OPINION Page 6 n THE ASIAN REPORTER January 15, 2018 Volume 28 Number 2 January 15, 2018 ISSN: 1094-9453 The Asian Reporter is published on the first and third Monday each month. Please send all correspondence to: The Asian Reporter 922 N Killingsworth Street, Suite 2D, Portland, OR 97217 Phone: (503) 283-4440, Fax: (503) 283-4445 News Department e-mail: news@asianreporter.com Advertising Department e-mail: ads@asianreporter.com General e-mail: info@asianreporter.com Website: www.asianreporter.com Please send reader feedback, Asian-related press releases, and community interest ideas/stories to the addresses listed above. Please include a contact phone number. Advertising information available upon request. Publisher Jaime Lim Contributing Editors Ronault L.S. Catalani (Polo), Jeff Wenger Correspondents Ian Blazina, Josephine Bridges, Pamela Ellgen, Maileen Hamto, Edward J. Han, A.P. Kryza, Marie Lo, Simeon Mamaril, Julie Stegeman, Toni Tabora-Roberts, Allison Voigts Illustrator Jonathan Hill News Service Associated Press/Newsfinder Copyright 2018. Opinions expressed in this newspaper are those of the authors and not necessarily those of this publication. Member Associated Press/Newsfinder Asian American Journalists Association Better Business Bureau Pacific Northwest Minority Publishers (PNMP) Philippine American Chamber of Commerce of Oregon MY TURN n Dmae Roberts Prince Gomolvilas Correspondence: The Asian Reporter welcomes reader response and participation. 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Back issues of The Asian Reporter may be ordered by mail at the following rates: First copy: $1.50 Additional copies ordered at the same time: $1.00 each Send orders to: Asian Reporter Back Issues, 922 N. Killingsworth St., Portland, OR 97217-2220 The Asian Reporter welcomes reader response and participation. If you have a comment on a story we have printed, or have an Asian-related personal or community focus idea, please contact us. Please include a contact name, address, and phone number on all correspondence. Thank you. Another aspect of The Brothers Paranormal is the wo years ago, I spoke with Prince Gomol- vilas about a potential trip to Portland to use of “ghosts” as a metaphor for the alienation and workshop his new original play before its isolation many immigrants feel when displaced world premiere in 2019. Finally the time has come from their country of origin into mostly white rural to unveil The Brothers Paranormal, presented by areas. The “ghost” themes in the play also speak of the grief one goes through when missing a loved one Theatre Diaspora, a project of MediaRites. The Brothers Paranormal focuses on two who has passed on. All the characters in the Thai-American brothers living in the Midwest who production — both Thai and African American — deal with that loss. And the show also capitalize on recent strange brings up little-talked-about resis- phenomena of Asian ghost sightings tance that minority communities (probably due to truly frightening often might feel toward the movies such as The Ring and The mental-health profession. Although Grudge). The first client of the cultural communities often have high brothers is an African-American rates of depression, alcoholism, and couple displaced by Hurricane suicide, it’s difficult for many Katrina. At its heart, the play is immigrants and people of color to get about cross-cultural characters past the stigma of seeking help for dealing with grief, loss, and the mental health. ghosts of the departed. Through In fact, Prince Gomolvilas said his authentic characters based on myth inspiration for the mental-health and memory, audiences experience laughter, spookiness, and gripping The Brothers Paranormal by themes comes from an experience of poignant moments. one of his family members who was Prince Gomolvilas (pictured) The mission of Theatre Diaspora is runs January 19 to 21 at Port- hearing voices and seeing visions. to shed light on Asian American and land State University’s Lincoln Instead of going to a western doctor, Pacific Islander (AAPI) communities Hall. (Photo/Cheshire Isaacs) they sought out a “monk” who lived that are rarely represented in American theatre. miles away in a suburb. He said the conditions the Thai stories are rarely told, especially in theatre, medical community might ascribe as mental illness hence the playwright, Prince Gomolvilas, proudly are often referred to as “spiritual sickness” in calls himself the “best-known” Thai-American several Asian communities. He reported that his playwright in professional theatre. family member improved after the visit to the monk. I’ve learned a lot researching some of the themes Though he lived in Thailand when he was a baby, in the play, including the difference between Thai Prince Gomolvilas was born in and grew up in and American funerals. In Thailand, a Buddhist Indianapolis, Indiana. He received the name Prince funeral may last many days. A bathing ceremony in because his kindergarten teacher couldn’t which guests pour holy water over the deceased is pronounce his Thai name — “Khamolpat” — or his the first step in the process. The body is then nickname — “Binm” — so he was crowned “Prince.” dressed and placed in a coffin for display for up to a Because of his visibility as a playwright in Los week in a temple or home. For religious leaders, Angeles, Prince Gomolvilas has been sought out by government officials, or royalty, a body may lie in the Thai community for projects to bring more state from six months to two years. Afterward, there visibility to Thais. In 2010, he was asked to put is a funeral procession before the body is cremated. together a forum of Thai-American writers in Los I was intrigued when I heard one of Prince’s Angeles for the PEN Center and the University of characters comment that American funerals are so Southern California. In 2013, he developed a play to sad and “boo-hoo,” while Thai funerals have a sense raise awareness about Thai human trafficking for of celebration with a party for the person to enter the Thai Community Development Center. And in the next life. One character even mentions the 2014, he produced the entertainment portion of that existence of gambling at a funeral party. During my organization’s 20th anniversary gala and also internet searches, I discovered that while gambling served as host. He’s met with the Thai Rotary Club, is generally prohibited in Thailand, it appears to be been to the Thai consul general’s home, and met a common part of Thai life and culture even in with the Thai Prime Minister, along with other com- funerals. “Funeral casinos” indeed exist; a book was munity members, to talk about issues important to even written about it — Alan Klima’s The Funeral the Thai-American community. Casino (Princeton University Press). Continued on page 10 T Opinions expressed in this newspaper are those of the authors and not necessarily those of this publication.