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About Oregon daily emerald. (Eugene, Or.) 1920-2012 | View Entire Issue (Jan. 29, 2004)
Great learning opportunities await novice tango dancers The Tango Center, located in downtown Eugene, is a great place for beginner ballroom dancers to learn By Natasha Chilingerian Pulse Reporter It's amazing. I've had 16 years of dance experience in individual tap, jazz and ballet, but I'm clueless when it comes to social dancing. I have performed several complicated hip-hop routines in my lifetime, but at par ties I always end up do ing the same little bouncing move over and over. I thought about at tending the ballroom dances at Ger linger Hall many times, but the thought never materialized. It is time to grow up and dance in public. I chose The Tango Center, located at 194 W. Broadway, as my gateway to social dancing bliss. As I ap proached the venue with my escort, I noticed a plain, stark white sign on the awning that simply read, "Tan go." I hoped the aura inside the place wouldn't match the dullness of what I hope is a temporary sign. Luckily the interior was soft, can dlelit and welcoming. The decent sized wooden dance floor was sur rounded by cafe tables, chairs, tango posters and mirrors. Behind the REPORTER'S NOTEBOOK dance floor was a romantic cove full of draping fabric and furniture. A few middle-aged couples were awk wardly dancing to saucy, instrumen tal tango — think Shakira's song "Objection (Tango)". When it was time for the lesson to start, the dance students formed a circle around two instructors. The space felt big and empty, most likely because only about 20 people showed up for the lesson. We began by introducing ourselves, but the at mosphere seemed a little too inti mate and exposed for someone who has never tangoed before. As the evening went on, people continually showed up, and The Tango Center eventually became crowded. The male instructor, Andrew Mc Collough, was downright inspiring and passionate about the connec tion tango provides between two people. He placed an emphasis on gazing into the eyes of your partner, which made it seem like the goal of tango is to convince someone that you are in love with them (making the dance all the more appealing). We learned the concept of leading with our chest to gently guide our partner either front, side or back. First, we practiced guiding each oth er in one direction with our arms at our sides, then we added our arms — in a traditional ballroom pose, only more circular — and new step ping directions. Finally, we were al lowed to "play;" in tango terms, this means starting to step in one direc tion then switching to another. Switching partners — in other words, dancing with a stranger — was required during the lesson. But the prospect of meeting potential dates looked dim, since most dancers were at least baby boomers. Luckily, I ended up with a recent col lege graduate instead of someone's grandpa, but to be safe, 1 would sug gest bringing a few partners of the opposite sex to this tango lesson. * I returned to my original escort for the last dance, and by then we had really started to enjoy it. Tango is sort of a sophisticated version of the slow dance. The steps are simple, so there is plenty of room to add heart and soul to the moves. McCollough had it right about focusing on con necting with your partner — it's def initely romantic. It reminded me of slow dancing at high school formals, but with more pizzazz. The Tango Center is a nice change from the loud, bustling bar/party scene. It doesn't come off as a dating depot, but you never know — there were a small handful of college-age people. Mostly, the place served as a glimpse into the world of tango, and as a sleek, low-key setting conducive to relaxation. And I got just what I wanted out of it: confidence in my ability to dance socially. 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