IlJ.rSTRATED FEATl’ RF SECTION'
TVo.mher 7. 192‘J
I he Musical Sensation of the twentieth (Century
b , j . a .
mu m s
Hi-^produced more beautiful and rlchly^wills Ood o f W ar.” for "FauM oiHl*rathrr a>haimd of hU culor anti his
• l 1 nee
preferring
*•» be
balanced tones from the orchestra, others At the same time he was con
perliaps ins best known werk how that statHls al ihr p m rtit Um«* while not Haydn nor Mivurt was ductor of the Croydon ConsrrvuUwy lie wed 1 at her **» man for all twees
lli« Cirralr^t Sucre««
; It ks u> bt* pci lonm-ii thls merk ut more direct in hU structural uietli lire Croydon Orchestral Ho*»ety, tht and as a British subject rattier titan
a Negro.
The succcm uns cnoniKHis Joseph j Norw ich. and thrre ureck« later at ,>dit«.t do not think that sll , hr I WrMmurrUtid ?V.U»al and U r ! » « •.. as And
this shy. ar motive bnv. alone
Betmett «rote
the North Staff ordahire Fr»tivwl.M critic« praised him. some of thoac w h o 'r , , rr C’ horal Soclrty.
among
white «'ojuitMiiintit can liartily
XVrtatnlv the man oi ihr hour
1
m blamed If > wa-
Bennett
goes
on
to
name
seven
j
professed
to
.hape
the
course
of
|
Hr
wa.s
also
Brofessor
of
Compoal-
Cole ridge-Taylor. Hr Inis wutten. as
other place« at which " H i a w a t h a ,mis“ ’ ignored mm albiget rr On *| tism at tlie ITinity C'«»llegr of Mtutlc
Wiwlr i n t i e half wf N e g r o
was soon U» b*- ivrform ed
oi *Hrm was tieard to remark after I r >fessor of Theory wiul Hurmoiiy
In later years, however, he bream«
Coleridge-Taylor, greatly it; neetl *C ,h r
of *d*s fU. t piece
Hr i
passionately
« Negro, and fhr great
money, and like mrwt artists a p«K»r ol|v 11 damned nlgfer.* H ell nrvr/ ut the Crystal Palace School of Mu*
A» | champion of h u l>r«>|>lr in tungiaf»«!.
business man. sold the entire right*t^1 anything more *
laic and Art. and (hri colleges
.
Ilr was always writing to the i»a|irni,
Ills t Ml. s » Will »1
ery pot Hilar Ail ^ ijfotesltng against tlielr rxtlusioil
W o r ld '» C olossa l S tom ach
j hr had the chagrin of .seem# i 1 m * pub I On another urea. mn a wedk now n | enthusiast him self hr Inf used Into riom the higher artL*.tic life on tlie
H erb C o m p o u n d
i.'lirr- 111 »kln« » fortune out o f it *s crtlc m»tl> litnurlf l o o k »rry rKlkru- 1............ . . . ............
..........
mere ground at color
the work
bv the hundreds of I lous bv attempting to disparrgr him his student« an Unionise riithuMwMit
t'caerfullv hills ami Washes I'uisun fh i in d i M»ld
Was this change due to the fact
for their art
o f copies.
! In Coleridge-Taylor'« rej»er «>irr on
that he had sow arrived that he
From \ our Sxstrm!
4 aptures Aitirrlra
S liy
in ( r o n d s
I tlte (»articular occasion was a le
had at last proved to tlie world and
A p o w e r fu l » :.;« r
oi
»tom * c h -« « s t ro v in g
In 1904 lie vialtrd America wlrerr to himself that cokw wan only an
Invitations to the higlirst social I Drum, which appeared undrr five
* • rw »
W is h i n g in « t n te s U n s l t r a c t c le a n
o f stic& v f l.ih s . s t u b b o r n w a s t e * u-i p o is o n -
•r. .
rul tfTers to ctmduct or- ,m,n« ,,f “ n
unknown writer each apfiearance was a triumph U>ng me »dent ?
o u : ic o u m u la tio n i
S t im u la t e * ( h e n d n m
rtm tras and to Irsch piMtrrd m on rhr
q«i»*tk«n. »|»>kr in m - before, htiwevrr, coltiresl Americans
Whereas hrfnrr lie bore the taunts
a n 4 r n .r t u t * t f í l a c e p « m i
P lu s h e s t h a t hun
At on» rollerrt h» (s v r at thr thu.Ma.Htr prats» of tlw Tr tirimi, and had been forming Cole ridge-Taylor meeklv. hr resented them now O tar,
l a * ? l o a r t o n o r m a l a c t i v i t y c m n n i P ep
in hu honor At »Norfolk. Conn when he wa> out walking a band of
Hall th» turarsi aJjltorium i took «¡..«»ton to brllttlr lh- orehrs dubs
1*1 ¡a rm a n d V ib r a n t H e a lth
T^.at s u ffe r t.c Albrrt
he conducted the Lllchflelc Choral
f e e lin g a n d lt« 9 K *rd "old
00« d:**pr«*ar at in Ehcland
thousands wrrr n irn ., 1 ,
of U.» fa n a «» Haliade oy «mi- Union Fr*.ti\ al on it joth ««tniversa young hooligan* -houted al t.im rail
o n c e b e n i r p a t a k i n g a cu d o í C A U X I I F
ing him "Blarkle ” Catching »ne o f
»
»
a
y
.
and
at
thr
r
ltw
hr
t
u
r
r
f
w
t
t
n
«
to
Colrrtdxr-Tsylor
that
if
U O t D M - L O T T V S b e fo r e g o in g to bed
ry with 4M) white singers on the stage the young aroundreia 1 m * taitght him
T tils | > a b j n .j r .e s fe v e r .
c o ld s , c r a m p s , railed » , many Umri that nr finali, I1»
* ouW lr» rn »»I»'* -» In orrhrMra- and 4iA In the audience ITesidcn!
a lesson with hu cane Hi*» flghUng
p e r io d ic c r a m p s , in d ig e s tio n
r a a tr t tu and
^ '»»**•«« ^úi th» T» Drum Rooaevelt entertalnetl him a* dinner spirit aiul indlgruitHS) with race kn-
s o u a t ip a n o n .
H e n t h a t a r e t a i l c h a u ffe u r ? malked out into thr strrrt. But the
u s u a lly su ffe r m o at fro m th e r s t o m a c h * a n d
to « o and s o m m i» l * U t- howrvrr it drw IopM . that I At the White House and American lustice inc re ward with time
Negro themes attracted his atten
I '>»'! to be «-.it to ll.ut hint, slid brtiw JJ* " mr "U'rt
<'«<erulfr I *y
himself, who had done the or- society, colored and white. HonLned tion Ifr wrote a stirring eofctMMdtln«i
« b ild r r n Are K e p i H ea lth y and V t p r a a i
him llu other Amerlcmn tour» were on Tt>u.>A*int LXHjverlurr. * a well aa
|ehrstratlon o f -hr T r Drum'
N a s ty o d a . b .t t e r t a it a a n d d r u g g y c a n d v hill! bark
a r e d a n g e r o u s « t ie n t a k e n to o o fte n N a s ty
an African Suite Songs of Slavery,
“ t d,' 1' ,r d
In tla- meantime Ihr Iradm« pro equally »uccevs.ul.
o ils c o n s t ip a t e
H itte r s a lt s a r e too d r a s t ic pruLse Someone
. m. . hU, laugh-
n *
durer, and „ t o r , » were
e r r f giving
, ., n r him | An important fact to be noted ¡ among which Is ITw* Quadroon tBrl.
a r d r la à e
C A L A / O T S O O L D V N -M P K T¥A
described him a* a -k,r
merry,
ordì
ariti core* for Uient
II»- about Colei i
m was big at-|
Is s a le a n d e f f e c t iv e t o t h e m o at d e lic a t e ing
never-rufTied i**rs<*n. shy in a! wrote the m u s ic
for Sir Herbert, Ulude on the color question In hta|
sto m a ch s
S e n d 50 c to
| crowd but very much ut home among Beerbohm Tree s ‘Tlerod.” fo r /.ang- »arlv vo«»th h e seemed Ui have bren
icwtiinutd t* imi * •
T I U N f . L f r i n n t r T « CO.
, friends Almost of ull his life prior t»»
B a t ??. m * u « b U New V erb CM y. n . f
his marriA*r had bern sprnt in th*
AO ENTS WANTED Our agents are making j Company of Ills mother, almost hl.‘
good mones seiitnc CALAJors 0 0 1 den only friend up to that tune A rd len ceJ
L IF® T E A S o c a u y o u W r ite fo r p a r t ic u la r s .
had to beg him later for his own I
, com positions. as out of modesty, hr
j would exclude them.
Critics spoke of him in phrases |
For the First Time in the History of like these ‘ He *hows the la n d of I
a master, marvellous indeed “ I’ mqu*
Any New spa per
j in music as Swinburne was w poetry. |
i “ His flow of melody la u n fa ilin g1
and the brilliancy of his orchestra
tion and the fertility of his tm aglna-l
| non arr astounding Not leas surpris-
! In* is his originality From first to
1 last every pave of his score s Uamp*
ed with the computer 9 on g nality **
Described as "H eave::-Sent”
Others called him the greatest m u
sical sensation.** while some placed
him "in the sublime class w th B ee
thoven. Brahms, and W agner,” and
spoke of his “ gorgeous imagination
melodic charm, grace, dignity. and
sonority, and weird, rushing bar bar
itv ”
Jaeger railed him: A Heaven-sen:
musician
and
Herbert
AntclIfTr
noted critic, wrote «»f him in the Mu
sical Quarterly thus:
When we analyse the work to dis
cover the qualities which make it sol
distinguished we are able to discern !
only the one supreme and indefin
Excess ncid is the common cause of
able one which we call genius. »Schu
bert wrote nothing simpler or more
indigestion. It results in pain anti sour
melodious and neither he nor Weber
l » a tia u *4
(r « m
f« ;r
• **•>
-----------
« < 'X t*!*X iHHix
k llO « 5 ,
work called
awutha's Wedding FV m I.1 L*t us
L Ü M ü fiM H
GOOD NEW S!
Acid
Stomach
DK. 8. CHARLES GOULD
Eminent Specialist, has consented to
give beauty advice and treatment to
the readers cf this paper.
The reputable doctor is the ONLY
reliable authority for scientific ad-
,.c e upon the care and treatment of
tlie skin.
For more than twenty years Dr
Gould ha-s successfully treated per
sons prominent In all walks of Ulr.
including MOVIE STARS theatrical
stars, scclety women, doctors, law
yers, clergymen, magnates of the
business world, and many others too
numerous to mention. This assures
vou o f his reliability and high pro
fessional standing.
As a reputable
licensed doctor he gives you the same
careful advice and treatment as if
you »e re a patient in his office
Perhaps you have worried about
sour complexion and have searched
for ways to enhance your beauty and
stlT you're net satisfied. THE REAS
.........
..............................
........... . „ is . more
.....
ON IS
SIM PLY THIS—there
to a complexion than merely a bit of I
whitening cream and a dab of powder
W H AT is THE WONDERFUL .SE-
CRET?
Why
have
Hollywood's
'S T A R S ” and society women given
up the haphazard use o f cosmetics i
and adopted other methods*
NOW
YOU MAY KNOW YOU MAY HAVE
THE VERY SAME METHOD, used bv i
these beautiful women
COMPLEXION ANALYSIS BY
:
l)K O O I I II
The only way to secure thr EXACT
'reatm ent to best harmonize
with
your complexion, accentuate your
beauty, and enhance the chaim of
vour personality is to have YOUR
COMPLEXION
ANALYZED
AND
'i OUR PERSONAL REQUIREMENTS
DETERMINED. This Dr Gould will
do for you. Simply write him a let
ter giving age, weight, color and con
dition of skin, 'ligh t or dark, dry or
oily, wrinkled or otherwise) and gen
eral health, and enclose ONLY the
analysia fee of 13 In return you will
-eceivr a most liberal amount o f treat
ment best suited for your individual
complexion. THE .SUDDEN CHANGE
TO COMPLEXION BEAUTY WILL
AMAZE YOU AND YOUR FRIENDS
DR S. CHARLES GOULD
<•* City Nat l Rank, Bridgeport. Conn
When seeking advice only, enclose
•elf-addressed stamped envelope for
prompt reply.
Stomach Disorders
First Revealed by
Coated Tongue
Your tongue is nothing more
than the upprr end o f your stom
ach and intestines. It is the first
thing your doctor looks at. It trlls
at a glance the condition of your
digestive system— and physicians
say that 90% of all sickness starts
with stomach and bowel trouble.
A coated tongue is a danger sig
nal o f those digestive disorders
which lead to so many kinds o f
serious illness. It tells why the
least exertion tires you out; why
you have pain* in the bowels, gas,
sour stomach, dizzy spells.
Coating on the tongue is a sign
ness about two hours after eating. The
quick corrective is an alkali which neu
tralizes acid.
The best corrective is
Phillips Milk o f Magnesia. It has re
mained standard with physicians in the
50 years since its invention.
One spoonful o f Phillips Milk o f M ag
nesia neutralizes instantly many times
its volume in acid. It is harmless and
tasteless and its action is quick.
You
will never rely on crude methods, never
continue to suffer, when you learn how
quickly, how pleasantly this premier
method o f relief always acts. Please let
it show you— now.
tfiat you need Tanlae— the medi-
c 'Pe which has helped thousands
w '“° were physical wrecks from
Jtomnch and bowel troubles— who
h*<l “ tried everyth ing” in vain and
about given up hope.
Tanlae con ta in , no
■
,w ,.
u m „ ln , f ^ l mi.n ir* 1
.nd^rA, s V T f
t i.|b r^*’ hCrJ"
v “
, r " m i ° Ui
^ ' ? y l Y ou r monry
1 ■« doesn « helP y ° u-
J V W 'W
,
W W M W M W W Z A 'A Z A W Z /A W A V W A N V
Be sure to get the genuine Phillips
Milk o f Magnesia prescribed by physi
cians for 50 years in correcting excess
acids. 25c and 50c a bottle— any drug
store.
“ Milk o f Magnesia” has been the U. S.
Registered Trade Mark o f The Charles
H. Phillips Chemical Com pany and its
predecessor, Charles H. Phillips, sinco
1875.
P hillips
i
* Milk of Magnesia
Çpf- T
is -
yet-
_
th e
sono with the hottest s ,z + f
- ‘-'-LE
“ Yrou D one L ost Y our G ood T hing N ow
PART
sunfi
• n
9 «
I ..mí II
a low-dmvn mood by
- -
Lonnie Johnson
a n d V IC T O R IA SPIV E Y
No. 873.3
75 /
RECORDS
• O * - 1* Vl*.—~ « ' . r » ' « « » , I l I W W .. W . . . . . . »
. N . . V a t . N. » .
W Z A A A A A A A A A A A W V W W V W W V W V W W W V W rtW W W W l ^ W W W W W w í