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DEFEATS WHITES
A t la s t B a m h a a ? a w a s r e a d y to
» tr ik e .
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o u s te d h i» m icce» ; o r a n d k ille d o r
p i t to H ig h t th e fo r c e * o f th - g o v ­
e r n m e n t.
A t t h is
«-verni h u n d r e d
a o ld le r s w e re s e n t a f t e r h im , b u t a m -
b u s h in g th e m , he k i ll e d m a n y a n d
s e n t th e o th e r s r u n n in g .
T h e u e w s o f h is v i c t o r y fle w o v e r
th e la n d , b e in g m a g n ifie d w i t . e a c h
i l l z - l s ty le ,
t e llin g , a s in tr u e
n a t iv e h a d
M o r e o v e r , n o t a » ir
be«Mi h u r t .
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of
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w h ite s a r r iv e d a n d 1
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on
Page
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DOUBLE YOUR MONEY
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N o E x p e rie n c e N e c c v ia r y
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✓ ) O tn tm rn C a n d O l h r r l l r a u l y C r r a lin s a . W u iiJ r r *
' fa p re m iu m » w it h e v e ry «..rder. l o r b !g » am p le
case o f f e r w r it e D e p t. 113
T H E T R U - S A N C O ., M E M P H IS , T E N N .
have
T o a d d to Ik im t m a t i ' n «lilTli iiH 1 « h
tin * w h it e
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he h u d s to le n f t u l t i th e w h ite s m id
h o d h id in th e h ill* '
A s !•» g e t t in g
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PARALYSIS
A MIMMATIM TONIC TNUTMINT
in lu’tipN, till lh< ir bmv«
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y o u r s w l i n t y o u «i«** 4 |u e o ii, t h e b r o u -
i i l t r r «*f I y r t a r s p r o r m m e r i t .
I f j a o i r d r u » » t f i t Is s * * h l o n t n«»n«l !W«' l o
o ia m p s f o r « o o t p le t e I r r o l u i r n t o t M u e *“«
n«u»ii n o d D r e e n ln g .
N t W I i l t o M l N m C T M l I N O CO.
B8.’ ^ rN>^ ru l i i J i t A tla n ls . (•*.
i : •
» ta d
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lire » » u t m 1 i-r, a n d th«
of Quern Udir Dressing
treatm rots— so
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ond v.- « club* wa re
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w l Ita n in 1 id Imi to ‘
W i l l p r o r e t o j« » n I h o t ()««*«'•» I n H i s
g r r M ir « ! l u i l r b e s u i M e r y o u h«»«* « **« r
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K **th er h»* h a d u c o w HprinkI«*tJ W ith
th in Hf*f«“ia l c h a r m
th a t
h a d been
mad«* fio r i» t h - h e a r t a n*] lu n g « o f
c a p tu r e d w h it e m e n .
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« •iith t o f h i t m e n he o r d e r e d th e m to
M hoot til« ' COW
T h e r i f l e * a p o to b u t th e c<*w ra n
o ff u n h u r t , a lt h o u g h b u t a f**w y a r d *
aw ay.
T h e a u d t e iii i m a r v c lh 'd \ m ir a c le
ti n h Î
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th e e ig h t r i l l * 1 v * # a g a in Mr«-• I . Thu«
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If
I c a lh «I f o r v o lu n t - e r n t«i h r
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m u t i h«* *>rd‘Tf*d h im to b e a llo t. O ne*
n e a r th e r i ll * n » p o k e
B u t th e j*py
»to«>«i u n h u r t th o u g h b u t a fe w y a r d »
aw ay.
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g a t h e r in g
f io th e c h a r m c o u ld a ia o
p ro te c t tr a ito r s !
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b o a t« a ro s e , s p e a i in h a n d . T h e r » - * t
m s tn n t, hi*. W 'eapon s a n g th r o u g h th e
a i r a n d th e * p y f e ll, p ie rc e d t h r o u g h
th e h e a rt.
T u r n in g to th e a s to n is h e d g r o u p ,
he aa Id
“ G o, te ll w h a t y o u h a v e
seen w it h y o u r o w n
A n d say,
to«», t h a t w h ile th e m u t i w i l l p r o t e c t
tli*- f a i t h f u l , i t w i l l n«»t » jiv e tr a ito r s .* *
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1« d u e t o a n s r r h l r n t a n d t h r e e t i m e * a *
n m i l i i f « le a th i * « lue t o t r a v e l a r r i d e n t * .
I l n r e in s u r a n c e U s e c u r e d a t t h e p r e a e n t
a » e . t h e r o * t n e v e r r im »* u p .
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Send
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w i t h *1 (M l i i i m
a n d I n * s a fe
» W i f i i * Piar» / “Pine T o p " Smith
A Few More Vocaiion Hits
T oo m u ch c a n n o t bo o a i.l c o n ro rn in g y o u r
w on.ii*! f n l I n t u r a m o Co.
Y o u r p ro m p t s o ttl« .
n io n t o f m y r l a im m o il« mo v o ir h a p p y — M r«.
I
M Johnson
»2S V.
lo t u S t.. L i t t l s R o ck
lt‘s Tiiht Like That »'W.Pi*n».C«f«ar 1216
Tampa Red and Georgia Tom lit
Grievin'Me Blues CeoraiaTom
»'«•a/ ifil* Pianj. Guitar iy Tampa Hri
ixk.
U m lo r w r lt r r s In s u ra n ra 8 o n ric o ia m oat p ro m p t
and co iirto o u a .
I ro e om m oa d I t to o to r y ono.
— L. B . W illia m « . «»02 In d ia n a A » o .. C h ica co.
W o p ra y t h a t th a U n d o rw rite r a Ia a u ra n o o Co.
m a y o v e r go on b rin » a ucco a a fu l. f o r wo aro
h ic h ly
ploaaod
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A
E li ¿a be Ut M a ia h a ll, In d ia a a p o lia , la d ,
T O D A Y ! ------------------------- ---
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lía m e In f u l l
Ho n o t
Illy
R a ts o f B i r t h ............................................................................................... M y
D ay
k lo n th
Year
VOCALION
RECORD
It's Tiiht Like That No. 2
Chlcaao Moan Blues
Nottliy t otal uith Piano and Guitar
Slats
A »« l a ! .............
B o n s flc ia ry ............................................................................................................................................. ...............
W i n » h a te th e f u l l nam e o f t it s peraona to w h om yo u w a n t in tu r a n c o p a id a t
yo u r «loath.
M O T E —T h is In s u ra n ra w il l becom e e ffe r lle e I f a nd w hen Issue,I h r th e (Tnder-
w r it e r s M u tu a l I Ife In s u ra n c e C .im p a u y a t Its H o m e O ffice Iu C h ica g o ,
a s h o rt*
fiw m n p p llr a llo n fo r th is liis iira n * e w i l l t«e m a ile d I«» n|«pll«-ants In a ccorda nce w lt 'i
re « |u ln *in e n la
'l •• I 'm l c i o r l t e t s M u tu a l Ilf« * Itta n ra n c e C o m p an y r»*s«*rfea th«* r ig h t
t» re je c t a n y •(»¡»11« at ton fo r title In s u ra n c e f o r a n y cause w h a ts o e v e r, nn.l Iu am u
«saeo w il l r e tu r n to (lie a p p lic a n t th e f u l l a m o u n t o f (lie p a y m e n t aent w it h (h Is
l'ou|M>n.
T it le o ffe r open o n ly to person s b e tw e e n O '.i y e a rs o f age a nd 50 y e a rs o f ago-
O u ly one I ’o llc y to a person.
1240
<V
Tampa Red with Georsia Tom
It's Tlflht Like That
12:8
Let’s Sow a Wild Oat HViA ratal S
lit.
Cho'ux Moones' Apex Club Orch.
PMipk
use I n it ia l«
V» . . . .
Btreet
Pine T op Blues
1245
Pine T op ’ s Booaie Wooeie 7¡e
READ W H AT OTHERS SAY
T H IS C O U P O N
W i 'i o
(
FULL CASH SURRENDER VALUE
POLICY ISSUED ON LEGAL
RESERVE BASIS
I S l> » R W N ir K R H M l T I \ l
IIIF
| N * I H \ N ( I < «>.
. H I * S o u th M lr lt lc a u llo a le v a r d . D e p t. 1?. « liic a « « i. II I.
(• e u tirtn e n
I w a n t t * f i i k r n < l\a u t.ig e o f y o u r o ffe r o f a S p e c ia l f i f e lo s n n n c *
P o lic y w it h o u t m e d ic a l d o m in a t io n ..r i «*«1 tap e o f a n y k in d .
1 e nclose ch eck o r
u.iuiejr o rd e r fo r f l 00 to p a y fo r ttra t m o u th 's p re m iu m .
My
fOU ain't never h e rd anything like
thi. record before. "Pine Top"
Smith sit, himself do-vn *t t!ie
liana and tell* you how to "BOOGiS
VOOGIE." He tells everybody to dance 1
When he says "hold yourself," you get1,
ready to stop. When he sa\s Stop."*
you don't move a reg And when he
says "Get it." everybody docs a "boogie
woogic " You'll tind out what "boogie
woogic" means when you listen to the
reco-d—and there's no stoppin’ after
that. On the other side he also gives us
"PINE TOP BLUES." which is mighty
good too. Ask your dealer to play
NO MEDICAL EXAMINATION
NO RED TAPE
•
•*
How Lon«. How Lons Blues No 1 1241
Prison Bound Blues
Hr
»W f ttill Piano and Cuilar LCTOV Carr
Vocalicm Kecorbs
Nl/d. by The Brunsw ick-Balke-Collcnder Co.
Chicsfo