized, but the direction their education bos taken is not encouraging. Our last experience was in the theater, whose orches tra had been giving us a noisy invitation the entire even ing. Ono needs never to inquire the location of a Chi nese temple of Thespes, for the odoriferous air of Chi natown is continually affrighted by the din of tho never tiring orchestra. No sooner does one reach the confines of that delectable neighborhood than his ears are saluted by the Bgonizing wail of the one-stringed fiddle, the gong's incessant clang, the rattle of the drum and the twang of the three-stringed banjo, supplemented by other nameless and equally harrowing instruments. We paused before a doorway from which these dulcet tones wore issuing, and entered. The first thing we observed was a holo in the wall about two inches wide and four high, through which a Chinaman passed a quarter and recoived a piece of cardboard in return. It requires a great doal of faith to put twenty-fiue cents into a little hole whore one can neither see what becomes of it nor anyone from whom he may reasonably expect anything in return, but the man appeared satisfied with the re sult As for us, being representatives of that great free for all institution known as "the press," it was un necessary for us to try the experiment On the contrary were mot on tho Btairs by the smiling manager and es corted through the entire establishment At tho head of tho stairs we observed two door keep ers , a white man and a Chinaman, a peculiarity our es cort endeavored to explain by saying, " One man come, Chinaman sabbo; noddor man como, Chinaman no sabbe,. Mel i can man heap sabbe. You sabbe me? " lie was assured that his explanation was remarkably lucid and conveyed in the choicest English, whereat he smiled with pleasure. We found the interior to be somewhat similar to that of the ordinary small American theater, consisting of an auditorium surrounded by a gallery, tho sides of which wore divided into apartments open to the front and partialty to the Bide, the seats being inno cent of any upholstering whatever. We mounted to the gallery to obtain a better view, and gazed down upon the audience. They were packed in rows upon long wood en benches, each with his soft black hat resting squarely upon his head and his pigtail hanging straight down the middle of his back, the whole presenting the lifeless uniformity of a group of tin soldiers in a Christmas box. In several of the gallery stalls were seated a number of gaily-dressed and gaudily-pointed ladies, evidently of the better class, dividing their attention between the performance and a package of confections. The stage consisted of a raised platform at one end of the room, devoid of curtain, flies, scenery or stage settings of any kind, even being used for seats by a portion of the audi ence. At the rear were two doors, the one used for an entrance and the other for an exit Between these was stationed the orchestra, whose perpetual muscularity found vent in agonizing solos, discordant duets and tho deafening din of a general engagement The stage