, DAILY CAPITAL JOtTRNAIi, KALSM, OKEPOX. MONDAY, NOYEMEEB 8, 1913. rAQZ TK2'3, MUSICAL NOTES (Continued from Saturday.) Not since the night of February the twelfth, when Madam Lillian Nordic sjmg in concert in this city, has so great an audience assembled to honor entertainers, as greeted Madam Frances Alda, and her talented assistants, Gutip Casini, violin cellist and Frank LaForge, pianist. Neighboring towns were represented by hundreds of music lovers who joined with an immense gathering of Salem so ciety and musical people in enthusiast ic recognition of the billiant attain ment of these noted artists. A new dais has been erected in um ory hall which is a very great improve ment over former conditions. Tall vas- ee of large Bize filled with ereat branch. ee of lustrous autumn leaves and a jar of delicately tinted foliage and shaggy, ' yellow chrysanthemums, were effective-' iy placed about the grand piano. Madam Alda, lovely in face and fig 'uro, and charming in manner, wore a beautiful gown of white charmouse, with front panels and train of spangled lace, and bodice of the same sparkling ma terial accntuated with a black velvet ornament. A black aigrette of moder-1 ate size formed her head dress. The voice and artistry of Madam ' Alda, explain a lesson in correct sing ing, which is founded on the purity of tone never sacrificed for quantity. Alda represents the highest and best in the art of sinpinir. Mnnv nf tlia BAltna I were familiar and the appeal to em otions was instantaneous. The immense audience warmly greet ed Alda upon her first appearanco on the stage and the enthusiasm, grew as the concert progressed. Soven nvnbers wore fiiven in Enelisb but had they all been sung in foreign j tongues, the same exquisite notes of hor rare vocal gift would have bestowed i equal delight. Alda is fascinating in personality, and posesses rare dramatic ability. Her lyric soprano voice is of unusual qual ity and she is equally at home in ser ious and dramatic works as in com positions of a light nature. Hor enun ciation is excellent and not a note is injured by articulation. The four groups, containing fifteen songs, wore given ovations; and the three encore numbers were woll select ed. A rippling "Gavotte'' from Nanon, sung in French with the daintiest of charm, introducing the most fascinating of laughing notes, brought tremenduous applause; and equally woll recoivod was the exquisitely sung "Lovely Night," from "The Tales of Hoffman," and the selection from Madam Butterfly. This last encore gave a wonderful bit of dramatic singing, and proved Madam Alda to be truly entitled to the hon ors of a star. "Like a Hose Bud" and "Expect ancy" delightful compositions of Mr. LaForge, were exquisitely sung. Alda, with charming grace signified her wish that the author share with her the tre- mendrous applause. As a pianist and accompanist, Frank LaForge is nothing less than wonder ful. His numbers were read with ad mirable understanding, evident feeling for the more classic style of the compo sition and a fine clarity and accuracy. "Lieberstraum" (Liszt) gave a glimpse of sentiment and poetic feeling in the player, and "Bhapsodie" (Donnanyi) was done in a fashion truly brilliant and splendid. The "Two Preludes" of Chopin's twenty-five, "Bain Drops" in A flat, and the D major octave, were beautiful ly given, blending to appear as one number. His encore was a gavotte, with brilliant light octave passages and theme in double thirds. Mr. LaForge is a remarkable accom panist, playing entirely without notes and following the singer with splendid execution and subtle tact. It was indeed a rare privilege to en joy the violoncello music by Gutia Ca sini, a newly-blossomcd genius, who is everywhere creating a furore. This young man, not yet in his twenties, gives promise of a name that will Btand highest in the musical world. His interpretations appear like im provisations, so close to his heart he sooms to take the .composer 's message; and the warm human appeal of his vio loncello notes will enear him to all lovers of music in it highost aspect. The programmed numbors were splen didly received and his encore "The Swain" (Saint-Saous in D flat major) was an exquisite bit of music. His obli gates for Madam Alda wore played with delicate feeling and sentiment. Miss Nina Fletcher, who will assist at Madam Schumann-Heink 's concert, giv en on the fifth of next month, has stud ied since her eighth year of age. The beginning was made in this country and later continued in Europe with the best instructors. When Schumann-Hoink first heard her violin music, she pronounced it wonaoriui ami mvitou tne artist to as sis at her concerts. 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':''t.4:.:i,V::, f . -''; m 4 '( 1"" v "' v' y I I V J 'v A .1 X oiMsMiitiMaM Hadame Scbumaun Heiuk, who appears here Kovember 5. large audiences in easern cities and re ceived the finest press notices. . Mrs. Katheyn Hoffman, who will bo accompanist for Schumann-Hoink, has occupied that position for seven years. Madam Erncstino Schumann-Heink, Who will preseut the following program November fifth: Recitative and Aria from the Opera "Titus" (sung in Italian) Mozart. Sonata (E minor) J. S. Bach Allegro, Adagio Gigue Miss Nina Flotcher. (a) Ich Liebo Dich L. von Beethoven (b) Neue Liebe, Neuor Loben li. von Beethoven (c) Der To Uud Das Madchen Franz Schubert (d) The Erl-King Franz Schubort (a) Die Mainacht Joh. Brahms (b) Meine Liobe 1st Orun, Joh. Brahms (c) Das Erkennon Carl Lowe (d) Schlafliodchen Huns Hermann (o) Allorsoelon Richard Strauss (f) Spiiincdliedchen (Old Gorman Folksong) II. Rcimnnn collection, Soventoouth Century. (a) Priosiiod Wagner-Wilholinj (b) Spanish Dame (number eight) Snramto Mis Nina Flotchor. (t) The Rosary Etholboit Nevin (b) Oh, Lot Night Sponk of Mo G. W. Chadwick (c) Danza G. W. Chadwick (d) HiB Lullaby Carrio Jacobs-Bond (o) Love in a Cottage Rud. Gams By roquost Madam Schumann-Heink will sing a number of songs after the close of the program, . The following delightful little story oiiie from Spokane, Washington, and is now to nowspnpors: "Kooping hor promise made to a group of small boys two years ao, Madam Ernestine Sehu-mann-Hoink, the contralto, gave a free conrort for five thousand Spokane school children Ml the state armory Sunday aftornoou. When the singor was bore in nine teeu olevcn sovoral of the choir boys of All Saints Cathedral sang for her. One of the choir, thirteen ynur olil Jiinnilo Stevens, could not toko part because of toothacho. Schumann-Hoink wont to his home, bought him a complete outfit of clothes and had his offending tooth mended. It was then she promised to sing just for the childron of Spokane on her next visit. Throe days before arriving here this time she notified the committee of so ciey women in charge of hor concert, that she wanted a special concort for children with grown-ups excluded. When the diva left hor apartments for the armory she said she was happy and she looked it. She was so happy that she had her manager almost frantic when she sang eight numbers instead of ono and a little oncoro she expected. In furthor proof of hor happiness Schumann-Heink grantod every request niado of her that day. A moving picture operator was given permission. to trans fer the scone on a film, an she con sontod to receiving the spot-light while she was singing that the film might show hor tho clearer. Then when a dozen little boys and girls ran upon the platform to smothor hor with great bouquets of flowors, tho singor kissed each one, and made thorn stand bosido her whilo tho camoia caught the scone. To cap tho cliinax, Schumann-Hoink mno hor manngor nearly distraut by consenting to remain in tho hull whilo a flashlight was taken," This excerpt is tukon from St. Jo seph's notes, of Snloin, in the 4 Catholic Sentinel," published in Portland Thurs day, October twonty thircl. "The singing of Mrs. Jack Cooper at the oirortory at the lato mans last Sun day occasioned many congratulations to this lady, who possesses a voice of mujh richness, which is responding very successfully to the careful training of Miss Mlnuetta Mngors, one of tho load ing voeal teachers in Salom. Wo hops to hoar more of such excellent singing." Mrs. Cooper worked with the solo un der Miss Mngors' direction, , The Musical American, publihod In Now York, which tnkos first rank among our musical paxrs, has tho fol lowing complimentary artielo In regard to Alexander Hull nnil his compositions "Schumann's famous 'Huts off, Don- tlomon,' has been an abused and over worked phrase. Novortholoss it is still the standard mothod of calling atten tion to a new creative personality In music which in somo significant way lifts itself above its follows. Abased as the expression may bo, it is neces sary to call it into requisition once moro and to announce a now namo, that of one of tho most gifted and promising of American composers Alexander Hull. His book of 'Ton Songs,' is one of tho most significant offorings of the year, not in tho sense of representing a fin ished product so much as in showing the reaching out of an oagor and Im aginative mind arid ardont spirit. "Mr. Hull has included in h;s collec tion a numbor of sonra written hn. twoon ninotoon-seven and the present timo which show in a striking manner tho rapidity of his recent artistic growth. It may in fact be thought un wise to hhve included tho earlior songs at all, in' viow of thoir conventional idiom and tho highly modernized stylo of tho later songs. Thcso earlier songs, in particular "Room" and "Asleep," may linvo been included for the sake of those who cannot easily follow the com poser's later harmonic srhome a sort of sop to Cerberus although it imiHt bo said that tho former is of much force of a kind not alien to that of Tsclial kowsy's "Pourqiioi." Two songs of particularly oxquisito nature are tho " Wanderer's Night Song," on tho poom of Goethe, and a song in tho nature of a folk song "Blnu, Blau Illiimeloin," (Blue, Blue Floweret Miuo). Tho for mer with tho most si in ilo imaginable means, attains an atmosphere of oxalt d piweol'iilmwB, a kind of intimate ami uiiiiccliniaslienl religiousness. Its mod- on hniiminicB aro arranged with the ut most simplicity. Himplo In feeling as the song is, however, it will prove a somewhat difficult of legato singing, It should, however, become widely J known, It is for a medium voice, as is also " Blau, Illnu." The latter Is a del icate ami fragile piece of Imagination of a rarely musical sort, a viirltnbln wild-flower of art, If that Is not a con tradiction in terms, It has much crowd ixl into a small space nnd Is ovor almost as soon as begun, loaving a strong do. sire lor repotitiou. "The Argosy" on a poem by Israel Zangwill, is curiously in a woll sustain ed soven-fourths rhythm, nnd is partic ularly romantic in its atmosphere, con voying a sense of nuisslveuess and slow motion. The song is for a low voice. "Lazinoss, on a poom by George Ar nold, boars out its name woll in Its charactor, and Is carried on a swinging lilt of much charm. It roprosonts a fa- Torite process of the composer in. es tablishing a definite rbythinic-melodie phrase in the accompaniment and carry ing it through a remarkable sorios of modulations which look violent enough to the eye, but which in reality are usu ally quito felicitous to the ear. Mr. Hull not infroquently leaves the key bofore ho noods to and he would proba bly gain by expending bis groat ingou- (Continued on peg four.) H. !, I. IW ,, .... .. r y...,, . . ., . ,,, ,,... ...r.,,, ,,, ,,:rmrrrr IMPORTANT The Portland Mausoleum Company have - under construction in ' City View Cemetery, Salem, one of the most beautiful and substantial Community Mausoleums, of medium size, erected in the United States. An opportunity is afforded a limited number of families to purchase compartments in this perma nent burial monument. The cost is less than the "old way," and provision is made for perpetual care through the endowment fund WHY NOT PROVIDE "THE BETTER WAY?" Salem representative room 301 Hubbard building. Phone 239. MR. HENRY PECK AND HIS FAMILY AFFAIRS By Gross TttfpHOrC I f rtu? Terr's that f ( rio im TtLuiri' I (5y in fioMrfft"- , In ,srrr7ZF- K. s bMTNJ vP KS&iS- 1 J 1 1 -J sAL. HENRY JR. 5AY5 'AiK