Bonin'in the New Year with Very Special Guests 95.3 "KAYE Monday, Jan. 13th, 1992 TICKETS ON SALE NOW af 8:00 D.m. Hi 00 U o«0 SlixlanO III 00 A<tmt«»K»o ' * MU Mn OmK-CO Wo.kW bc* lh« Mum | fsj THE EMU BALLROOM -H*c ofd G«rtS*<*»MouM oI Htt wdi Picture Perfect. When You Want... & Quality Photos. & Fast Service. O' Low Prices. Bring Your Film To 1 The UO Bookstore! 5X7 ENLARGEMENT SALEjW 8x10 ENLARGEMENT IF YOU FIND A LOWER PRICE ANYWHERE IN LANE COUNTY WE’LL MATCH IT! 13TH& Kincaid M F 7 30-6 00 SAT 10 00-6 00 346 4331 RIGHT ON TARGET! Emerald ■r. L)<:i.'v CALL OUR AD DEPT: 346-3712 Courtrty photo One ot the paintings by Springfield artist Robert Kramer, who has an exhibition ot his work at the Hult Center s Jacobs Gallery from Jan 6 to Feb 3 Springfield artist uses home to evoke images By Ming Rodrigues f ;tw a id Oontr itulor Something ttiiit s realistic oft (in reaches out to the hu man rm a and strikes a c hord in cmc li ol us I veil when it's art With Kotiert kiiimet s paintings, you get the lamili ar feeling that you've heen where tie's heen, met the same people and thought the same thought* hollowing the Americ an realist traditions of Thomas W hum lories Andrews Wy eth and Winslow Homer Kramer s w a I err oloi and drvbrusti paintings are not so much concerned with Uuhnujtie! and design as with emotional impact Me works to c reate personal 1111 ages of our relationship w ith the natural world When We sec something that s real our senses are stimulated more profoundly as we re able relate the sub act to our 1 jves,' Kramer said I'hls is not often the case With design that’s not tied to something concrete Invariably the m-toue h appeal of his work owes a great deal, not to some far flung tnspiiiittonal turner of llie world, but to his own neighborhood and the peo ple who make up the small community in Springfield when' he lives A loc ai resident since1 19f>3, Kramer's images de pit i 11h- right on his door step neighbors, family ,iriti friends, and the Oregon scencr v and I i lest v ! e There's little in Kramer's work that is disconnected from Ins (iwn vs ,iy of Hie On this level. Kramer lie lieves it's a lot easier to com mit to working on something one's comfortable with or feels strongly about and this, is wflV he made the switch Irom more than .Ml years of painting in an abstract, non objective style to a more conscious style just two and hall years ago I guess I became more awaft • t t epre-e itat .(srvii images and Its emotional in stead of decorative t input t said Kramer who graduated in fine art from Cal State in lu Her ton Rustic and meditative, the allure of Kramer s paintings is not how tlu-v jump out, bright a mi active, ini t i n their muted moodiness His use of light and darkness is purln u la11 v t harai 'tensile He sees his suliject lor Its ob vious qualities at the same time .is lie interprets the im age as it kuk-. around in Ills head K! v pit lures have a large chunk til what I at tuullv see and I at-, inject light and ’ urn to ARTIST Page 7