Oregon daily emerald. (Eugene, Or.) 1920-2012, February 02, 1923, Page 4, Image 4

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    The Castle Theater
Announces a Permanent Policy
Admission E 20c Always
The management of the Castle Theater, under special contracts with the film companies, will
be able to obtain and to show the pick of the motion picture market, at the above regular admis
. sion prices—greater value for your money.
This week’s offering is a fair proof of the state
ment: “The pick of the film market at regular
admission prices.”
BERT LYTELL, BETTY COMPSON
MAY Me A VO Y in
“Kick In”
A crook’s fight for redemption. Action going
from the dives and dumps of the crooks, to the
glittering jewel boxes of the riotous rich—sin
and vice running rampant through both.
COMING—
Monday and Tuesday another proof—
James Oliver Curwood’s
“JAN OF THE BIG SNOWS”
Snow, danger, love—seventeen men and a lone
woman in a sn'ow-swept trading post.
WHEN WE MAKE THE STATEMENT—THE PICK OF THE FILM MARKET—WE
MEAN IT. HERE ARE A FEW OF THE BEST, COMING RIGHT AWAY—
Norma Talmadge in “The Voice from a Minaret”
—And on the desert breeze came the voice from the Minaret calling—calling—back to a forgot
ten faith.
WEDNESDAY, THURSDAY, FRIDAY, SATURDAY NEXT.
COMING
Jack Pickford—“Garrison Finish.’’
Lewis Stone—“Dangerous Age.’
Cecil B. DeMille’s—“Adam’s Rib.”
Joseph Hergesheimer’s—“Java Head.”
Pola Negri—“Bella Donna”
Theodrore Roberts—“Grumpy.”
Harold Lloyd—“Safety Last.”
The pick of Paramount, First National and
Metro Pictures.
All pictures made by Jackie Coogan, Buster
Keaton. Constance Talmadge, Katherine Mac
Donald and Mary Pickford.
So Remember--at the Castle Theater
the Admission Will Never Be Raised
Always the Best in Pictures