Ethnology °—"*—***
was supposed to find. I knew I
was in trouble and I couldn't
say. 'Oh. I threw it out the win
dow.' I was only 21 years old."
he said.
The incident occurred a few
days after the Soviet invasion of
Czechoslovakia, which led Wlx
man to believe he would be
framed as a Western pro
vocateur to detract attention
away from the invasion, he
said.
"The only reason I got out
was because an American girl
handed out leaflets on Red
Square protesting the Soviet's
invasion of Czechoslovakia.
They didn't need me for an inci
dent then." he said.
"That was my eye-opener as
to what the Soviet society was
really like. I've learned from my
summer in the Soviet Union
what living in the police state
was. what not being able to talk
to people was like, what being
followed waa like, end talking
to my (Soviet) relatives, seeing
their terror as they knew that as
soon as 1 left, the KGB would
come talk to them." Wixman
said.
“In terms of freedom, the
Soviet Union has changed little
since 1968. My relatives are just
as terrified In 1985 as they were
in 1968. My visit was not
welcome," he said.
"My anti-Sovietism was not
taught to me in American
schools nor passed on to me by
my parents, but rather came
from a series of very ugly and
eye-opening experiences in the
Soviet Union," he said.
Because Wixman studied
linguistics and knew Russian
and Bulgarian fluently, he was
able to read signs and
newspapers as well as unders
tand the Soviet radio broad
casts. Wixman also can speak
Serbo-Croatian ami Macedo
nlan. two dialects used in
Yugoslavia, along with six
other languages.
"I could see Soviet citizens
literally leave the table on fin
ding out that I was an
American,” he said. "1 did not
know that it was illegal for
Soviet citizens to talk to
foreigners.”
Scholars and tourists are
treated extremely well, but that
is not what it is like for
everyone else, he said.
On one occasion. Wixman
said a Soviet scholar privately
apologized that he would have
to denounce Wixman although
he and the other Soviet scholars
did not believe it, Wixman said.
The results of the |oint study
with the Soviet scholars will
undoubtedly be censored, yet
Wixman said he is excited to
begin work on the study next
month.
Wild
Pag* •
use of extras and location
shooting combined with Tak
Fu)imolo’i solid
cinematography creates a uni
que. genuine feeling for the
film.
Similarly, music is a central
part of the film.
With a soundtrack that ranges
from David Bume and X to The
Troggs, Yellowman and Electric
Sheep (and musical ap
pearances by The Feelies and
Sister Carol), the music is as ex
pressive of Lulu as her eclectic
wardrobe.
The beat and the spirit of the
songs (and the score by John
('.ale with Laurie Anderson)
become an integral part of the
spirit of the film.
“Something Wild” could
very well be Demme’s most suc
cessful mainstream film both
critically and commercially.
Both the marvelous “Melvin
and Howard” and the mediocre
“Swing Shift" stalled at the box
office.
But with "Something Wild"
the unpredictability might con
versely scare safe moviegoers
away.That would be their loss,
for ‘‘Somethin- -‘Mid” is
fascinating and . /ing
from the harmla J the
dangerous, from engaging to
gripping, from a surface survey
of its characters and situations
to a probe that strips away the
surface to reveal the hidden
elements.
Certainly the most unpredic
table of this year’s films.
“Something Wild" is one of the
best.
Plays at Cinema World.
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Doonesbury
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MCNONt THINKS OF N\
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