Il J-UST R AT FD FEATURE SFCTION 4 A i».ü : «»f people, the fun« tions and at tit «idei of those who follow the Mem ken torchlight 11«» shows will» both wit and «hai in Itow those who criticise, ! everything amt everybody" perform •in ludl ipen i.ihl«» role In keeping the | only illuminating hut !•» also highly actual facts" befoie Hie |M»oph- entertaining Ycl the I h » o U is not pessimisttc It It merely vei y cut L'L’ llr.iuty Book- , leal and Iconoclastic. Mi>v»tnf k««» •*» -»f In part 11 the author gives a ‘««»it t.g (k * U lr « I COLOBI D of resume of the debunker's view * PkorLK W * ar* th* 1 « > f « « l and Ideals lie points out. much to M*m t«.< u r «ii *f W|OS the enlightenment of greif tuimlier T H A N «rOKMAriONS swithm m i . i rate \ 1 n riO N s T i n : or 1 l i n k or i u ’ n k ity llaldom an-Julius Published the Stratford Company. -31 Hoylston St . Boston Mass SOI P r ic e $ t 00 k by 240 pp \ \ \ \ » » sot or a liability o f modern civilisation'* How much of politics is bunk and how much is of value .m an has been dominated by various kinds of rubbish thrust on him l»y I power and superstitious traditions A great deal of human understand­ ing is manifested by the author in portraying the desires as well as the needs o f the masses of people A whole chapter is devoted to the supei bunk shooters tas the author chooses to call them) o f the age. He names here any number o f peo­ ple who ate frequently classed m the intellectual heavyweights of Am er­ ica H»s searching a ml penetrating analysts of their pet phrases and fa vorite "whoopee" theories is not FREE ,, CRAY HAIR * ° wrssv ot. . > fur «•I h ui I »IH'lv ' *... Nun.- «**•« «nt '* ««* « «y I kl* '• *• '■« > • infill . >i.tr Hurml««» I .»»« t.» t ti,vll»||l It*it \ i*n*l It«If I« .1 'I*1« ’ •.>«i t « h i >«UI Ln*»* ill • •• i < iM • i- !«.«•» ‘ M..k|. « *i l I r »o ti *l a - MAY 1 At! m A t o K i r s i t l N Mi. IW-pf i l l s , ( lit. *«*• ’ Uw»:«ttt>«4 f . K f Mt« f«r FREE BOOK Î «•%«»» tk*>tii(fi «in» f u ie |w*iit !• » 4*1 1I14I un »... • • • « •.*«* 10 (1 A M » «TRO NC A4»AIN .nl n AIN !• r M All) 111 i» ;« UK *Al>E * M 1 . in ai •«•ni « l i f m m « im i I M r « « « «•■ T i l l k M NO roMW.1 ri t V.» M’ D C y I* I» I» ilrWHM« I r»i 1 » t 4 r J Il 1 ' ! »*il wml >•** « free t - ► *k I«- S itr w u k "« : ■ ip ii'iiMii i I m i m bnngRtg hreüui »r* l I*ij.il.!'<■■.» h v i many »••met* ~A\'iy mi S‘Ht y V-n*rlhi »»4 on* «tilitrly dif fri d it —i «il IV n *. I'«>«< I ii*JM m i Ni >«i»» I- I 1 ii >nn: > FEMALE. TROUBLES IS CIVILIZATION BUNK? rUOM INKS I* \ IT H O K s||\KF^ At t ; : m n n o t i o n s a m i i o n (>. L* FOUR GREATEST DANCE RECORDS M i Haider-* *t df u tk f he mass* f | o p le? W h a t mia takes are being m ade in our c iv ili­ zation and how can they be c o r­ re c te d 0 A re th«» present standards in set; and m orals correct * In what d irection are tin* present tendencies o f m odern conventions going'* Is public opinion bunk'.* A ll o f th e je and several other qu estions are raised in the mind o f the reader as he scans the pages o f this prom inent au th or’s new hook. T h e new tendency is tow ards those books which in vite th«» reader to think fo r h im self T h e old books w ith cut and drietl solutions fo r all modern evils are fa.d disappearing. N o book represents the new trend in bookreading m ore than T h e O u t­ line» o f Bunk It stim ulates thought. I r helps you to decide for you rself w h eth er you w ill accept eve ry th in g di.-hed out from the antiquated desks o f old "fo g ie s " bent on re ­ ta rd in g th? intellectual gro w th o f the masse o f people T h is book reveals the corruption o f ;■’«.»-called ‘ re fo rm m ovem ents,” sh ow in g w ith considerable c la rity h ow these m ovem ents w ill not rtand the >?archlight o f rigid analysis It also sheds ligh t on how and w h y ■ ■ À>.- »•.*• Th« ! ‘ ■ I ' • ! ' : : : I n i t h e .. f ig**n« .' s \ v i t c h i e f l y • • ffe c t lv e in • I »I« itt- r.al w o r k b etw «'**n H » « ’* a n d 1 - :•«. I H ir in g t h e f i r s t y .-a r o f t h e ì < * t . • 1 war th*» bur* au itself reported ' 4 «tea d ^ n ts in th* era and 247,3 I . v a r io u s s t.it* -. I.« ni»** 1 H.ivn* , a hiilluint N e gro rr.lni.-*t»*r. w horn in 17.5 and served W ith distinction in tìv* R evolution ary II • -r.ov.' ! unti :al a 'r lit y in . • • L o u i s A r m s t r o n g , the hottest trumpet player in America conducts the hottest, and most rhythmic dance record on sale... r] r J u d g e A lb e r t H a ile y H c o rg « o f O l i ­ r à g o 1- t î . fir s t N e g r o In A m e r i c a n C iv ic a f f a i r s t o h e e l e c t e d a J u d g e o f a c o u rt o f re c o rd . N O . 8# « 9 FHLE ADVICE h!a 1« Jut wl»at you r.ttttl tr r il g - a ! .< <. a h to i f> ( 9 rry it ¡'ii jo i v. i j * r* f* r jr».j go. • fid r.* M • t': •• .¡„.ru., f . r K'^xl Jü'k that * on««-« jjr*-;tti*st l.i.t vii.it jo a ne«d. I n t i yo'ir 1> 1 on<- i » yott, no J matter n l.*»r<- l.p or the iî» er ! f t make jou Have a winner In all iren.fi ani hualneee. til*-iify of u. •«•/. K«*f11«' v■ .r li'/fi.i- trouh P « for go 'i ». i s « jTe| what j » t «In iya ni inl*d. haV It fr.i* -on tr ai—nnfll /ou And you • re u t l* ied t at It hai «Jor.«• 1 1*** work. Ko Hot ta f tr »•e a lvi e ind iuck/ u rite t 'd t y . Mrtrct* fr*-** • • . y 'ir or»1» r. SENT ON FREE TH I A L Fo «or«* nr': v.*» of y or ■ n«t «ttI t - tlOtt thnt . 1 I t b lf Mg lu k outfit wltlio ¡t n t nnr in ri«lTan**p. Ai »con ni r« ' I y«» your I ' m t . w i 'I 1mm» ijJaf.'ly » i n i jo t our fnn;o'i« K*»ven ftlAglc 11 if f ' y Prnwing l*o f}*T, Quirk Lnrk Oil. nn-1 o r f r k Hook. On nr- rival, î ny r^itman only |J If) nn l r*oRtnit<*. Cuaraot ••■! to i*ati.«fy or j o i r Uioo'-y n lo rn I. Ko write t o ll/ J. ( KTI V V Y «4 C O . I ’ ll Mil*» aiili »1 <• Ave., I»* I't . i S »>¡.1 , i C a n ’t G iv e Y o n A n y t h in g [hit I ,ove - fox TROT j No One Else But You ^ 10 A TROT Played by I.onis Vriiistrong And Hi» O n d ic lr a ^ 10 ( in. St. Jamr<* Infirmar* ( * I OX 7 DOT \ Save It Pretty Mtirnrmi — VOX T R O T V « é l Rtfrttn lln 'h «»l.iy «d l«v I x h i I h \ r r n .ir « » n f And II«» Ha*tty liallriMirn L I * . 10 Titilli I ik<- T liU î ix ito r in. ( H ra liM rT n ltin 'T iiV u ? — rox two i Hot It f.la*r.l I.* lutili» Irnutnini And Ili. S imi , ll.illr'Mtri* I •»** î Four r m ir « Or n I i«c T i m « » » / «71 I" in 'n / rox n i T s’ I" * ' hm I I m H' o ««h I it«• I 'lllfl D a n ilin * 7’« I PaJuiuh - r ■ * x ___ Tiot »* t *__ ! . . âl — < I h h ' o I. i I c I > it 11 «11 « I h i « ! Skj> H r c o r d s OKEH P H O N O G R A P H C O R P . 2S W » . l 4r.iS S tr»»l. New York, N Y . ‘ 1 Ili' ¿»« 4 J