Oregon daily emerald. (Eugene, Or.) 1920-2012, January 23, 2001, Page 12, Image 24

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    Design Director John Hall and
Editor Danyel Barnard in
Jackson Hole, Wyoming
Action in Jackson
After two days of profiling and pho
tographing young professionals in
Jackson Hole, Wyoming, Editor Danyel
Barnard and Design Director John Hall
couldn’t help but reconsider their
lifestyles. “I could definitely handle
snowboarding every day at lunch,” says
Hall. Not to mention the killer view of
the Grand Tetons.
Having participated in a small diversity recruiting initia
tive at her previous employer, Time Inc., Dara Cook, who
wrote this issue’s feature “Diversity U,” is especially inter
ested in how diversity training affects employee recruit
ment and retention. Dara is a New York-based writer who
has written scripts for MTV Networks and also freelances
for various publications including Vibe magazine, The Source, and XXL.
Writing about electronic monitoring for this issue’s “On
the Job” column spurred Susan Countryman to become
extra vigilant—some would say paranoid—about self
censoring her email. To get away from the video cam
eras and other pesky forms of electronic monitoring,
she likes to explore Mount Auburn Cemetery and
Arnold Arboretum in the Boston area. Susan, an associate editor at CNET
News.com, enjoys chai latte, Play-Doh, and maps.
For this issue’s “Forbes Mentors” piece, our industry
editor Amy MacMillan drew upon her experience as a
waitress to understand how Malik Armstead runs his
successful soul food restaurant. A connoisseur of burg
ers and fries, Amy remembers struggling to recommend
dishes like oxtail soup and goat’s milk yogurt to the
clientele at the gourmet food store/restaurant where she
worked.
Fortunately, she abandoned the food business in favor of a writing career,
where no one ever asks her what the soup du jour is.
New York artist Anthony Freda recently had a mooving experi
ence taking part in the Cow Parade in New York City. Fiberglass
cows aside, Anthony’s work has appeared in publications running
the gamut from The New Yorker and The Atlantic Monthly to
Penthouse. An exhibit currently running in New York entitled
“Trigger Happy” features several of his more personal paintings.
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