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About Heppner gazette. (Heppner, Morrow County, Or.) 1892-1912 | View Entire Issue (Aug. 18, 1910)
'r-Zelda Daiperon- . By MEREDITH NICHOLSON Copyright, 1904, br The Bobbe-Merrill Co. CnATTEIt VIII. (Continued.) "There's Mr. Baleomz over there, eld;i remarked, casually. "He slngrs divinely, doesn't he? Don't you think he sings divinely?" and she looked at Morris suddenly, with a provoking air of gravity. "I'm sure he was a De Reszke in some former incarnation," said Morris, savagely. "That was Just what I was thinking, only I hadn't the words to express it," said Zelda, with a mockery of Joy at finding they were in accord. ' "I'm glad, then, that we can agree about something, even when we're both undoubtedly wrong." "I don't like to think that I can be wrong," said Zelda. "And it isn't in the least battering for you to suggest such a thing. I shall have to speak to my Uncle Rodney about you." "Any interest you may take In me will be appreciated." Jack had crossed the room, giving what he called the cheering Jolly to several young women on the way, and he turned quickly: "At your service, Miss Dameron" and he bowed impressively. "Mr. Leighton is crazy about your singing. He is just waiting for a chance to congratulate you. But he's Very unhappy to-night. Words fall him." And she shook her head and looked into Ealcomb's grinning face as though this were a great grief between fhem. "What kind of a jolly Is this? I say, Morris, you look like first and second grave-digger done into one. We're not playing Hamlet now. But I can tell you. Miss Dameron, that when Brother Leighton he belongs to my frat, hence the brother did Hamlet over at our dear old alma mater, the gloom that settled down on that township could have been cut up into badges of mourning enough to have supplied Spain through her little affair with these States. That's Walt Whitman 'these States.' Do you know, I was Ophelia to his Hamlet, and if I do say It myself, I was a sweet thing in Ophe lias." "I don't doubt you were, Mr. Bal comb," said Zelda. "There was just one thing lacking In your impersonation," declared Leighton; "you ought to have been drowned in the first scene of the first act to have made it perfect." "No, violence, gentlemen, I beg of you!" And Zelda hurried across the room to where Herr Schmidt was as sembling the principals. "Say, that girl has got the art of stringing down fine. She seems to .have you going all right You look like ftwenty-nine cents at a thirty-cent bar gain counter. But you take it too hard. J wish she'd string me! They're never o much interested as when they throw you on your face and give you the merry tra la. I tell you I've had ex perience with the sex all right, and I know!" "Yes, I remember your flirtations with the girls that waited on table at the college boarding-house. You had a very cheering way with them." Balcomb's . eyes were running rest lessly over the groups of young peo ple. He was appraising and fixing them In his mind as he talked. His Joy in being among them these rep resentative young people of the city, whose names he knew well from long and diligent perusal of the personal and society column of the daily pa pers amused Leighton; but the fel low's self-satisfaction irritated him, too. The chorus had been drilled apart, and this was the first time Morris, had heard the principals sing. He had Joined the chorus under protest, but Mrs. Carr had insisted, and when he learned that Zelda was to be the star It had not been difficult to comply. She began now one of her songs. When the last notes died away, Bal comb stepped out at the director's nod and began the answering song. Bal comb usually amused Morris; but the fellow struck upon him discordantly. Zelda was laughing at Balcomb's an tics as he began to sing with fervor and a real sense of the dramatic re Quirements. As he neared the end, where Zelda and he sang together the duet that ended the first half of the opera, Zelda put up her hands, and he took them, gazing into her eyes with a fine lover-like air. Their voices soar ed into the climax without a break, while the director threw himself into strange contortions as he struck the last bars leading to the high note which they gained and held perfectly. The dress rehearsal was fixed for the next night. "It simply can't fall!" declared Mrs. Carr to Leighton. "Miss Dameron could carry it alone If every one else should break down." "That is altogether true," said Mor ris. He was glaring at Balcomb, whose Joy in being a member of the cast "was hard to bear. CHAPTER IX. "Deceivers Ever" was presented, with no more delays and slips than us ually befall amateur performances, be fore an audience that tested the capac ity of the Athenaeum. It was a greit occasion for Mrs. Carr, as she had un doubtedly taken the Dramatic Club when its life was ebbing fast and made a living thing of it. She sat in the wings holding the prompt-book and prepared for any fate. "Let us speak to Zee and then es cape," said Merriam to his sister, as the chairs were being pushed back for the dance that was to follow the play. A few older people were there and ehev formed a little colorfr- by themselves. Zelda came out presently from the dressing-room, with her arms full of flowers that had been passed across the footlights, and she bore Olive Mer riam with her. "Don't be afraid; not In the least fraid," Zelda said to her cousin at he hastened across the ball to her aunt and uncle, "Please don't," urged Olive. "It Isn't kind to me." "No danger at all; they're all per fectly amiable when you know how to manage them." Aunt Julia, this Is a real compli ment! Thanks very much. This Is Olive Merriam. And, Uncle Rodney, here's the star, to whom I expect you to say something particularly nice. Mr. Merriam, Miss Merriam" and Zelda smiled at the old gentleman bowed low over the hand of his brother's daugh ter. "Olive Merriam," said Zelda, "is my cousin and my very dearest friend." Olive was not afraid. She smiled at Rodney Merriam; and there was some thing very winning in Olive Merriam's smile. Zelda looked demurely at her aunt, who seemed alarmed lest some thing unpleasant might happen; but Rodney Merriam laughed, half at find ing himself caught, and half at the sight of Olive Merriam's blue eyes, her glowing cheeks with their furtive dim pies and the fair hair that Zelda was now compelling her to wear In the pre vailing mode. "I am delighted; I am proud of you," he declared, quite honestly. "I think I may say that I reclpro cate," replied Olive. "I haven't seen you for a long time Uncsle Rodney- except at a distance." "Altogether my fault and my loss! trust that the distance may be con siderably lessened hereafter." A number of people were watching this by-play with keen interest. Some thing had surely, happened among the Merriams. It had been many years since so many members of the family had been seen together at any social gathering. "There's a draft somewhere," said Mrs. Forrest, suddenly. "We must be going, Rodney. And now, Zelda, don't stay out all night, Mrs. Carr is going to take you home. You'll be sure to be sick if you're not careful. And" Zel da was looking at her aunt Intently "Miss Merriam, I do hope you will come to see me. I never go anywhere, you know. And please remember me to your mother." And pray remember me, also," said Rodney Merriam, feeling Zelda's eyes upon him. "Oh, Zee," said her uncle, in a low tone; "it was all fine; but how did Pol lock come to be in the show? I don't care to have you know him." "Of" course I shall know him." "But I prefer." "Please don't prefer! I'm having a little fun to-night, and I can't be seri ous at all. Some other time good night!" "What do you think of that girl? asKea Mrs. t orrest, when she w.is alone with her brother in their car riage. "I think she's very pretty, If you re fer to Olive Merriam, and has nice manners," was his reply. "There seems to be no way of check ing Zelda's enthusiasms. I hope that girl won t take advantage of Zee'3 kindness," said Mrs. Forrest, as her brother left her at her door. "I shouldn t worry about her if I were you." "I certainly shan't; but you were al ways down on her father." "I was always a good deal of a fool, too," said Rodney Merriam; and he re fused to be taken home in his sister's carriage, but walked homeward from her door through High street, beatin; the walk reflectively with his stick. At the Athenaeum Zelda was enjoy ing herself unreservedly. Her cousin Olive had been presented to a repre sentative Marlona audience In a way that had commanded attention, and Zelda was thoroughly happy over it She did not care In the least what peo ple might say about the healing of old wounds among the Merriams. It gave her the only unalloyed joy of her home-coming to see Olive established socially on a footing that was, she told herself, as firm as her own. Balcomb, who was much swollen with pride by his success In the op eju, was talking "in his usual breath less fashion to a young friend from the country whom he had asked to witness his triumph. Beyond Pol lock's head Zelda could see Balcomb's profile, though she could not hear him. "She's a regular piece, that girl. I was scared to death for fear she'd throw me In that duet we'd never sung It together but I carried it through all right She's that stunning Miss Dameron's cousin. She's rather stuck on me, I'm afraid I've done lit tle things for her theater and so on but I'll have to cut It all out. She's amusing, but I can't afford to have her misunderstand my attentions. When a fellow finds that he's got a girl down fine she ceases to be interesting. It's the pursuit that's amusing; but when they begin to expect something Cun ning? well, I should say!" Pollock heard him distinctly, and he shut his eyes two or three times In a quick way that he had when angry, though he kept on talking to Zelda about the evening's performance. I'm afraid you're jealous of Mr. Balcomb. He got more applause than anybody." He deserved all he got for making such a monkey of himself." 'He's a man of courage; he proba bly thought he could afford to do It" All of that?" said Pollock. A rising young man," continued Zelda, 'A person, I should say, of most egregious and monumental gall ana Zelda laughed at his earnestness. She had not heard Balcomb's remark about her cousin, but she knew he had said something that Irritated Pollork. That young officer left her quickly when Leighton came up for the dance that bad now begun. Pollock found Balcomb In a moment The promoter was standing at the side of the hall, his eyes nervously search ing for the girl with whom be had en gaged the dance. mr. Halcomb," said Pollock, at his elbow, "may I speak to you a moment' "Certainly," said liuloomb, In his us ual amiable fashion. "Only I'm engag ed for this dunce and have lost my partner. "That's my own fix," declared Pol look, "but my errand is brief. Let us step out here." He led the day to a door opening up on the main stairway of the building and they paused there, Pollock with his back to the door, facing Balcomb. He carried one glove In his hand and was very trim and erect In his evening clothes. "Mr. Balcomb, I was so unfortunate as to overhear your conversation of a moment ago with some one I didn't know, but that doesn't matter in which you referred to a young lady a young lady who came here to-night under your escort, in terms that a gen tleman would not use." "As a confessed eavesdropper I don't believe it Is necessary for you to say anything further," said Balcomb, w4th heat, and he took a step toward the door of the assembly-room. Pollock touched him on the shoulder with the tips of his fingers, very light ly. Balcomb was half a head taller and much bulkier, but the tips of Pol lock's fingers seemed to carry a cer tain Insistence, and Balcomb drew back. "I shall hold you responsible for this, you " "I certainly hope you will. As I was saying, you referred to a young lady, who was here under your protection, in terms which no one but a contemptible cur would use of a woman " Balcomb's arm went up and he struck at Pollock with his fist. The officer stood as he had been, but the glove in his right hand slapped smart ly upon Balcomb's face, and Balcomb took an Involuntary Btep backward down the stairway. 'In the part of the country that I came from, Mr. Balcomb," Pollock continued in an easy conversational tone, "we do very pleasant things to bright and captivating people of your stripe" he took another step forward, and Balcomb, a little white in the face, retreated again "but in this instance" Pollock lifted his left hand to hi3 shadowy moustache and gave it a twist; he took another step and Bal comb yielded before him "I shall let you off with unwarranted leniency." Balcomb, forced another step down ward, had grown red with fury, ami again struck at Pollock,, but with the result that Balcomb stumbled and re treated two steps Instead of one, reach ing a landing. With this more securo footing he gained courage. 'You little cur, you little " he blus tered, drawing his face down so that he could glare into Pollock's eyes. Yes," said Pollock, calmly; "I have been called little before; so that your statement lacks novelty. As I was say ing" and he leaned against the stair rail with the tips of the fingers of his gloved hand thrust into his trousers pocket, and holding the other glove In his rlsht hand "I haven't time now to go into the matter further, but I am always at your service. It will give me great pleasure to make your excuses to Miss Merriam, or to any other friends you may be leaving behind you owing to an Illness that made it necessary for you to leave suddenly. Now you will oblige me by continuing on down to the coat room unattended. There are probably some gentlemen belov there that I should very much disliks to explain matters to." Balcomb leaped lightly forward as though to make a rush for the door of the assembly-room. 'Try that again," said Pollock, seiz ing him by the collar, and throwing him back, "and I'll drop you over th banister." Some men had entered the lower hall from the smoking-room, and Balcomb greeted them cheerily as he turned and went below as though to join . them. Pollock stood above waiting for Bal comb to reappear, and as he waited he resumed his glove and buttoned It with care. The waltz was nearly over, bue he stood there leaning against the stair-rail and beating time to the mu sic with his foot, until he saw Balcomb come out of the coat room clad for tha street. When Balcomb looked up, Pol lock waved his hand to him gracious ly, and turned and went back into tha hall. 'Miss Merriam," he said, bowing be fore Olive, "I very much regret to pre sent Mr. Balcomb's compliments and to say that he has been unexpectedly called away pressing business and he asked me to do myself the honor to see that you don't get lost This i our dance." (To be continued.) CAUGHT BY ITS TONGUE. Story of a Ilemnrkable Capture of a Willi Beaut In Sebrak, In the winter of 189G-97, says a con tributor to the Wide World, I was de pot agent at Duncan, Neb., a small town on the main line of the Union Pa cific Railroad, ninety-nine miles west of Omaha. The weather was bitterly cold. One morning shortly after day break, while a man I knew, called Her man Ernst, and his assistant were hauling hay a short distance from my station, the former's attention was at tracted to a gray wolf standing be tween the rails on the main line, and as he did not leave the snoi. on the ap proach of Herman's wagon, he (Her man) grabbed his fork and ran up to the wolf, which had Its head close to the rails, as if in a trap. After killing the wolf Herman tore the animal from the rail and was as tonished to note that Its tongue was left attached to the metals. Subse quently I investigated this curious in cident and evolved the following ex planation: The morning passenger train bai' passed that point only a few minutes before Herman saw Che wolf and had run over a jack rabbit, leaving the blood on the rail. The wolf had either been chasing the rabbit or had hap pened by 60on afterward, and In try ing to lick the blood from the rail his tongue, owing to the intense cold of the metal, froze to it, while tne saliva from his mouth became a cate of solid Ice over an Inch thick, at taching him to the rail as securely ai though tn a vise. MODES f she MOMENT T IS difficult to interest any woman In fashions Just now. She is watch ing for what Is to come and caring little for what has passed. It Is too hot, too humid, too fatiguing to bother one's head with anything so exacting as clothes. She knows that her head must be troubled with this problem In six more weeks, and she Is saving up her vital ity for that time. She has got her clothes for summer, and she has no Idea of getting her clothes for winter. She wants to enjoy the open air, the new book, iced meals on the awning shaded veranda. As far os it is pos sible she wants to be let alone. She Is quite willing to listen to any over ture to pleasure, but sho is active ly opposed to any effort toward work, writes Anne Rittenhouse, In the New York Times. In a way she is a mollusc, in that she holds on with all her strength to doing nothing. She may want to wear the clothes she has, but she may not be able to do it. It Is rare Indeed when a wom an Is not compelled through inclina tion or nome forces of circumstances to rearrange her wardrobe in every season, no matter how well it Is planned. She may regard the heated and lan guorous midsummer as the most irri tating time to think about anything so simple as a blouse or so terrifying as a hat and a gown, but ten to one she must do It. This Is true of each of the four seasons. To save herself trouble she may use all her wits to ward planning and perfecting a ward robe that will leave her free for the rest of the season, but her best laid plans will go awry. Some Good New Ideas. She will learn there are midsummer fashions as soon as she begins to ex periment with them. She will be sur prised to learn how many clever things are Introduced In a dull sea son to keep up interest, and how real ly satisfactory these are when tried out Some of them are entirely new; oth ers were invented much earlier in the season, but in the rush of many new things they were allowed to pass by without notice. The designers themselves take great pleasure in introducing scraps of new things, in applying new meth ods, In playing with 'new ideas, when the bulk of the work Is over and the frenzied demand for clothes has some what ceased. One designer, noted for charming things, says that she gets all her inspirations after June. She explains this by the fearful rush of the spring, when, every woman wants all her gowns at the same time, and no leisure is allowed for suggestions or inspiration. As long as women must look at clothes and make them or buy them it is wise to know some of the interest ing things that are being done in mid summer gowns. Embroidering white embroidery with colors is a truly pleasant touch that Is brought into favor and gains new followers each day. The eyelet embroidery is bought In the real or imitation varieties, and then its openings are overcast with vivid tones In mercerized wash floss. The pale blues and pinks which, in other days, every woman chose, have given way to intense colors, such as red, green, purple, black, and yel low. These are mixed in with several other tones, and sometimes three or four colors are used in strong contrast to each other. Can Be Done at Home. This work can be done at home, although It become tedious If attempt ed in large quantities. The best part of it Is that a small piece of it goes far. The method of the day is to use very little trimming, but make that little most brilliant and Important. A patch of scarlet and yellow embroid ery on a dead white gown is effective and artistic A mass of this embroid ery Is not The woman who needs new white blouses for her coat suits or informal wear with white linen skirts, is get ting eyelet embroidery nnd touching it off with a splash of oriental color ing to give it character. These blouses fasten down the front with crochet buttons, are finished with a frill of handkerchief linen or silk mull edged with plcot lace, and then the em broidery, with the eyelets as a foun dation, is carried out in tome sweep ing Egyptian design across the shoul ders, at the bust, or on 'the edges of sleeves. This Is more effective on a peas ant blouse cut without shoulder sleeves and armholes. The entirely square blouse Is com ing more Into use every day. The patterns for It are extremely simple. They require the material to be fold ed over to the required depth, a circle cut for the neck and straight under arm seams cut ' In one with straight undersleeve seams. As you easily see, there Is little sewing to do. The underarm seams are stitched tip, as are the seams under the sleeves. The front is opened, hemmed back and buttoned, and the trimmln is what on deslrM. There is nothing new about ere tonne coats. They were worn last year, but they have been brought out again in a popular way. Sometimes the cretonne is nierely used as a most important trimming. It is applied to a homespun linen in any color de sired. Bands of it are put at all edges, Including a four-Inch . hem at the bottom. There is a wide Incroyahle collar, buttons covered with cretonne, and wide cuffs that flare back over the el bow on a short sleeve. These coats reach to half way be tween the knees and hips, and many of them are cut away in front. They are put over thin white frocks, and somj women wear them with foulard. marquisette, and veiling. They are rather prettier over white than anything else. It may not be an ultra-nice suggestion, but If a frock is a little worn or not altogether fresh the coat, like charity, covers much, It gives distinction to what would be commonplace. The smart ones are all cretonne, and the colors chosen are soft and cool looking rather than vivid and glaring. There is an attempt on the part of -the ultra-smart designers to substitute these coats by tapestry ones, that give the same effect, but which are quite warm. Virtue In Tapestry Coats. They can only be worn on the coast or in the mountains. The cretonne is far the better choice for our climate unless one is going to spend vacation days in a cool climate, where there are formal social affairs. If the tapestry coat, however, re mains in fashion until next autumn It will make rather a pleasing garment for afternoon affairs. It will be mad' Morning Gown of Dotted Foulard. in an ornate style, with frills of good lace at neck and elbows, and will be fastened with gemmed buttons set In rims of metal. This is the theory; It may not ma terialize. Women may not like this coat, and It will not last. It has its advantages, and I see no reason why it should not have a fair trial when the cold weather comes In. The Long-Line Effect. Which same might be entitled "the long-line effect and how' to get it." For all of us must look like sylphs nowadays, and if Nature has been un kind, she must be gently assisted to kindness. Nothing succeeds for this purpose, with the woman whose clothes are o! her own devising, like the vertical band running down the front of the one-Dtece frock, almost from chin to toes. The gown may open in this manner, so that there is a row of fabric-covered or pearl buttons or of braid frogs all down the front, caught at the waist by a loose girdle. Many of the new skirts also open in the front, seem ing nothing but wide ob'.ongs of dress goods wrapped about the form femi nine. Or that long line may be a simu lated opening, whereas the dress fastens quite conventionally In back. Then there is a frill effect of lawn or linen, deeply scalloped and perhaps edged with embroidery or Itself em broidered. Indeed, a fold and a row of buttons in the exact vertical middle of a gown will give the desired effect with a minimum of trouble. Then there is the tunic effect. A tucked underskirt and a tunic slashed down from the frilled Dutch collar to below the knees will make one look delightfully long and slim. Moreover, simple defining embroid ery will do a great deal; and there is always the sash, appropriately draped and fastened at shoulder and knee. And the applied strip of embroidery over net or of braiding, or dress goods figured in a contrasting color to the plain fabric, always succeeds In its effects, especially when the whole skirt is vertically plaited In wide folds and the appllqued band reaches entirely to the low-cut neck. The Important thing to remember Is not to undo the effect, laboriously gained, of the straight front line by wtde frills or tucks elsewhere in the gown. Let everything be subdued to this one feature, 83 that the idea of length is accentuated. And so, all bail to the long Una Xect. . bum HEPARTEE ENDS IN DISASTER Fresh Young Man In Quick Lunch Room Is Unexpectedly Show ered With Oatmeal. The young man with the iron cheek entered the quick lunch room and seated himself at the third table. "Belinda," he called familiarly, "you look fresh thia mornfiif." "Not half as fresh as tome others," retorted the pretty waitress with an Mevatlon of her nose. "Well! Well! 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