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, Socio-political consciousness makes 80s art stand out
Local artists say styles may change, but love for art never will
B\ Kelv in Wee
I n< ore I ditor
Ail is more Ilian |usl a leu brush strokes
over < anv.is or .1 few p.its on the lump ol
i I,in sitting on the potters w heel
In the l.ist It) years, the world of art has
oven mm' iii.iiin ohstai les th.it most military
Ion es m.in sin 1 umfi to budget 1 uts
However as the t'mversitN Museum ol
\rt's Curator ol Inhibitions Tommy (irilfin
said, the loc al communilN has a network ol
funding institutions that have managed to
obtain mui h needed hinds lor loc al artists
Most ol these hinds are from the National
l uiilow menl for the Arts be said
I think that artists in the trent lies now
are feeling more i omlortable nn ill) the fund
ing network and proi ess. and are now sub
milting reipiests for funding." he said This
.iIIonvs more talents to surface from the
trenches' and exposes more artists from
the area
I low e\ ei the NKA 1 a me under lire rei ent
In Iin several conservative (longress persons
nnIio tell it nn as not appropriate* to fund "oh
scene" art like those of Robert
Mapplethorpe Mapplethorpe is famous for
Ins uitisiu non pornographic photography
o| the male nude both
In addition. Mapplethorpe is just only one
ol the mam artists who have* been taken In
the pi.mile ol the (ills Ml IS
Mils a disease that has affected more
than ion.non Amerii mis. has taken a signili
cant toll against the communilN of artists
and entertainers Its effec Is li.ne been so sig
min mil that the communilN of artists have
1 time together to 1 ommemorale their fellow
artists in a spei ial iI.in A I hi\ Without \it
\ l).i\ Without Art celebrated its second
anniversary this year with the participation
of more* than toil institutions nationwide
l oc ally the event was honored In about
eight galleries
(filler social political issues also have be
< omiiig more prominent in art works pro
due ec! in the Iasi dec ade
l ocal artist I'am Cohen said this is proba
bly because there has been a lot of social
pressure and .1 lot of c hangers that are bring
fore ed on sot letN
I think artists are kind of expressing that
in their work ' she said "I or myself, I usu
ally do work that Is based on nn own per
sonal feelings and beliefs
( olien said she believes that artists of the
past also expressed these- same feelings and
lieliets in their winks but those of the more
modern eiu have managed to express it more
t li'.irlv because people k; 1, ,t more to
(lav than tltev did before
We know ,i lot more n v m<i are more
aware of other things I belie that they did
(express their feelings) but it sort of a pro
i ess where we are now sin ,|
As for herself, Gotten trie*. oroiect in her
work is an expression of ben uman
"W haf I do mostly in n . ork is about
human beings and the i on uality among
iiv People usually trv to i, ori/.e us. as
jews or as women or as me; she said, ex
plaining that she is |usl !r\ o. > express the
basic human value of people her own life
.is well
Photographer Nancy Joi a founding
member of the Photo/on. i er\ said the
gallery is concerned with i; o x t nntempn
rary topics
"Photographers are more . u lived in poll
tical images," Jones said, hut added that
people interpret and read into t and photo
graphs the way they want to limes said this
happens with all media ol ail
The world of art has seen a soaring in
crease in the prii ing ol d master's"
works. It one remember Vincent Van
(lough's Irises. Pablo Pic a- ■ self-portrait
Vo /'basso sold for $47 u n n. Paul Gau
guin's Mala Mu.i lor S..'4 illion while
most others go for amounts * 1 many artists
todax don't even expei t to i .s in two life
limes
In truth, mam artist*. ■' i not receive
mm h recognition or reim ion for then
works while they are alive consider the
master Van Gough When I: was painted
in 188ft. he got nothin'..: loi In fait, lie
sold only one piece of woii- e ring his life
lime.
Sev end dei ades later,
piei e th.it brought the
brought a Xexv Nork gall*
considered at the va I tie
painting would have cost s ;
'l el a few more de
was sold al Sothebv s w
bv Alan Hood lor S > t 11
I.ocal painter Rod Swe
one ol mam artists who
piei e of his w orks for S i
Ins nm ks sel I troll) S r< to S
Swenson said he pain!
to paint and sells his w-a
they are bet ause he Iiv e
allows him to do only dial
I le said that art should hi
the same time allow tin ai
mg vv age
•17 the same
; ter nothing
Shit.duo (when
av s dollar, the
1.000)
1DH7 Irises
" w as bought
aid lie Is just
ii: never sell a
•lion I le s.ntl
1 ■ a piet e
lose he loves
tor the prit es
ii area w hit h
" a liable but al
.I lo make a bv
"It's ,is much reason In have a painting mi
thi‘ wall .i-i it is to wash vim i <u Swenson
said. explaining .1 blank wall as ,ix displeas
mg a sight ,is .1 dirty car \it needs In lie .1
part ul urdinan life
Swenson said the ret ent mi rease of the
cost ol art has not aflei ted Ins work or the
works ol many living artists bei ause art has
hei ome .1 i ommodils that has fallen into the
hands ol experts
Ill short. .irt min h.ivf i nnif .1 lonu ss .is
polllu .ills .Hill SOI I,ills S1 III I- till’ liavs ot
tho "old m.isti'is but it umIIs tin! not
i li.in^i' min h I’l-oplr .iii- still I’xpn'ssmir
tin'll li'i’lings .is thi'S (Ini Ih’Ioii' mils m
ss.iss now lh.it 1111i m.islois nrvrr know
('.ovt’inmiMits .1 ri• still iliil.itnu; ssli.it < ,111
ho fxliihili'il ssilh lunils thos spit from t.isrs
thus ijn 1.111111> is li.it i .in hr p.iinlfil photo
yi.iphfil skfti hfil m si ulpturiul I'ln■ rot flit
pmhlfms Ihf \.111o11.11 1 ndosvnifiil toi thf
\11s t.u fil art* i If.ii f\.iii.plfs
Large dogs
Srniin Knlh Mihlinll sit' hrhiinl his sculpturr th.it ' icpn-srnts ./ •>/</
ilrnts UltHtlofiir.nl .strugplr Im .uitniwnn in .111 iniiv.isingU institutiun.iliy.nl
six irt\ . hi hirgi* ihips
I'hoto In I'.ml Mill hi ll
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