ASIA / PACIFIC Page 4 n THE ASIAN REPORTER June 15, 2015 New Godzilla video game steers clear of nuclear references By Yuri Kageyama AP Business Writer OKYO — Godzillas galore, including last year’s Hollywood version, stomp on buildings, thrashing about and breathing fire, in a video game going on sale globally in mid-July. But don’t expect any references to radiation, the mutant reptile’s trademark affliction. Simply named “Godzilla,” it’s the first video game devoted to the irradiated creature in a decade. It’s also the first such game for the Sony Corp. PlayStation 4 home machine, ensuring dazzling digital graphics. Shunsuke Fujita, the game’s producer, is flush with excitement when he speaks about how he and his team are true Godzilla believers, having grown up on the movies. They were very careful to render what he calls its “totally cool” ferocity. In the original 1954 movie, Toho Co. studios concocted the giant animal that arose as a mutation from nuclear testing in the Pacific. That had special resonance in Japan as the only nation to have been attacked with nuclear weapons. Gareth Edwards, the director of the 2014 Hollywood Godzilla, also made a point to include backdrop references to atomic weapons and radiation. But the game steers clear of the horror of both topics and Fujita is reluctant to explain why. What substitutes for radiation in the game is a reference to “energy,” which Godzilla sucks up to gain strength. “We realize radiation is something that can never be disassociated with Godzilla,” is all Fujita would say on the topic. Nuclear issues have become particularly contentious in Japan after the March 2011 tsunami set off three reactor meltdowns at the Fukushima Dai-ichi power plant and irradiated the surrounding area, T CARRIAGE CUTS. A family enjoys a ride on a horse-drawn carriage popularly known as a “Victoria carriage” in Mumbai, India. The single- horse carriages — festooned with bright, flashy lights, plastic hibiscus blooms, and tinsel ornaments — have long been a draw for visitors to India’s cramped and cobblestoned financial capital, but in June 2016, they will be banned in Mumbai. (AP Photo/Rafiq Maqbool) Mumbai court bans joyriding in iconic horse-drawn carriages MUMBAI, India (AP) — The blingy joyrides will soon end in Mumbai. Tourists hoping to roll down the city’s cacophonous streets in one of its famed horse-drawn carriages will have to do so before June 2016, when a court has ordered the carriages be banned, saying it’s a form of animal cruelty. The single-horse carriages — festooned with bright, flashy lights, plastic hibiscus blooms, and tinsel ornaments — have long been a draw for visitors to India’s cramped and cobblestoned financial capital. Known as Victoria carriages, they were once popular with wealthy families in 19th-century England. They are recognizable for their large wheels and for allowing passengers to sit face-to face. But “the activity of using horse-driven carriages only for joyrides solely for human pleasure is an avoidable activity” and “illegal,” the Mumbai High Court said in a ruling issued after a charity alleged cruelty to the blinkered beasts of burden, according to the Press Trust of India news agency. The court also demanded all stables within the city be closed and ordered Maharashtra’s state government to come up with a plan for rehabilitating both the horses and the 700 or so families who depend on carriage driving for their livelihoods. That plan is due in December. The court stopped short of banning carriages outside of Mumbai, however, noting that horses, as well as oxen and camels, are still used to pull work carts and carriages nationwide. “But if it is noticed that carriages are used for joyrides, then that should be stopped by the concerned authority,” the court ruling said. To learn about relief efforts to help victims of the earthquakes in Nepal, visit: Medical Teams International: www.medicalteams.org Mercy Corps: www.mercycorps.org RADIATION REDACT. Shunsuke Fujita, the producer of the Godzilla video game for Bandai Namco Entertainment, speaks about the new Godzilla game for the Sony Corp. PlayStation 4 home machine in Tokyo. Godzillas galore, including last year’s Hollywood version, stomp on buildings, thrashing about and breathing fire, in a video game going on sale globally in mid-July. But don’t expect any references to radiation, the mutant reptile’s trademark affliction. (AP Photo/Eugene Hoshiko) forcing thousands of residents to Mothra — which resembles a moth — evacuate. and the obscure Jet Jaguar, Fukushima people face latent according to Fujita. “Godzilla is not just a villain, it’s prejudice in Japan because of fears, some unfounded, about radiation. also a hero everyone adores, and so Nuclear experts say the levels of this game allows the player to be exposure were not high or sustained Godzilla and control Godzilla,” he enough to cause widespread health said. Toho Co. made 28 films in the problems, but there are some risks, Godzilla series, starting from the such as thyroid cancer in young- 1954 classic, until it pulled the plug in sters, which is being monitored. 2004. The new game allows players to Japan’s 48 nuclear power reactors manipulate the various kinds of are now offline for a new regime of Godzillas, including the robotic safety checks. The government wants Mechagodzilla, first featured in the to restart them but faces opposition 1974 film. from communities and others worried Meanwhile, a resurgence of about radiation. Godzilla worship has been “We aimed for something that was increasingly visible in Japan, thanks as close to the original interpreta- to the Hollywood film. A new hotel in tions as possible,” said Fujita, 29, downtown Tokyo with a Godzilla proudly showing how the 1980s head perched on it, for instance, is Godzilla can be pitted against the growing into a tourist attraction. Hollywood Godzilla in a demon- Man Izawa, 56, a sales clerk and stration version of the game. Godzilla fan who believes Godzilla is The fascination for the game “the biggest star to come out of developers lay in an arty duplication Japan,” wonders how the sensitive of the shapes and movements of the themes will get addressed when Toho various Godzillas, and in re-creating releases a new Godzilla film next the rival monsters in the films, such year. as the dragon-like King Ghidora, Continued on page 9