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About Oregon daily emerald. (Eugene, Or.) 1920-2012 | View Entire Issue (Oct. 23, 1981)
» V Photo by Mark Pynes The lie invented by the writer reveals the truth, says author Herbert Gold Writer’s ‘/ioe» Creafe a-ha* tylVeexnJ-truth’ 7pe expenence By GINGER BARNES Of tfx Emerald Addressing the “art of successfully combining fiction and lying." novelist, writer and traveler Herbert Gold casually delivered jokes and shared personal anecdotes with his audience Thursday afternoon "The difference between a lie and the lie that is invented by a writer," explained Gold. is that the lie invented by the writer reveals the truth It is a fantasy that is somehow com municated ” This fantasy, the author said, should create an "a-ha type of experience in the reader in such a way that the author's dream becomes the reader's experience There is nothing more bor ing than someone else’s dream." said Gold "and there are only a few artists or writers that can take dreams and make them art Otherwise, the dreams we have are trivial, wish-fulfillment, fear or phobia dreams The magic of storytel ling is making a trivial drean quadrivial,’ making i storeable.” Gold has written numerou novels including, "Fathers' "He/She", and "Family". Hi said his own writing is a mix ture of personal experienci and "objective/correlatives, a T.S Elliott term which mean to objectively tell a story si that it becomes a reality for th reader To tell a reader that th sergeant was a mean, bruta sadistic man isn't believable t the reader, said Gold "Yo have to find the objective /correlative of how you sa\ that man.” The reader can get a pictur of that sergeant without bein told about him by usin dialogue An example Gol used was to dialogue th sergeant answering the que tion, "What are you doing' by saying "Eating chocolal and killing people." Making a writer experience interesting an Q. CO i shareable with others is one of t the hardest things to do, said Gold, but besides using s rhetorical possibilities, he , added, there are other ways a 3 writer can create the ' a-ha” experience in the reader A i writer must use language in its largest sense, explained Gold, 3 including using the language ) we know today 3 This is a good argument for reading things that are less 3 than eternal because these things are written in the 3 language we know Bob j Dylan’s poems create feelings in those who hear them and v they can be sung according to interpretation. The classic 3 stories sometimes need to be 3 refreshed by our own 3 experience d Gold will speak again at 2:30 e p m today in Room 176, j- Education. His appearances are presented by the Creative e Writing Program on campus, through the gifts of the Time Life Foundation and University alumnus Kenny Moore. BLAZERS SPECIALLY PRICED! REG. 70.00 NOW 49.90 A very exceptional value. Select from five styles - classic and fashion Blazers. Solids, tweeds, plaids, checks are included in the group. Sizes 5/6-13/14. Shown: A Classic 100% wool blazer, with metal buttons. Solid colors, Navy, Red, Black. B European inspired short blazer with new tucked shoulder. Tweed wool blends. Call toll free anywhere in Oregon 1 -SOD-2617