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Pag 13: W,d. World.
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Edie Adams
(Continued from page 13)
become a serious singer were thwarted by
a saucy face which one impresario said
"was too cute to make an audience feel
anything but gay." She won beauty con
tests, appeared in night clubs, and became
a Broadway star in "Wonderful Town"
and "L'l Abner." While singing and act
ing as stooge to a Philadelphia tv
"comer," Ernie Kovacs, she also became
a wife.
When Ernie moved into the big time,
Edie could afford to let her own career
"take whatever came along" and become
a stepmother almost full-time.
"It took us a long time," she says, "to
learn that the children didn't resent disci
pline but needed it. It made them feel we
cared about them. It took Ernie even
longer, though, to curb his generosity. He
would go on crazy buying sprees, espe
cially on the girls' birthdays, and I would
try to hide some of the presents and give
them out later when the girls could ap
preciate each individually. Ernie under
stood this and approved, but he had a
hard time doing it himself."
Whenever the Kovacs' careers took
them from Beverly Hills, Betty and Kip
pie would accompany them. It was impor
tant, Ernie believed, that they realize they
had "come home for good." When the girls
began school, travel became impossible for
them, and Ernie once told Family Week
ly: "The girls adjusted to us being apart,
but we never did."
Betty was secure enough to accept an
other sister with the birth of Mia. "But
Kippie had been replaced as our 'baby,' "
Edie recalls. "For any child, that's hard.
For Kippie, maybe it was harder. But she
loved dolls, even more than other girls,
so we asked her to help take care of this
little doll-like sister. Kippie helped bathe
her and comb her hair, and pretty soon
dolls and rivalry were forgotten and all
Kippie's love was with Mia. I was work
ing last September when Mia started
kindergarten, so Kippie took her on the
first day. I think it was Kippie's proudest
moment."
EDIE was not always happy with Ernie's
contributions to the girls' education.
"I told him he was making them too 'hip,'
telling them too much about the toughness
and problems of the adult world. As it
turned out, I'm thankful he did."
Until they lost their father, the older
girls had showed little interest in their
parents' careers. "They didn't even watch
our tv shows," Edie says ruefully, "but
now that's different. Because I won't be
around as much, I started to tell them a
lot about my business oh, I'm not letting
them get involved, just interested. And
they've begun to take a more active part
in our lives just as Ernie intended, from
Kippie selling her horse to Betty telling
me what number I should do to win the
teen-age audience."
At 3, of course, Mia cannot understand
Family Weekly, November It, 1962
p
ft ir ' -r-, di ,ij
After "Mad, Mad World," Edie will costar
in "Call Me Bwana" opposite Bob Hope.
why her mother disappears for days at a
time. "If I'm away on location for more
than two weeks, I take Mia along just as
we did with Betty and Kippie when they
were younger. But when it's just a week
or so, I phone Mia at home every night
and tell her what I've been doing and
that I have to work a few more days be
fore I can see her."
Several weeks ago while filming her tv
shows in New York, Edie telephoned Mia
and heard a familiar question : "When can
I go to work with you, Mommy? I want
to go with you."
"Maybe next time," Edie said. It was a
troublesome "maybe." The Bob Hope movie
would go into production in London within
a few weeks, and Edie had to decide now
whether she felt her career was advancing
on her own talent or on the misplaced
sympathy of friends.
THE ANSWER turned up in work she al
ready had done: in "Mad World,"
they wanted extra scenes; in "Call Me
Bwana," her part was being fattened; her
tv sponsor was excited about doing shows
from London and possibly Salzburg; head
lines and memories were dimming, but not
demands for Edie Adams. Confident as she
had not been before, she signed for "Call
Me Bwana" and almost immediately tele
phoned Mia in Hollywood.
"I'm going to work in London," she said,
"and this time you're going with me."
Edie knew that the other girls would be
listening, too old enough to understand
Mia going with Mother yet young enough
to feel left behind.
But Edie had anticipated this possi
bility. She already had visited their school
principals and "made a deal in case things
turned out right." She called Betty to the
telephone.
"If you and Kippie work extra hard,"
Edie said, "you can fly over later. We can
all be together for Thanksgiving. But you
have to work hard!"
"We will!" Betty shouted. "That's some
thing worth working for!"
In the past months, Edie Adams and her
family have learned that many things are
worth working for. Not the least of them
is the feeling of standing on your own,
trading on nothing but your own talent
and self-reliance.