Image provided by: University of Oregon Libraries; Eugene, OR
About The west shore. (Portland, Or.) 1875-1891 | View Entire Issue (Jan. 1, 1886)
THE WEST SHORE. 27 Besides, strange to sny, he could always tnlk more freely to Grace and her mother than to his lady-love, bitterly though he lamented his deficiency iu that respect Presently Amelia came in. " Don't you want a lamp?" she asked laughing, hring ing in with her an atmosphere of energy and gnyoty, and yet an amount of fresh air that mndo Grace shiver. ' "Oh, mother, I can't see a bit!" continued Amelia "do let ub have lights. Why, is that you, Mr. McHuish?"' "Mr. McHuish haB been lolling us all about tlio Aurora," said Grace. "It must be so beautiful in the far north, Amy I Please toll Amy about it Mr. McHuish, won't you?" "Only how I rode home one night, one winter night," began the Scotchman confusodly. He had risen from his chair at Amelia's entrance, and now stood twirling his hat slowly round and round in his big, bony hands. " It was across the lonely moors," said Grace. "And the Aurora was shooting up into the heavens," said McHuisk " More beautiful than daylight" addod Graco enthusi astically. ''Only fnncy, Amy, what the groat rays must bo, white and silver and roso-oolor, giving one an idea of some wonderful weird world out far, far beyond the dis tant hills. I;can fancy being lured away and away tow ard that magical horizon!" "Here comes the lamp," said Mrs. AVyvern. "Dear mo, how they have spilt the oil again, all over tho han dle! Doesn t your mother, Mr. McHuish, find that her servants" '"Light, light!' I feel like Goethe," interrupted Amelia irrelevantly. "Mamma, I want to show you something. Do look. The Professor says tlioro is an exhibition going to open immediately, somewhere he knows, and he thinks I might really, truly, send this head" ' Out from "under Amy's oloak came a squuro brown paper parcel, and then the young artist with a little air of modest though conscious merit, held up to view a small oil painting representing tho head of an Italian bandit "What really?" asked Mrs. Wyvorn, in admiration. "Oh, Amy, not really?" echoed Graco. "Yes," answered Amelia quiotlv. He was a fierce bandit a very fierce bandit His head was slightly turned away; still his oaglo glanco was fixed threateningly on the beholder; his glance evidently meant much. He was arrayed in a gorgeous costume, worn, probnbly, by bandits of his province oidy, and his background was the well-known blue and cloudless sky of the south. " Well, I must say," remarked Mrs. Wyvorn impres sively, as she looked around her for the pake of argument "I must say, Amelia, that you have made very groat progress." " It's a beautiful hoad," said Grace sympathetically; oh, you doar, clever Amy, I must give you a kiss; J never saw such a fiorce-lookinir bandit! " " I should think not" returned Amy. "Tho Professor WAnwa us particularly to catcu mat expression, us ip model actually did commit a muruor once long ago in Corsica." " Of course, one must not praise one's own child," said Mrs. Wyvern, "but I cannot help thinking thero are very lew young artists who could ucai inui noon, aiiu i don't know about 'young' either." "There is one little thing that troubles mn," said Amelia in a hesitating voice, "that is, you soo, mamma, the high light on the bandit's nose. hat do you think of the high light Mr. McHuish!" " I'm no much of a painter inyaol," replied tho jwrson interrogated, who lapsed into a northern dialect whenever ho became nervous. "The nose is no that bad, to my thinking; it's the lad's comnlotioii tlmt'n torril.l surely." ' " Why, tho Professor said it was nut 1.1 nn ..,,. I, I" exclaimed Amelia. "Oh, Mr. MoIInish. von .loii't renltu tlm.k if l.l,.M" asked Grace reproachfully. 1-1 stammered the young man. "Perhaps," said Mrs. Wvvein. with sninn um.riiu "perhaps that Mr. McHuish has not Miilueientlv tmul tho roilouiioim from tho wmthorn hky." i ' . i ...... .... Ainona sum m more, rossiidy she inwardly felt that like the archbishop in "Gil Itlus," she desired for her critic " toutos sortos do iiro.mi'irito. avoc un mm t.liw ile gofit," whilst the iiiiluippy offender, stumbling over Ilia mini titiimu aitiii.lil 1... tl... ... t'. ... ! - . . n'MiKiiv vi 'inv HKIinci lllimimil prillSO to reinstate biuiself in It in former position of trust D.iys passed; the bandit carefully framed mid lab. eled, was sent to the exhibition, and in dun timn, as Amelia receiven no no 101) to tlm ctnfary, s in Immune tremblingly, hopefully, delightedly aw.iro that her picture was acccpiou ami iiung. During tho to anxious d iys she was very ea(erly ox loctniit and y.t afrai I, tt hear the potman's kn xk; she know n it what iiowh In might bring. No n s is good news, doubtless, us Grace oftontimo assorted, and vet such silcnen was trying to bear. Amelia worked souiowlut htfully at tho Professor's. Slio found herself in higli favor with her fellow students; 11 i ...ii.. ..: .1 . i. !..... i uioy uvuc'imy viuwini unr wini iiiniui increased respect. On ono occasion tlm poor lady who was struggling with tho largo chalk noso actually wont on all-fours to look forapieco of india-rublsir which Amelia had dropped! Mrs. Himpkins addressed her as "dear child"; tho Pro fesssor talked lengthily to her of the possible regenera tion of art, a subject lie reserved for a v.ry choice few among his iiupils, do lining, doubtlois, that there worn but few of thorn destined to tako a really active part in such regeneration. Hut Amelia could not work n of yore; .ho painted out to-day what she ha I painted in yesterday; slio was certainly demoralized. Her small capabilities of tho present jarred iu her mind with tlm wid destinies hIio contemplated for tlm future. Of ciursu, tho brigand was tho doorway through which she wns to wnud her sti'jm toward these destinies, ami yet, as she workel, she was conscious of Homo uneasiness concerning the finite nature of her own art Ceitainly, at Ii une, as she Mat beside ( I racie's couch, at rest from pahUo or cinvas, she held forth garrulously as to her future aims and present suc cess, without any disturbing emotion. Homehow it was always so easy to talk to Gracie! Nothing seemed too great, nothing too small, for her facile comprehension and universal Hympathy. "Why can't women Imhumiio Royal Academicians!" Amelia would exclaim wrathfully, whilst her sister list, cued sorrowfully. " What an unjust, inisorohlti nine, tociith century we live in, to 1st sure," continued Amelin, forgetful of her d s-lrines of progress "only think of Mary Moser and Angelica Kaiih"iimiin!" " Were they Academicians?" asked Grace, who was still strangely ignorant on the subject " Why, of course." And thereupon Grsrio from liei full loving heart pro. tested that Amelia was surely intended to Tstcomn tlm female art pioneer of this present generation, ami that tho most obtuse public cmld not Hibly remain blind to her remarkable merit It in it r Im hold that such IndiscrimiiiaU) iiralsn was I uuwholosoimt for Amelia, but Grace did not roasoii