Oregon daily emerald. (Eugene, Or.) 1920-2012, March 01, 1993, Page 33, Image 42

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    Defining Living Color • Consistently Sting • Belly Explores
Its Feminine Side • Doubts AboutJesusJones • Zevon Howls
U. College Radio Chart
I Pavement W'aurs, dnmntu i M.ii.kIi>i i
2. Freedom of Choice.
liirolint')
i King Missile
/ lapfn Horn {Atlantk i
4 7-Year Bitch. /)
V Ween. Ihnr(>««m(KJcktr.u
ti Grenadine, < •ayn (Shiniim I >w
7 Jawbreaker Hnmuu i Iuj*k>i
H. Nirvana hurstimU <<
>i VanWa Train Wreck, \mruim^
to 7'ry Ijkt You NLunmnrh)
10 Sebadoh, \tna\h )mir Hnitlim
thr PuttkR«tk\ Sulil1* )!’)
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Southern IUhwh* l MM* l >4 Irui WtU ! uUnr l V%\K> V**fc*h«e«H k( VU J 4 \*> »»■»>** «t
r W\IH
4 Vlunu
I "il'K
Sting
Ten Summaner's Tales (A&rM)
★ ★★★
It was (Irfmitelv worth the watt Nuuk
roirirt h.ti k .titer .1 IWO-vejl u-spitr with a
Mesh ( nllr < I ion o!
m w s 11 called I'm
Summtmn i /alr\, .1 10
(1 at k Morvtxiok. ill J.l//
mlrMrd tunr>
I he new trlr.isr pi< k\
lip »hrit- / hr \ntl ( a^ri
led oil with j wxilhing.
ei In tn imistri <>l Im
signal in r jo// j*>p sivir un vtu^ iim
F.vei I use Mv Faith in You" and "Shape* ol
M\ I le an." Sting s smooth av-silk \«h ah thill
o\rt some o| his Ih*sI work 111 \rais li.lt krd
l>\ an all-star band, it's haid to find a flaw in
this album
I hr real gem in this album is a ir-rrlrav
ol "It s Probabh Mr." a song first drlivrird
Oil the Irthul Weapon ? soundtrae k It s the
c tmilest and blursiesl ol all the tunes, illumt*
natetl l>% the guitat woi k of F m ( lapton
II their is one word to drst nbr Sting s
woik, it has to !*■ consistent Hr hasn't sold
out his st\lr oi his fans, marking his maturitv
sun r his rebellious davs with 1 hr Pol it r
Passionate vocals, poetic Ivrus, a tool, )«U/V
feel and the sweetest i hvthm set t tot is aiound
— these air the ingredients lor a gieat album,
and appaienth Sting's found the rec ipe? ■
OtriftGook* I hr .Sttni’u h (>uuitm, Norwich l
Belly
Star (Sire Reprise)
ititi
Min uiuiig. .uni unging, in the lt.it k w.u
■ ■I (wit hand* ( I hunting Mum s. lUrriirlM
1 .m\.i Ik much hat fonnrd a vrhu lr lor tin
burgmmng wtflgwnting (HUptil lirllv On
Brlh 'x drbul. V/u Donnrlv < oinm.uid«nx j
puim nlhci wtuldh [»>p iHttlil through thr
i ilirn trttuhlrd w.ticiMif frnulr i xislcin «•
Diumrli i (in hotorm nl (hr (irativr .uni
ilir drxtnn uvr |xtjw up in (hr Kins, .illin aigh
the laltri sc rim U> mil
dale* I In hours store!
son r sings * *1 tin a])Ua<
rd dolls, homing skill
and suit uic iiitempts
( >nr song, "Sloto Dog.
is based on lhe* am inn
( hinrsr t usioin <»l mng
a dead dog onto thr
tut k o! an ailultci(>us woman umn n un *>111
*l>uxtrd“ <1 rab wall ".I hcioin addu 1
tape victim twAH.tlK
lntugumg Ivmal themes indml, but the
muiK sometimes falls sboit. I'hc lour songs
prod in rd b\ (»il Norton (Pixirv iVrr l bu)
air thr urongni; pcppv drums ami giddv
guitar styling* c iratr contrast with Donuriv s
disturbing bins Some of tbr slowri songs,
ibougb, pi < ist* (o 1m* Lthoi i« »us and unutviliiig
Ujom* alrr «<In tutmlui with l)oimrl\ fmm
hr i of hr! haiwt' uill appirt i.itr while (hr
ummhatrd m«i\ find it unr\cn .uid disjoint
rd Huv .uimdingh • Don I.ribold. f'hr
t It \f ftjsf, U. of WtMrofiRtn, Milwaukee
Jesus Jones
Perverse (EMI)
★
I hr latent |r\ut |onen irlr.ne. /Vrirrv, n .in
,i|ii lumr Ini .1 hand that play* primatilv with
computet n in liru ol .u iii.il luntiuttirntn 1 hr
hand gamed atlrntion ill I1**.!! with II' |*mn
hit unglr .me) uilrn. "Right Hrir Right
Now " lh.it album. Ik’ufX, g.iir the hand a
couple oi t.iainim nommaiioin and mint
likrb thr onlv hit it'll r\ri have
/Vrvrrv in an attempt li> tide thr naif i>l
tri lmo-populaii(y invading i nllrgr i ampin
c . ai liny thr nation I rt lino yrrnn to be
Mini«* nt/airr cx mppir
t onspn v to r i
( #irt*ks to ukr at it 1 anti
dam r all night
iVmunuhh a litiU- him
(ri makes flu- mu* it
touiui brltrr bet ausr
v% 11 hoii( it, thr album
brt ofnrv rxl rr me Iv
annoying \ more apptopnatr < laxstnt anon
would Ik- lunkilgf dist i»
I hr hand has tried to derive a formula
hom Right Urn*. Right Novs and rr|xat it
cnntinttalh throughout t is new release I hr
allium takes you on a computer l«m»p lo hell
av i hr poll in ally c or reel Ivm % of Mike
Kdwards are whispered through a < hresv
pose l hr huhhlr gum politic % arr mil an
attempt ai making global com rim palatable
in fhr youth hui an attempt at siinplv fluffs
and t * mimed mai krtmg
Fans «it tr« him vs it I applet late thr short
rnrd single vrisit ms of thr dan< r ext tiixn >ns
It \tin t an t alibid to go to a c luh. vou can
turn up thr music and have* somr frtrnds
blow smoke* in vout face*, flic k thr lights on
and of) and wave a /W*'ini IHingitlmfiont
of vimi rvrs as sour pupils expand I*or even
one else. /VmrrvoHris onh thr jagged feel
ing of next-das iralnv ■Joe Train*, Honda
Hambrttu. Horitli State l;.
1
in the studio
Ahh-ouu1 Warren Zavon is howling again Zevon responsible tor more than two decades ol
music and the ever-classic singles 'Werewolves of London" and Excitable Boy is working
-- — -, on an album to be released in April
Zovon Sti* exdttnfc
After a brief detox from Jane s Addiction. Kerry Karren s oacx win
hts new band Pomo for Pyrov and a debut album slated for release
m April As those who caught Porno's rare gigs at Lollapaloo/a last
summer can attest, look for a more tribalized reincarnation of the
Jane s sound
After six years chameleon actor/rocker David Bowia is changing
back to the color of music and working on a solo proiect due out at
the end of April Black Tie. While Noise produced by Nile Rodgers, is
backed by A1 B Sure! and Mick Ronson, along with some other
insightful musicians — including Bow* doing his Clinton imperson
ation on sax
Following the Dry album. PJ Harvey mixes it up again in a London studio Her latest shock
n rock thriller is due m stores late spring
While hiding out in an L A. studio, punk rocker Billy Idol hopes to wrap up his new release
by early spring or summer, but as lar as details about the sound, "mum's the word Irom EMI
Once a punk, always a punk? Not necessarily . ■ Jill O'Brlon, Dally Nebraskan, U. ol Nebraska
on the road
A brief look at March concert listings
Elvis Costello and the Brodsky Quart*! Los Angeles CA 3.14 San Francisco. CA. 315 los
Angeles CA. 3/16 Boston MA 3/17, New York. NY. 3/18
Gin Blossoms: New Orleans LA. 3/1 Birmingham AL 3/2 Tuscaloosa AL 3/3 Fl Lauderdale
FL. 3/5. Tallahassee. FL 3/6 Tampa. FL. 3/7. Orlando. FL 3/9 Athens GA 3/10 Atlanta GA
3/11; Raleigh. NC. 3/12. Chapel Hilt. NC. 3/13
King Missilr Jacksonville FL 3/6 Atlanta GA 3/7, Charleston. SC. 3/8 Wilmington NC 3'10
Raleigh, NC 3/11; Charlotte NC 3/12. Virginia Beach VA. 3/13. Richmond. VA 3/14 Washington
DC 315 Asbury Park. NJ, 318 Philadelphia PA. 319 New York. NY. 3?0. Long Island NY 3/21
Phtsli: Los Angeles CA 318 Sacramento, CA. 3/22, Santa Rosa. CA 3/24. Santa Cruz CA 3^25
quotable
“It's not any kind of primal scream therapy — it’s just so
people can tap their damn foot.”
—frank Black (formerly Black Francis of The Pixies) on rock n' roil