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About Oregon daily emerald. (Eugene, Or.) 1920-2012 | View Entire Issue (Aug. 13, 2002)
Tuesday, August 13,2002 T by Hicoiette Ong lor the Emerald ho quaint house standing at "I-. > V and Villard Street ts like no other. Instead of furniture, a cornucopia of colorful art work fills the walls of the house. According to a pamphlet di$ tributed by the '' ' ' ■ > < ■' ; : ;r fu ■ 1 promoting “broader opportunities for peo ple of Lane County to be active in the cre ) * : : b si,, Ml tilde s \ ' nif>r. Born in 1876, Kerns was from Portland and was a painter for 75 years, said Karen M. Pavelec, executive director of Maude Kerns Art Center. The Art Center is a non-profit community center for the visual arts and features exhibits by the internationally recognized Kerns as well as works by other artists. Although various paintings are presented at the Center, the Salon Gallery is a room that is dedicated to Kerns’ paintings. “Kerns’ art collection is dis played on a regular basis to pre sei Keins legacy,” said arts program manner Shayann Holier. A student at the Universi ty of Ore Adam Jones Emerald The Maude Kerns Art Center, at East 15th Avenue and Villard Street, has permanent collections as well as temporary shows, often featuring artists from the University. John Mayer performs at Arlene Schnitzer Concert Hall The 24-year-old musician plays a 14-song set to a sold-out crowd Friday, showcasing songs from his debut album By Brad Schmidt Oregon Daily Emerald It’s hard to say what makes John Mayer so compelling. It could be his boyish good looks, his thoughtful lyrics, his self-assured atti tude or his catchy, folk-pop tunes. Odds are, it’s a little of each. Mayer — who only recently found his way onto radio airwaves in many cities nationwide — already has quite a following, as was apparent Friday in his visit to a sold-out Arlene Schnitzer Concert Hall in Portland. While his debut album — “Room for Squares” — is a tightly construct ed, meticulous piece of work, Mayer’s live show revealed his psyche and true abilities as a musician. Playing a captivating 14-song set Friday night, Mayer included 11 of the songs found on “Squares.” As expected, the 24-year-old’s vocals were strong and seemingly identical to his somewhat-gruff-but-still-silky smooth repertoire displayed on his stu dio work. But the most memorable mo ments in his two-hour live perform ance stemmed from witty improvisa tion and captivating guitar licks. Opening with “Back to You,” each of Mayer’s tunes displayed his mul ti-dimensional ability to capture the audience. Using either long guitar solos to open or extending already existing solos within songs, he was at top form. Mayer received cheers for his crafty fingering and left many fans speech less. On numerous instances Friday, Mayer delivered jaw-dropping solos that kept the crowd quietly in awe. His conversational sense of humor also kept fans reeling. Mayer quipped that he went to Powell’s Books hoping to enlighten himself but ended up looking at Japanese porn. He also joked that he’s been told his sexually explorative “Your Body is a Wonderland” will lead to an increase in the country’s birth rate. Nonethe less, he said he’s unable to use the tune as an aphrodisiac during his own adventures. Mayer played with the crowd, too, at times sparking fans to finish lyrics. On one occasion he wryly commended the Turn to Mayer, page 6 . Courtesy photo