Oregon daily emerald. (Eugene, Or.) 1920-2012, October 09, 1989, Page 18, Image 18

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    _Encore!_
Award-winning animation clips show diversity
Dark 'Lazar'
is best clip
By (.er.tld White
I mer.ild ( ontriluitor
Anim.ition, a Inrm of .111 ih.ii
Inis ,is nun li g><>ssil>i111\ .is it
lines diversity, is on display in
the lorm ol \ei .mother nnlltoln
i;v from I\gi.inded liiterl.iin
incut /hr N»i uml \iiinuitii>n
( flrhl ,ll lull I llr \ln\ Ir
tills t oin |>l l.lt loll ol sllolts
from .Hound the world w.ts t.d,
i n 11oni those films lh.it won
•iW.llds .it the lei eill AIII unit loll
< elelir.ition w Inc h is .1 i oni|ie
lilion held in I .os Anjgrle.s
This p.irtii ul.ii .imiIkiIokv is
inteiestniK hei .lose ol the V.il le
_Movie Review
t\ ul animation genres that il
I houses tu show I hr fealiileil
shitrls lange fniin the liihIV
(ami lilerallv I < ommi'K ial in
tin- hij’lih ahsliai I
Slime III these .III' MTV i IdVlT
.lllll lull In U Til II .111(1 llll'V ll
Itisliale tin- wavs 111.11 m.im
liri 11 i.ml .iniiii.ilnrs i house In
support themselves IlnvvrM'i
u lii'ii tlie .miiiiTii r is shown
III.it lln- slinil is just .1 i iiminri
( i.lI ll lines I 1)1 ‘.I|it•!) lln- rnjm
I lit*I It .1 lilt
Annlhcr neme Ili.it is well
ri'jii esenled is si ience I ii I inn
An e\i client example of tins is
(lavi ill) (inatovii h s I a/ai a
dark Orwellian narrative ttl.it
tells the slni \ nl a luturislu so
i ielv lh.it imprisons a dissenlei
W ild, i r.i/i
( rlrhr.ilmn
( ourtrsv photo
.ind samrlimrs hi/.irrr st rnrs from ,n\ nrd-winninfi .imm.ition shurls ,irr shoo ini; .it in The Second Animation
I hr Mm ic
lilt'll! Ill'll III I 111111
A111 illii'i i'\i i • l Ifni si i t * lit I- In
linn sliurl is the i imipiiU'i gfn
i>i.ili'il Hisil I IimIii .itinn " Its
mminnrnt is nul Inn l.ist |,i
(irnlili'li) with mill li i i>11i|>i111m
.inun.it mu | .mil mil .i singlr
sin ll IS If .isll'll
The film does a good job of not only
illustrating the many forms of animation
hut also of showing many high-quality
films.
ii.mini I..1/.11
It illuslr,ill's tin- iMssint; nl
I imi- m thi' j»risi in i i'll in .1 \ i i \
\ i\ nl .uni mli'iisc m.iinii'i ! lu
ll I n 1 si,mils util Ini ils mlpUM'
ili'l.nl .mil si rill's lli.il .in
Anim.itni Hoi) S.ihislon
m.iki's tin- im.inrs pulsr with
rhythm while kn-pmn Ihr mri
.ill I■ ■ xtiiif h! thr short mt\
smooth I hr stor> is .tlso vt*rv
(li'Vur.
It \ iMsih the best pier c ol
( (i n 111 u I < -1 .*111 in.it it mi in llir .in
tholngx
()i lii'i m if'in f I it t H hi entries
u hii It i mild iisr some mi
provement arc Porn < lolling
wood's overlong "Karg. nnd
I Ilf somewhat poorlx drawn
I m Toy” (probably tin- worst
pmi I- ol 11>in11111•• i animation
In John Lissit.ii and William
Reeves).
It's somewhat surprising that
this lilm is so disappointing be
cause it's done In the same
people t hat did the i lex el ultra
neon ' him hhnai h
I‘he ahst rai I '' I’eni il I )atu e
is In tar the most x isuallx slim
ulaling short in the program
Its solid him k and white lie
signs overlap and tlm\ into
each other in a verx heautitul
and strange wav
Mikhail Tiimt'ha's tribute In
Mil ki“\ Mouse. I hr Mai
allion' also uses solid I«|,■ < k
and white m ,i \itv interesting
u a\
( )thei pai I n nlarl\ interesting
shorts .in' Oregonian Hill
1*1 \ nipton's somewhat violent
"J'i Wavs in Quit Smoking."
Paul (darehnuts Disnrv esipir
"Si ali'ih ( at |ohll St h I la 11 s
morbid < •<Midnight Norma
(ioodnight Milton." Mauri/io
I oreslieri's masterpiece ot pur
i I'plion "Salome and 1'om
Silo's vvondertullv drawn
Propaganda!!! r.
Mall (horning ol l.itr in llrll
lame adds a torn ii ol tIn■ In
/anr w illi his tamily Irom hull
llif Simpsons l’hev grai e the
( Webref ion s presume loin
I Hill's
Some ul the shorts are unit'
iii-iikuble nr generit m< hiding
|u.in Pardon's "(Juinosi opio
Na> 2.' (iyluga Nagy's
"Fingerwave Siis.iii Young
and Mike Smith's "I 'miImIu
nun.i 1 and a sillv cornpil.ilion
of i hildren’s cartoons
It s diffit ult to gain a w<irk
mg knowledge of animation lie
t ause if takes so mam forms
/Vie Set n/n/ Animation ( '.vie
brntion does a good joli of not
onl\ illustrating those main
forms [nil also showing main
liigh-(|ualifs films
It's not mils t|U.infitative Ini!
i|liulitative>. and therefore, it's
well v\orlh seeing
/Vie Set olid Animation t.'e/e
bration I'hr \tovir is t urrenlK
show ing at kite Dijon. PI2 I
I till Ave
• I vpesettm^
• Paste Up l ayout
LETTER PERFECT
• 1 )esign/C onsultation
• PM I \/7 ransparenc ies
Doonesbury
BY GARRY TRUDEAU
Tht PRU6 E*FOfZ£MEHT APMj \
tSmAWN- m FBI ' JHf- NEW
iCRK POLICE ' rHt
lOHITE HOUSE PROP MASTER
G00PBVBNIN6, I'M ROLAND HEP
cBY AND nmt ARB Bui A FEW
OF THE PLAiEPO YOU'D- 5EE
TONIGHT ON ABC NE4U5
GPEOAL BP IT ION OF 1 AM
THBBB.UVB"^^^
WEIL BE- n/ATCHINO A£>
THtSEUTE SQUAD TAKES
CUT A "CRACK PEN' THE
SORDID ENVIRONS WHERE
Vt'MS OE "ROCK"ARE SOLD
AND SMOKED' J? - ~£
5OB!
4HATS
lOUR
PROS
ISM*
rrs Ncn fair! mr
ovk'xoe&AiLm
attenvom ampi'm
MUCH MORE AP
PtCTIVE'
_ 1
0OO
HOO'
islIMI MAI Ml K
I / w—- ■ -—
FEATURING; 99<
Rentals
Mon. & Tuev
(Nintendo)
WOIFF TANNING
gai'l S25.00/10 Session
Package
get I Free Session
(w/purchase oi package)
1888 Franklin Blvd.
<ne«t to 7-11 on Vlllard)
344-2691