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About The Chemawa American (Chemawa, Or.) 19??-current | View Entire Issue (April 1, 1916)
THE CHEM AW A AM ERICAN which must have been easily 30(1 yards. The tepees, in most instances, a ere of canvas decorated with strange designs in brilliant colors and s retched around tall poles, Indian fashion, so that there was a large open ing at the top through which the smoke from the fire in the center of the tent escaped. The visitors were invited inside one of the tepees, through an inter preter, and asked to seat themselves on the ground in a circle around he tent facing inward. Then breakfast was served. And such a breakfast Ihere was peculiar bread made of cornmeal, fried bacon big chunks of deliciously fried beef and coffee brewed in a huge tin pot buUragrant and appetizing. Tin plates, cups, knives and forks were The meal over with, speeches were in order. Now a speech, to an Indian, ,s a formal, solemn thing. One by one the chiefs arose and welcomed the visitors, called them "brothers'’ and hoped they would enjoy the ceremonies. A chief would speak for a while, with many gestures, then pause while the inteipreter translated. After each speech one of the visitors, in turn, spoke and the interpreter translated his re marks to the Indians. Several hours were necessary for this mutual exchange of good wishes. Another hour was consumed in a tour of the camp. Indian rugs and skins were piled thick in each tepee, and there were beautiful articles of beadwork which a number of the visitors purchased. The little In dian boys and girls were most interesting, and the way in whi-h even the very young ones among them rode about "bareback.” three and tour of them on a single horse, was truly amazing. Another chief entertained them at dinner in his teepe, and a short w lile later the dancing began. If you have never seen an Indian dance it is difficult to describe it so that you will get a true picture of it. The Indians, naked to the waist, with their faces and bodies painted in grotesque, colorful designs and wearing feathers and ornamental bead- work dance round and round in tune to a queer sort of “ drum” which the old men, m the center of the circle, beat monotonously, chanting all the while in queer, high-pitched, prolonged tones. The dancers stamp, jump and leap up and down, shake their heads and their bodies litter strange cries and keep time to the “ drum-beats” with rattles. . Each dance is symbolic of some event in the history of the tribe and though they seem much the same to the untrained eve. are really different. ’ y Generally the men dance alone, and the women have their dances too. But several were held in which the men and the women and every one of the visitors danced at the same time, round and round some times with hands clasped so as to form a huge circle hut more often