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About Oregon daily emerald. (Eugene, Or.) 1920-2012 | View Entire Issue (Nov. 21, 1986)
\ K I N Ai \ \ I I K I A 1 N M » N 1 MO VIES Vulcanized Once Again Contrary to enduring rumors, Leonard Nimoy doesn’t mind being Mr. Spock UREOORY STHWARTZ In costMM. not character: Nimoy and William Shatner relax on the set of 'Star Trek IV’ Everyone knows television is make believe. It’s just actors, and scripts, and fancy special effects. Same thing for movies—none of it is real Sure, we all know that. But if you were to bump into I>eonard Nimoy at 7-Eleven, your first thought wouldn't be, "Hey, I>eonard, how ure the Slurpees?” Ad mit it—you’d think, "My God, it’s MISTER SPOCK.'" So would we all. Because to the millions of us who teethed on the 79 prime time episodes of "Star Trek" and the two years of animated adventures on Saturday mornings and the three movies, Nimoy isn 7 Nimoy at all He is emotion less Mister Spock, science officer of the starship Enter prise, loyal friend to Captain Kirk, eternal irritant to Doctor McCoy. Nimoy could play Hamlet tomorrow, but he’d still be a Vul can doing Shakespeare. "We are what we are,” says Nimoy, 54. bearded, bespectacled and decidedly un Spocklike. "I’m welcome in other projects. but I’m most welcome in 'Star Trek.’ It’s obvious." Nimoy is cowriter, costar and director of "Star Trek IV: The Voyage Home,” the latest big-screen sequel to the small-screen series (1966-19691, which is scheduled for release late this month. In "IV," the "Star Trek” gang must go back to 1986 and kidnap a couple of whales—they are extinct in the 25th cen tury—to appease a frustrated alien intelli gence that will destroy Earth unless it can talk to the mammals At the same time, "IV” ties up some loose plot strings left dangling from the previous movies. Nimoy says this film will come closer to the spirit of the original TV series than its predeces sors. "The jauntiness of the characters is somehow less self-concious, less preten tious," says Nimoy. "It sets out to be less profound and in a way becomes more pro found as a result.” Nimoy predicts that "IV," as more of a pure adventure story, may be the first "Star Trek” movie that can lure in people who don’t know the difference between a Vulcan neck pinch and a hearty handshake. "We have a chance to break in a new audience with thisone,” hesays. "I’m the first to admit there are inside jokes that might make a stran ger or outsider somewhat un easy, might make him look around and say, T don’t get this,' butlthinkyoudon’t necessarily need to be a 'Star Trek’ follower to enjoy the movie. ” Tirad at tha pointy ears? For years the Hollywood communi ty has continued to nurse the rumor that Nimoy was sick and tired of putting on his pointy earsandplayingtheVulcan. In fact, after Spock died at the end of "II,” Nimoy met with Mi chael Eisner—then the presi dent of Paramount, the studio that releases the "Star Trek” movies—to lobby fora chance to direct "III.”"1 can’t understand how you can ask me to do this,” the perplexed Eisner reported ly said. "How can you ask me to give you control of a $16 million 'Star Trek' feature when you hate it? You hate it so much you had your selfkilledoff!” Nimoy denies these enduring reports. "There has never been a'StarTrek’project I haven’t been a part of, and yet there is this persistent notion that I have refused to do ’Star Trek’ or that I have rejected it in some way,” he says. "There’s some kind of strange anomaly going on here, right?” But does he regret his eternal linkage with Spock? "I’m grateful for it,” says Nimoy. "It’s better than being forgotten.” Spock did, after all, provide him with enough clout to persuade Paramount to let him takeover "III." And that movie, "The Search for Spock,” did so well—grossing $76 mi I lion— that he was asked to do it again this time. (Captain Kirk has since decided to follow suit; William Shatner will direct "V.") Deciding what to put the Enterprise* crew through on this voyage wasn’t easy. In the early planning stages, "IV” was going to add Eddie Murphy tothecast—Paramount