Oregon daily emerald. (Eugene, Or.) 1920-2012, May 29, 1992, Page 8, Image 7

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REVIEW
Continued from Page 5
Director David Fincher comes
from a history of making music
videos and it shows. There are
tons of close-ups, quick cuts and
skewed camera angles. Most of
these are more distracting than
enhancing.
The look isn't all had - it's just
too deliberately gloomy. It seems
as if only grays and browns were
used in the production design.
Ripley is made to be mythic
and overtly Christ-like in this
movie. Insteadofgetlingdown to
the business of scaring the audi
ence. this movie prefers to sim
plistically show Ripley as a sav
ior.
Unfortunately, too, the film
makers do nothing to try and
explore the potential of the plot.
The fact that all the supporting
actors and actresses are con
demned to live out their lives in
a dark hell is not examined.
The movie's biggest flaw is its
lack ofany real scares. While the
first two movies spent the long,
slow periods building suspense,
this one is just long and slow.
The movie is not all bad,
though. Every action seems de
liberate and believable, and the
camerawork - lighting aside - is
fast paced and often exciting.
But overall, those expecting the
power and terror of the first two
movies can forget it. This one
falls short.
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