Image provided by: State Library of Oregon; Salem, OR
About The Chemawa American (Chemawa, Or.) 19??-current | View Entire Issue (April 14, 1926)
PAGE 4 T H E CHEMAWA AMERICAN SUPT. JAMBS H. McGREGOR (Continued from page 1) ? WHY THE PRAIRIE CHICKEN DOESN’T SING A English test written by Marie Bauer: Once, very long ago, there lived an Indian man war, when he enlisted for service under the colors. whose name was Eenkidomi, which means .spider man. He was employed at bureaus in Washington at differ Eenkidomi was an outcast from his tribe because he ent times, was supervisor of schools in the Philippines, was never known to tell the truth. He was feared by while Mrs. McGregor was a teacher in the Philippines. some of the tamest animals and birds, because he was He was principal of an Indian school in Oklahoma, always tricking them with, his cunning, thus making and in 1914 was principal of the Rosebud boarding many of the birds and beasts fear all mankind. school at Mission. Eater he was superintendent of One nice summer day when Eenkidomi was roaming the Cheyenne agency, and in 1922 came to the Rose about, he heard some singing and flapping of wings. bud agency. He grew very curious and went on until he came to “ Mr. McGregor is a Christian gentleman, and in his “ Chicken H ill,” where all the prairie chickens had every-day dealings that was a powerful factor in making gathered to sing and dance as it was their custom to his decisions. To this largely, may be ascribed his do every year. Eenkidomi listened awhile, making unbounded success, and his gradual promotion in the believe he enjoyed their dance very much, but he was field of his chosen work. planning some trick to play on them, as he was very “ The Rosebud country loses a very valuable man, hungry. and in fact, a splendid family, in the moving of the He told them he was a good friend of their grand McGregor family. However, the loss of the Rosebud parents, and that they were very pretty, but would be is the gain of the school in Oregon, and their many more graceful in their dance if they sang with their friends are loathe to see them go, but rejoice in his eyes closed. This flattery made them feel very impor promotion.” tant, so they began to dance again, flapping their wings Two daughters, Jean and Virginia, accompanied the faster and closing their eyes very tightly. There parents to Chemawa, but John Donald, a son, remain were two wise prairie chickens in the crowd and they ed in attendance at the Academy of,, Hastings, Neb. peeped and they screamed warning to all the chickens He will join his parents in Chemawa on the close of to fly, because their good friend Eenkidomi was ring school at Hastings for the summer vacation. ing their brothers’ and sisters heads’ off. Now the prairie chickens won’t sing when a person is around. THE CHIPMUNK’S STRIPES The following Indian story was written by George Meachem as a test in English: Once upon a time there lived a chipmunk in the woods and it was his habit to go out every day. and gather nuts. So one day, while he was gathering nuts, he began to feel a little lazy. It was rather unusual for him to feel that way. It was his custom to get up early and go to the top of the tree and look around for anything that might harm him. He got along all right, but one day he was lazy and he didn’t climb the tree and look around before he went out to pick up nuts. He thought he was safe, so he went out and while he was lazily picking up the nuts , a wildcat sneaked up on him and made a jump to catch him, but the chipmunk was a fraction of an inch quicker than the wildcat. However, the wildcat in snatching at the chipmunk scratched him on the back, which left line wounds. When the hair grew out again in these scratches; it was a darker color, and it has remained sq : on all chip m unk’s backs to this day, and every time you see a chipmunk running, full of life, he is afraid some thing might catch him. The stripes "Constantly remind him.of his narrow escape from, being the prey of the wildcat. GOOD PENMANSHIP What a pleasure it is to receive a letter from a deair friend! But when that letter is so poorly written that it is à greater task to read it than it is to decipher a lot of hieroglyphics on the pyramids of Egypt much of the pleasure' in reading’ it is missing. How vexa tious it is to run onto a word right in the midst of an interesting òr important séhtence which cannot be ‘ ‘made out, The word might be this, that, or some thing else—all making sense;—-"but what is it?’ Was there ;ever such a pickle? So you see that good pen manship is a very important matter as well as a pleas ing feature for the eye. Beyond , a certain degree of proficiency in writing many of. us cannot go, as it is more or less a gift to write an “ elegant hand,” but we can, and. should, write legibly. Not long ago we read an article on the decadence of the art of good penmanship in which various reasons were stated as contributing to the pres ent state of affairs. It was said that the type-writer is being brought more and more into common usage and the only penmanship required in connection with the machine is the signature at the end of the epistle. Owing to the pace at which we are all traveling through life, ,-and the pressure of business, friendly letter-writing is almost a thing of the past and con sequently penmanship isisuffering.