Encore! H O u RECORDS 258 f 15th 5« 7975 MEW HOURS!! Mon. - Thurs. 11-6 Fri. - Sat. 11-8 Sun. 12-6 School UMHBtSm Of OKfOOM of MUSIC THIS WEEK at BEALL HALL: 961 E 18th Ave CHRISTOPHER PARKENING Classical Guitar 'A Tribute to Segovia' Mon., Oct. 9 8 p.m. Silva Hall, Hult Center $16. $14 Reserved Seats $10. $8 Students / Seniors ”40 FAULTLESS FINGERS” Piano Quartet from Eugene High School Class ol 1940 Tues.Oct. 10 8 pm. S3 General Admission $1 Students and Seniors BENNETREiMER ^Guest Artist Seminar A dialogue with one of America's leading music educators on music and arts curriculum Thurs., Oct. 12 8:30 p m FREE Admission PHILIP GLASS Guest Artist Lecture 1 Pianist and avant-garde composer Philip Glass discusses his works Fri., Oct. 13 3:30 p m FREE Admission For more information, call 686-3761 (Music School) ' L ookmg tor a good dear’ Check the Emerald ADS University Museum to show artwork by contemporary painter Alice Neel H\ Mart 1.1 I I diversity News Bureau An exhibition <>| paintings by Alii i* \cel .1 renow m il i on 11-injn ir.i r\ Amerh an artist, will be nn display (>i t ' through I It-i 1 ll .it I lie I'nivrrsilx Muse um ut Art 1 I td Inlmscin I ..ini' Ihe i xhibitiiin li-.itiirrs I'i |i.iintinvts limn tin- i nllci turn ul lmi.ith.in .mil Monika lir.nul ol I ugene I lie i <u i vasses tin hull' pnrlr.iitx, landsi .ipes .mil still lile representing (nur (in .nil's iif Ni'cl's long i .lu l l IU tlie time nf Inn de.ilh in PIH-1 Neel \\ .is ret iigllized a line of \merii .i s luremnst i nil temporary pnrlr.nl p.iinlers m p. miters ill people .is she pielei Ted In say In her last years she p.mileil many well known people m the .ul world nn hiding Andy Warhol. M.irisol .uni Iveil (.inniiis f ur me penple .ire the fust pielmse \eel said "M\ work Is ,l mnimmenl In I lli'lll An Hiding to l.arrv l ung n glstl .11 lm till' I’llivel sitX Mil sell 111 ul Alt \eel hoped In ex press the spirit of hei times In probing the psvt hology ul the individual In reveal the unique essem e ul ea( h ul hei sitters \eel habitually refused to Work on ( ommlssion so that she ( mild let.nil the freedom In paint the tiutil as she saw it Throughout the tilt veals ul hei i aieei ill New N in k ( 11\ \eel •• most lli'(|Ui'llt sublet Is h-abetta tin1 earliest work in tin- exhibition. u.is painted li\ Neel III PIJO sunn iifli-r she 11'i overed from .1 ncri mis bieakdow n I In- i h 1 Id 111 the painting is \i-i I s sim mill daughter wliu hml 111M-11 si-|i .ir.itnl (rum her ni<>1 ln-r .mil t.ik i'll tu Havana In Neel's ( nil, 111 liiisb.mil .1 |Mintrr sin- had met m ,iit si I11111I llrr lust daughter had died nf diphtheria tun \ ears ear I let I’,Milled limn memorv Is.ilielta is portr.ned as .1 tor lorn dull I ike i n ature < Inti It me a slutted animal I lie paint I m; * V ml ml iy.es Nee Is uWll I eel ing ut depression and luneli ness Neel latei said ut the painting “That's emotion in its purest lurm In PIT. Neel joined the easel prii|eit ut tile Works Progress Administration (IVPA|. whir li prin iiled a small hut stearU III 1 nine dining the billow mg eight years During this period Neel painted brooding 1 11 v si apes, un hiding Neu \oli I enemi-nl Hai kyard. one ol several unpeopled urban views that bear resemhiaiu e to similar si enes In I du aid I topper Neel nun ed to Spanish I lar fern m PUB with her neu liner Jose Santiago, a Puerto Kiiun uighli lull singer who was the lather ol Isi• haul her first sou Neel remained with Santiago for only a feu years hut lived in Harlem for a total ol 2 > years painting the Puerto ( midt'W phulit \rh\l \liir \rrl\ p.untmt; rntitlril |i>nnv Hrand onr rx.implr <il hvr hrss stirious pict rs Neel hoped to express the spirit of her times by probing the psyc hology of the in dividual to reveal the unique essence of each of her sitters. wore i.onilv members. neigh Inns ,ind friends \\ lien sin unsn l p.nnling people, she ol ten rei orded view s from her window or oh|e< Is in hci np.irt inenl Kit .ms ami Dominii .ms uj her nrli^lilmi lionti as v\ i• 11 as Imr liirmls aiming I lit- pnlitu ai lati a ais ami intHIrt tuais \t’i■ I hail a sluing nnpalln ini llit- limit'll lass til Ami'iii an OOUBU TEE PRESENTS CELEBRATING 30 YEARS OF MAGIC JOAN BAEZ OCT. 22 HULT CENTER SILVA HALL RESERVED SEATS St 5 00 & $16 50 :ibie at ail Mult Center Outlets or call 687 5000 to c fwge by phone I up Into I hr Cold M11 Irtv .111(1 took .m ,|( live Kill 111 leftist mi ii emeiils of the 1 *i ills Neel s compassion for the poor always was expressed through the portrayal of the unique individual 'Puerto Ku an Madonna painted in 1'» ill depir Is the u de and train ol the suffering man in I It I larlem one ot Neel's earh masterpiei es Al though the subject is tradition al. it has none ol the serenity ol the K.tphael Madonna or the sentiment ol a Mar\ Cassatt mother and elnld Puerto Ku an tori painted in Pi-Pi l\ pities Neel 's dark portraits of the 10411s Neel's ti uancial condition was at its worst during the period alter the termination ol the U PA program and it would lie years hetnre she rei Hived any < om men i.d sin i ess A diffii lilt re lationship with Sam Mrodv. a photographer and filmmaker and lather ol her son. I lartley provided little i omtort or relief from the demands ol two small i hildren Neel's fortunes improved in the earh 1‘Mitls with the rei epit ot the plt.i; Longview luuiula lion Pun liase Award and with mi reased requests to exhibit hei work Pile popularity ol photo realism and Pop Art i on tributed to a new interest in realism, although Neel disliked both ot these styles because they were not concerned yvith human emotion She had lightened her palette even helore this period, marked also by her move to a more spa cious and brighter apartment on the I pper West Side "Carol brand yvith ( at. one ol Neel's lew commissioned portraits, is lightei m ( oloi .mil mood ll ,in earliei w <irk■> 1',Hilled with Wei's i harm trristii spniitanei tv it her,dds ,i less troubled pe nod in her Hie and earner Wei’s works of the 1‘ltitls tend to he brighter and lightei She s.nd that I hanksgiv was her answer to I’op Art re terring to the ( an of Ajax on the sitlehoard The llin kl\ painted ( upon defrosting in the sink suggests in an amusing wax the les,, sentimental side of a fami Iv dinnei \eel often emplover) this type ot skewed persper live as an expressive dev it e "lennv (fraud " is less expres sionistit and more decorative with airv juxtapositions ol pati lies ol color with hare areas ol i am as It is a portrait ol a healthy pink i hooked i hlld Ilia! contrasts markedly with the still and sormwful ’' Isabella ' reflet ting the change in Wei's own psycho logit al state Wei grew up in a small stilt urb of Philadelphia and knew since childhood that she want ed to he an artist I ram 102 1 to P12a. she attemied the I’llila delpllia St hool ol I lesign foi Women, now Moore (College of Art, from which she received an honorary doctoral degree in 1071 I he I 'diversity Museum of Art is open to the publit Iree ol t barge from noon to a p in Wednesdays through Sundays except state anti I'iversity holi days I ree weekend parking is available within one block of the museum in the I'niversitv lot at l ast 14th Avenue and kinr aid Street I or more information r ail the Museum of Art at 0B(i-:H)27