Image provided by: University of Oregon Libraries; Eugene, OR
About Oregon daily emerald. (Eugene, Or.) 1920-2012 | View Entire Issue (May 1, 1995)
Various Artists /hr f rtfii ! fu/t ihf,t! ( ( cltu IK jnlw ii \rUmu Nttt in IummI IjIk! ( rhu llcjnluil, to fminilrtl h\ l 2 in mi .iiicr Paul Mi (iinnnrM ilntunicnh the pmtm mate til irailiiinn,ii lush in ii si< tin this »h\i rvc jtul cnga^uik' vjunplcf I he tdltccfiun ti>niiin< eight upini mentals, featuring nuivn.il tools rareU used thi\ suit ui ihe \tlanlte \mlt It'ttll and I > « V Sjltlljlli IHiplot It,nil luma) ( rliu instruments sihIi as tlu ml leant) pipe and the btiu/oukt on the iiiiUn ■ n . H rump "( hcttoino Hon. Moving Heart".' "the Sturm” n> a real standout that (uses Irish tradition with |4?», link and eieli gasp' the t «iird (iiutk i * M the nit al sc teel tons, luck. In groups ( laniUil and \iHiiu arc rspectalh pnipam in their use ul rich medieval harinurn to t re ate a haunting and msptr mg musical language I vjictialh U>r strangers to traditional Irish imisn . lb i ( tin. 11,tiith.it t oil,. It,n tillers an inviting 12 uaik tasu- • >1 the genre ■ f.tnt. - / /ho- I iaitv Niirthm stern \ ' tb^ntrrt) l Fossil /■ mtt/ Sire \\ arncr lints I »erv so often an jrtiM (or iihivc tnent) emerges to rupture the spirit ut 64 .uni cmfao<l\ ■ill things Beaties t'MjUi / ‘iii//. the ilchut album from the hand ui the s.ttite mime, shows tn.M 4 iiaiui tan cumntiy iih »<i pni .m the musical traditions of rm L s pasi sstthnnt sounding like a dinosaur museum. I he first vmglc ami album opener, Moon." is j clescr turn on the lack of non-t'lithcd communication between losers 0 c , singing about the moon) Use track is filled ssith gnat luniks cs|Hcul Is the guitar intro and strong lead vocals from lead singer anil Ivrtctst Boh () (itireck 1 he test of the songs are alntost as i hi hs as Moon cheek tlu ode to androgsny, "Molls," md the mus enlat set ambient “KaU." ■ Djrtrn (,., itl‘iri Kl Si 1 M, 11 tua.ntj S(,/rr I The Goo Goo Dolls I />"■■! ( i t U jnu r ilro Hi« <■« riffs jilt! nut too ■ I llt,\ \,tmul flu - j>! Ill < s t }|( < mo (ions i an rotk out anti In tunc fill ai tin same time {unlike, sat, I ool i Hut we alr(ml) Liu« that from listening in th< hand's superior 1 */*>< release I .1),t i h llu- melodiimn here isn't quite as lommcHi (although tratks like "Hat I *>j> Jiiil " Ain't l h»i I nu\ua! jit cvecpUonsi, 4ml nothing rcalls reaches mil and ilnn you not to listen An ■i 111 in jit jt i slower tempo, "Name," (alls llat sounding less like a Wester here I a me til than a Kit hie Sami.ora power ballad I Hox \jmeJ (,<„ is at times down right tireMittte like hearing a mid 70s heavy metal stemi|ier hut not quite as much hill t ill this latest outing, I he ( ,oo t,oo I lolls sound lik< the older brothers ol today's neo-punks tryir»E to keep up ■ I Ktnrn (iriulhn kl Si I \l / ■uiii.uut Srj/e t The Nonce II <U I ltitm.it i \\ i!i( \\ < si VnitTit 411 1 ircit lit (hr i i I unL rt i ()n (heir full -length tlcbul, l \ illlll 1 he \ otter ah.indon dated gjngstj fonvcit (unis jin! honor (he old school s* 11 h dr I u mu sis -sp.trv heats and 4 stripped down m\Iv thji slams harder than your average Snoop tlu (our, Keep It On" is i potent party inn, «llh nu inhers Vusef and Nouka dis placing solid street flow, while "highly 1 iw and the Mow up single. Mis I apes." pay tribute to the mid htls secne that inspired them I he lyrics and samples reflect their "non school" ethie a blend ut eiassu rap vibes ami ortg mat hip Imp flavor With if iU I'iurnau. I be \otlci slay true to the underground and give w I St ( oast rap a much-needed dose of spontaneity ■ / I hr r Oaily Northwestern V ' r/’a eefmi I • * * * * *Coh«nbo • •**<*%%«;* fWow ***»Ko*ak _**"Cn#h« % Angela • mvjpctot Gadget Listen, U. B»ll> King — • . • i , • h band in fifth gear A mmestic album Tlw Root*. Do You Want Mora?! — '• tuphop m tmtms. !* <• Root! .we dangerously ta« nted Do You Want More” is a historical (for u'ii' proof Hi ll '' . t■ ■ ' trun ii'i i'.ai hip hop can M.md on its own Y chi Ara What You Shoot — w ii 1 • a* ■ • K1 " > ■ Jonrs " i*‘ j-v* together with 12 CftcagoM bands great music This is a compilation disc of upand coming groups in support of gun control Call 1 800 Gf TMOJO for more into on where you cart png up this little ditty U**» Cmtm, I Uha My Fta With Cramm — Ih.s uiv ■>’/>*•{1 Oklahoma City band sure is convincing featuring intricate arrangements and folksy instrumentation {violin, man doting this debut If* sounds like the work of aspiring musicians, not aspiring rock stars Call (4051 3300746 for distribution into Att*macftyc«i* — Sure it's sewst. but man Ul Phair. Vervica Salt. Julianna Hat field. Pj Harvey. Tanya Oonnelty they make life worth living sometimes. Yeah you're tor me pun* took giri ' Dagobah * k*i£ time ago m « midwestem town !t«, !,,« awfiy, the boogie began. And it hasn't stooped s»nc«; ' 1 rt»f t’ »">t Dagobah i.mes it-, nan--.- hum ,t s.,,-.1 yday meditation < mu em mg Jed i master Voda s weed-choked home planet the tnman group s spaced out. funky sound goofbo staga presence and tonguetncheek humor seem to flow naturally trom the same source •i kke to be stupid and tdrotic (onstage}.' says guitarist and covocalist Pat Willis, eipiatrung the lac k of setf consc:iousne*s typical of a Dagobah snow Wtien an entertawef acts that wa» Will* adds 'people seem to loosen up Every t>w!» hits ,i good tone And that s when we’re serious When we re goofy, let the vomit flyt* ttondmg the soacepeatmg, hoppmg-ac«oss the galaxy raucousness of Han Solo with Voda s Zen-eka teachings Dngobah's 'pfunklecttc." music takes you on an emotional roiter coaster It runs the gamut from introspection to all out psychedelia. For every crared sweating concert goer gyrating on the «o» during a Oagobah gig. there’s someone standing nght beside him staring into space. 'It's a matter of taking quality musrt seriously while poking fun at muse « general,* says bassist Todd t ackier Dageoan s seif titled CO epaomwes that carefree, sarcastic attitude with songs like ‘(Whatever you dot Don t Oence.* The disc features original material, but the band s occasional cover tunes have become notorious — there's a mix of Kansas 'Carry On* with - lunge Boogar on a smgie track and a ska cover of Nirvana * *in Bloom * (jource materia! a endless m that regard, and it ponds the way to a ptoyfut funkadeic future eke a swfngmg light saber Tv* been teaming how to play ’tight*, by Journey.* whim say* ’But t m ptayme « three octaves lower For mom into, wme Oagobah 11? S Summit St . ipwa City, lA 52240 « tom Cormm, The Daily Iowan, V, of lam U. Radio Chart 1- N Harvay, To Brmg You My hnt, Island 2. Mika Watt, Hull Hug or {ugbn.ii'’, Columbia i- tally, king, Site/Rcprisc 4. Bratniac, Ban;*u Superstar, (. raw 4- taaUf ChUdraa, Junior Citizen, Sirc/Rrpn^ §. Man at Loaf, r„ iw, Alta* T. Staaa Raaaa, SttmJ Commg. (Jcffcn ®* ^®t BalalBa, /it Death of Exteilemt, World Domination •. Stomata aat Ma Saaatiaaa, 71«r ftuptmr. Gcffen 1A. Taaaa Uniat, Oar Personal Best, Chainsaw/Candy Am **•» ***£'*?£“?* •*» *w«* WINV. U. ofNdwd*;