Oregon daily emerald. (Eugene, Or.) 1920-2012, April 24, 1992, Image 13

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    ( Srgim l\ult ! mftiiiJ > UVAK Miw. I he.iU-t. I'.owr. Mihw' V i.Uv .nui SightU/e K iuuU
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Song and Dance
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f Kr ( a.I- iailn yu«HiH ' A- > ’ *«’ *• '■ ' i - a • ' >
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’ ,y S' raH - ' Xt ail ! !n*ii!wf|; ' i' *r(»
**•%.•* ••»•'•■ ' - ■ a- j I ' $ ‘ and S4 '•,«••
Visual Arts
\U>u* Al«'»t A; uml Bryund K*i»»fn‘ %
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1 *V#ll!« * IKM i AWIen c M*i
Th« f?»»* *lhibit **k. *i w. . I»*« u:c a£t«
|.fc» v £115* by fhroe ’ niver
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rr.ej ' - «»r , ■-« r it the f* ■ ' > tl -1
Steel m ulpturea fl« r a (>*tntm*e and ii*»igfv*«i millMi «
f /C ' f.-e A !r! « *a.;e'V 1W- '<• ■*’*•< »'*
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HU< k and ph.rtograpk* *. •*•
*> ■ k r I u , ' ■«' d? Vf
:apervea* ( ulfurei end t>»<*jfaliT# t >bt» ‘ ‘ * ' >
dbiti1 an ti*( .«» in the Maud* Kern* Vt < er/er J'.O r
Ava f eat uied m the • thibit will ba (<*nbt I »»»'•»»' :.*»
aod irun garden itaUrai cnee ha and hun^fia a;.-! «: «*< i?«111a
v. •.. ‘.m ft* *aie A taa . tieotoat demunai lai .• ft w ,*»ej>ie. *in
the ga cr» un Saturday Ajrfil 2‘j horn 2 4 m T be dta^iav w
...Rtinua through Mat t
VS a yang hulit Tka iavarveee Shadow Play* i» ' he ’ .* « d
exhibit o|«n at * ha Iniveraity ‘.afurel Hiatorv Muuum i' **» f
1 Ath Ava T ha display featuring Indonesian ahadova ; >-{ }•*«»
will rert.a: Q open th?< ughouf th* tear
Sculptures by AufuM* Kudin ai* on display a the Museum f
Art 1 4-K) lohfteoft l.n T he exhibit wiii fOfltinue through May \\
19*2
"I)»g My Teenier a at K<«ote * an exhibit featuring ho * 'at be*
aatry .* on display in tha Muwum of Salute] Htetuev .'.*«> f
ISth Ava 1 he exhibit i* :>ng<ang and a I' donation t» »uggaa?*d
"Avian Architects Hilda Seat* ami hgga * an exhibit foatmirg
lard neat * . uliex tad by Samur Instructor of Hiolngy Herb VS i»r.#r
Will ba on display in tha Muwumof Natural History H *H» h 1 *>th
Ava I he exhibit .* ongoing and a $5 dixn*fi r i* » igg«a!*d
f.ihmpie ■ Branded Traditions* an exhibit that ex a na* 'he
influenced/ ! ala am < bust ten and |awi»h religious tradi?i<ma on
Ethiopia wiii ba oft display to the Museum -f Nat.. ra; Ms at of v
1690 h 1 Ath Ava Tha exhibit i»ungiang and a St donation i»
« u gg eat *d
"Archaeology id Oregon* an exhibit that i<«ih» at ar. ent and
Bora r©< ent native lib *.gn* it on diaplay ;n tha M-autti of
Aatufal MiatofV lfciM) f. JSth Ava Tha aahibit .» onfDiO^ and a
S', donation ia tuggerated
"la**n • Fnamda Animal Kapraaaatation in Soflhvaaa* (^»aai
Art.* an exhibit that bafuraa Virtharaat ( oaat native* artwork
iaondia|»lay in tha Muaaum irfSatuiai Miatory IfttOh ISfhAva
iha exhibit i* ongoing, and a S< donation la luggaatad
Shrugging
off
egacy utatus
i i|i DvI.iii h.is no p.il ii'in •• willi iii . lions > it Ins p.isl
"Sosl.ilgm.” In' mu r mhI, "is ilisilh
Hoi lli. 11 i nisi, 11 g i, i. in 11 in form ol iii.tn v of Dyl-in ■ "lit songs, will
I I III! ihroughinil 111!'Hull ( I'lili r oil rilin'.||.U April H> it M *** f*
\l tli.ii |inn- ,itiiIn'in '- mi'mlMtn will gi l In si i- 1 h I ni m ,n IHin
mil ni.iv ■ ■ v i'ii g*'l ,i li-i'l lor wh.il s iimli'ini'.illi 111*' surl.ii *'
It's I I.ISSM |)y 1,111 In In- tin* |M1|1 uulsliler mi apniugu s ■
tin .hisvvits offered \nd then' ts lit 11* • sign, as I"' '‘titers l,ls
lltitd (III,III.■ 111 till* business. th.it tn* is surrendering tils
independent ■* Dylan nut nnlv taught rm i n rull to think
in ill.* tilts, Iml Im .iIm> shown 1.1 sluhhoru refusal topl.iv hv
my 1 mi* else s roll's
Wlii'ii In- turiii'il riO last yi'.ir. tin* mrilia thought it would
In' the nil' lit lit!'' to try III put this I 11lt11r.1l In-rii .mil puzzle
into pi-rsp.*! tivr Hut hi’ refiivd murr than ttMl rispiests lur
mti'iv ii'vs s. agreeing only In •! hrn'f ti-li-phiuii* If ■*> A that
I'liili'il ii|i in Spy magazine .uni in .1 )' ium.it pulilishi'd hv
tin- National At adomv of Songwrit<’rs
Insli'.iil, In' lot the rii.nl. in year four "I what I >vl in
wall Inrs now 1 all I ho “Net. er I'.nding Tout an ongoing
ri ,1(1 show that. In I late, has rat led up -Pit) per forrnam es
, 11teen seen I,s aln nit tliree in 11 linn tans in 111** I * 111et I
tales, l.iirnpc and South Amenta
Hv design, the lour has avuided the usual media
glare I lylan has 1 ntu entralerl nil smaller s enui". ami
tiir 11 * * * I lus h.u k 1 a i the soil (' I superstar hoopla that
W HIM 1 | '111
in m.il \|n itli^lil Imii mm h
11| his i .irrrr, I Ivl in s f
Turn to DYLAN Page 4B
Char urn the idlest -
Bruce Springsteen
Human Touch
and Lucky Town
Sony Records
1992
★ A 1
Traditional folk wisdom savs things
art; supposed to get better with age I wn
new releases by Brui t'Springsteen prove
thfrt; art' exceptions to t(u; rult;
When Springsteen and his K Street
Band debuted with (irti'ltngs from
Asbun’ Park. N.f in 197T he washailed
as a "street poet" and latieled the next
Dylan (a moniker that was a death blow
to the careers of many lesser artists) It
was tlie power and punch of the band's
performance, along with the music and
lyrics, that grabbed people's attention
Bruce Springsteen symbolized the
passion and spirit of rock 'n roll I tie
street -punk -from- New -Jersey's street
poetry was made complete not only bv
the force and sincerity of his voice, but
by the energy at the core of (tie band’s
talented rhythm and blues musicians
Through the 1<J70s, Springsteen built
his reputation on four-hour workhorse
performances that were more like spiri
tual redemption meetings than rock i on
certs "The Boss" became famous for
his Innglhy r.qi v’s
sions with .itutifiit *’S
.11>• ait growing up on
lhi- olhi-r siiii' of tin
f r.11 W s on I hr Im.iril
w.itks of N*’\v Irrsi’v
Springslrrn's s<ililo
Revietv by Pat Malach
h\ siiiiifimi' I'Kpliiilmx
will) .in finTKv iiimi'il
■ it .ivuiilm^"iliimg wh.il
inv iI.hIiIv linin'
His c.irly wiirk, cul
mm.ilmx willi Horn to
Hun m 1 *»7■>. I'.irnril
quit's annul Im* trnuous rHahons with
his father, and other simrrr i unfessions
from his past, endeared him lo fans who
stood riveted as he launched into "Blinded
liy (he Light s soaring beginning Mail
men. drummers, hummers and Indians
in the summer with a teen-age diplomat/
In tfie dumps with the mumps as the
adolescent pumps Ins way into Ins hat/
With a boulder on mv shoulder feelin'
kinda older. I tripped the merry-g' < round/
Witfi this very unpleasing sneezing and
wheezing, tfie calliope crashed to the
ground
And he meant every word of it
It was the spirit as much .is the message
Springsteen's struggles with love
and life, through songs like "browing
l Ip. It s Hard to fie a Saint in the bity.
"Back Streets" and" Jungle Land." are fired
turn ,t s|mi| aiming
Ihi’i lassie rui l n' mil artist'. It s fitting
tin- album is ionsidered Springsteens
Ix-st it was the spirit of somi'unr who
w.is Ix/rn tu run that propelled it
The spirit faded nft•• r that album and
there was a nutu cable loss on The Ki vit.
a doubli' album that sold fur about S14
wlum rid'-asi'd in 1MH1 (compared to
$2 VS to tu gut thi; twu latest (IDs) Al
though it was nut as good as earlier
rue urds. thi' album dues contain sumr
great music
i tien came Hum in the I'SA. in l’tH-t.
and the rest of the eountrs disi.uvered
.Springsteen Uruce's i hang'- frum out
sider-street punk tu legitimate-Ameri
can-hero was complete but the spirit
Turn to REVIEW. Page 4B