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About Oregon daily emerald. (Eugene, Or.) 1920-2012 | View Entire Issue (April 21, 2000)
Visit iimw.waiinesgarage.com/wg IF GAS PRICES HAVE GOT YOU DOWN Alpha Kappa Psi presents ' salsaS merengue Friday, April Agate Hall (corner ©f 18th S Agate) 8:30pm-lVlidnight Beginners' Lesson 7:30 - 8:30 $3 students $5 general PRICE DItftfER Buy any combination dinner at regular price (#1-42) and receive another combination dinner of equal or lesser value at 1/2 price. I 6©©d at Don Juan Jalisco these 2650 River Road 30*15 W. 11th ijjecatiens: 68*1-5821 485-8636 Offer expires j 06/25/00 | _I Why start your day stuck in traffic? There’s no such thing as rush hour at an EYA wilderness camp. Our youth counselors live and work in some of the most beautiful, natural settings in the eastern United States. Hike the Appalachian Trail. Canoe the Suwanee. Sleep under the stars. Develop personal relationships. And help at-risk kids get back on the right path. Doesn’t that sound a lot better than breathing exhaust fumes twice a day? For more information, park your mouse at www.eckerd.org; Send resume to: Selection Specialist/CN P.O. Box 7450 Clearwater, FL 33758-7450 or e-mail to: recruiting@eckerd.org All majors encouraged to apply. Paid training provided. 1-800-222-1473 • www.eckerd.org EOE Ryan Starkweather Emerald Song to the Creator,” an exhibit featuring weaving, beadwork and leatherwork of Native American Women of the plateau, re cently opened at the University of Oregon Museum of Natural History. Artifacts show Plateau culture at UO Natural History Museum ■A lecture and workshop will showcase Native American artwork By Serena Markstrom Oregon Daily Emerald In Plateau Indian culture, the women are the keepers of tradi tions. Since 10,000 B.C. they have been keeping those tradi tions, and until Sept. 10, the pub lie has the opportunity to see their artwork at “Song to the Cre ator,” a University Natural Histo ry Museum exhibit. On display now are contempo rary and classical examples of weaving, beadwork and leather ware, as well as a general history of the Plateau Indians. Pat Court ney Gold, whose contemporary weaving is on display, said in Plateau culture, art and life can not be separated. “To understand the baskets, you have to understand the cul ture,” Gold said. Gold, who belongs to the Was co tribe, will deliver a public lec ture called “Who are the Indige nous Plateau Tribes?” at 7 p.m. April 28, in Room 110 of the William Knight Law Center. Gold said she thinks it is im portant for people to understand the history of the first people to inhabit this land — a people who were recognized by the federal government as nations before Oregon and Washington official ly became states. The lecture will also hove a slide show, and Gold will discuss how the history of the Plateau In dians affected the art. * Gold said her art reflects tradi tional techniques and incorpo rates important contemporary is sues. The basket on display contains a malformed sturgeon she calls the “Hanford sturgeon” to draw attention to the pollution that the Hanford nuclear power facility has caused in the Colum bia River. I he items on display belong to the University Museum of Natur al History, but the concept of “Song to the Creator” first de buted in 1097 at Washington State University. The exhibit consists of infor mation panels that travel to mu seums all over the Northwest leaving the museums to match their own artifacts with the back ground information on the pan els. Tessa Winiarski, a museum vol unteer, said she appreciates the exhibit because the artifacts help her understand the written histo ry “I think anyone can connect with history,” she said. Leilani Golden-Guthrie, a jun ior education major, said she was impressed by the beadwork. “It is so.amazing to see the beaded purses with so many de tails,” she said. "Most of what we see is so fake and plastic. This is genuine beauty.” The beaded bags are labeled with dates that refer to when dif ferent themes in beading came into the artform. For example, by the 1880s, floral patterns became more realistic. In addition to the artwork and the panels of history, there is an audio-tape of a Nez Perce Indian woman telling stories. Elizabeth* Wilson, 91, recorded the memo ries in 1972. In association with the exhibit, the museum will host a basket weaving demonstration at noon on April 29. Gold will join Bud Lane, Esther Stuzman and Karen Howlingwolf to demonstrate techniques from different tribes. Stuzman is involved in a re search and weaving project to recreate a traditional Kalapuya dance hat, a feat that has not been done since 1855, before the gov ernment relocated Native Ameri cans to reservations. In addition to showing tradi tional Kalapuya weaving tech niques, using spruce root, Stuz man will show the part of the hat she has completed. A basket sale will follow the demonstration, and the price of admission is $2 per person or $5 per family.
