S o u th e r n
O re g o n N e w s
R e v ie w , T h u r s d a y ,
m e t h e r Just now . A n d y o u 'r e o ld
en ough to be h e r fa th e r. S he's c ra z y
a b o u t you . E v e ry b o d y kn o w s I t . "
B la k e s m ile d .
" W e ll, E r n ie , " he sa id . "1 fe e l a
b it lla tte re d . O f c o u rse It's o n lv a
p a s s in g n o tio n , i f it 's th e re a t a ll;
By W IL L IA M C. F O R I)
s h e 'll g e t o v e r It m ig h ty q u ic k . B u i
sh e 's a fin e y o u n g w o m a n , E rn e s t ‘
K eeps house fo r h e r fa th e r no w nnd
' T ' H E b a n k e x a m in e rs w e re com - pen to need it In a h u r r y — T h e
A in g M o n d a y . A n d B la k e needed
b a n k e x a m in e r s a re c o m in g M o n ­ lia s ta k e n g re a t c u re o f h im sines
Ite r m o th e r d ie d ."
fiv e th o u s a n d d o lla rs .
d a y ."
"S h e 's to o good to h im , " E rn e s)
H e c h e c k e d o v e r som e o f h is p e r­
" T h e b a n k e x a m in e r s ," sa id E r n ­
s o n a l p a p e rs a g a in as he sa t in the est s o ftly , a n d B la k e sa w th e lin e s snapped. " B e t t e r i f she tr ie d to gel
h im to w o rk o u t o f h is r u t an d m a k e
P r e s id e n t’s o ffic e o f h is b a n k No h a rd e n ro u n d h is m o u th .
s o m e th in g o f h im s e lf.”
use ! N o th in g he c o u ld re a liz e on
"W h a t I m ea n. E rn e s t — p n , not
B lak e g o t up.
r ig h t no w . G ood en o u g h la te r, but in a p o s itio n to te ll yo u the d e ta ils
“ D o n 't be so rig h te o u s , E r n e s t,"
no good to h im b e fo re M o n d a y
1 te ll y o u I need i t -
th a t o u g h t
he s a id fr o m th e d o o rw a y .
H is b u z z e r ra n g , and he p u t the to be e n o u g h ."
He w a lk e d b u c k to th e b a n k It
p a p e rs a w a y h a s tily . I t w a s C a rte r,
E r n e s t s tra ig h te n e d . “ O f co u rse .
w as a f te r h o u rs . C a r te r w as gone.
h is c a s h ie r.
B u t r ig h t Is r ig h t . I 'v e got m y p rln -
N o one w a s th e re .
L fU L L size patterns, s im ila r in
"M r.
S te in b e rg
is
he re,
M r.
1 use to those w hich women rely
B la k e , " s a id C a r te r on th e e x te n ­
upon to m ake dresses, are now
sio n phone. " H e w a n ts to re n e w his
available fo r use on the flat .sur­
no te a g a in . H e says i t w o u ld b re a k
face o f lum ber.
h im to p a y i t no w b u t h e 'll be on
h is fe e t in tw o m o n th s . I to ld h im
I ’d h a v e to sp e a k w ith y o u .”
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H e p ic k e d up his h a t an d h u r r ie d
ou t.
O n th e s tre e t in fr o n t o f the L a w ­
y e rs '
b u ild in g
he m e t C a r te r ’ s
d a u g h te r. A s le n d e r g ir l, she was,
w ith fin e h a ir , and s k in , a n d a Hush
on e a ch ch e e k th a t h e ig h te n e d as
she c a m e to w a r d h im .
fine,
D o r is ,"
he
" T h a t fiv e t h o u s a n d l"
he e x ­
c la im e d . " W h y g o v e rn o r — yo u g a ve
m e th a t o u t r ig h t! I 'v e m a d e m y
p la n s on t h a t— I — W h a t d o y o u w a n t
it fo r? ”
a rd o u g h t to ch hangi
ge h is spots. M u c h
o b lig e d ."
H e s ta r te d f o r th e d o o r.
" H o ld o n ! T h e re a re a c o u p le
m o re th in g s , w h ile w e 'r e on I t . ”
E r n e s t h e ld u p a h a n d .
“ A ll r ig h t , E r n e s t ," B la k e to ld
h im . " L e t 's h a v e t h e m . "
" T h a t d a u g h te r o f C a r te r 's — I
sa w y o u fr o m th e w in d o w w h e n yo u
"D o e s th a t m a k e a n y d iffe r e n c e ? "
" W e ll — i t m ig h t — th e w a y I 'm
fix e d .”
" A l l r ig h t th e n , i f I m u s t say it .
I t is n 't e v e ry w h e re I c o u ld go. I h a p ­
CROSSW ORD PUZZLE
H o riz o n ta l
mu i. nmuutrs s
W a tc h Y o u r
K id n e y s /
getting up nights, swelling, puffiness
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an,\7tty a?d lo“ . of P«P
strength.
Other eigns of kidney or bladder dis­
order are sometimes burning, scan ty or
too frequent urination.
There should be no doubt th at prompt
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Poan s P ill». Doan’» have been winning
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They have a nation-wide reputation.
Are recommended by grateful people ■ F
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DOÀNSPlLLS
V e r tic a l
1 A s s is ta n t o f
a v ic a r
2 Bv
8 P o e tic :
am ong
4 A rd o r
5 C itr u s f r u it
6 F a ils to
fo llo w s u it
7 N in e
8 L ik e ly
e
e
" n ‘
«•leasau».
JQJJW / p t r w t w t
THUS
S o lu tio n In N e x t Is s e e .
1
2
3
4
6
$
11
9
8
10
12
14
15
18
1
19
23
2d
25
?
36
w
46
45
50
55
L
27
31
W
i
34
37
W
s
38
43
W
Sw
52
56
B
w
30
47
51
M
26
42
ih
w
21
w
33
32
41
17
20
29
35
13
16
24 Ì
39
40
44
1
49
S3
i
57
34
58
60
N o . 48
9 H o rn s
sound
10 S h re w d
11 P e r ta in in g to
a c e n tra l p o in t
13 S e rfs
16 C h a m b e r fo r
c o o k in g
19 S ite o f the
W h ite C liffs
21 S trin g e d in ­
s tr u m e n t f p l. )
24 D a n g e r
26 T o p la y
m o n o to n o u s ly
29 H in d u p r in ­
cess ( v a r . )
31 A r c h a ic :
s w e e th e a rt
33 A m b a s s a d o rs
35 W a ll-lik e
36 K e ttle d r u m
37 T o d e m o lis h
(v a r.)
SEALED
POW ER
RfST IN
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N lW
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O ID
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r ia » C tap P < d h e r s h ° u |d e r- "C h e e r up. D o ris . W e l l fix I t , ” he said
T a k e i t e a sy, as he to ld y o u . "
T h e g i r l set h e r m o u th in to a | c ip le s , G o v e rn o r, a n d I 'v e got i
s m ile . "O h . he w as a ll r ig h t , " she r ig h t to k n o w i f y o u 'v e d o ne som e
th in g ille g a l. ”
s a id . " A lw a y s has th a t s illy n o tio n
B la k e 's e ye s n a rro w e d
as he
a b o u t m y g o in g a w a y f o r a w h ile .
B u t I to ld h im I c o u ld n ’ t le a v e i w a tc h e d h im .
O K . E r n ie , " s a id he. He rose.
fa th e r. H e s a y s I 'm d o in g fin e .”
W a it
a
m in u te .
G o v e rn o r,"
B la k e ta p p e d h e r s h o u ld e r. " C h e e r
s a id E rn e s t. “ T r y to see i t m y w a y .
up, D o ris . W e 'll fix i t , " he s a id
" T a k e it e a sy, as he to ld y o u . "
( I 'm t r y in g to d o w h a t's r ig h t . I c a n ’t
go
a g a in s t
my
p r in c ip le s .
Y ou
B la k e w a v e d g o o d b ye a n d sw u n g
w o u ld n 't w a n t m e to do th a t. I 'v e
in to th e d o o rw a y o f th e L a w y e r s '
n o tic e d th in g s la te ly . G o v e rn o r — and
B u ild in g w h e re h is fo s te r son E rn e s t
I 'v e f e lt f o r a lo n g t im e I o u g h t to
p r a c tic e d la w .
ta lk to y o u a b o u t t h e m . "
B la k e h a d b ro u g h t up E rn e s t and
B la k e s a t d o w n . " G o a h e a d l" s a id
e rk ic a te d h im and s ta rte d h im ou t.
he.
N o w E r n e s t w a s b u ild in g a re p u ta ­
E r n e s t p u t th e tip s o f h is fin g e rs
tio n as a tw o -fis te d , h a r d - fig h tin g
to g e th e r.
j u r y la w y e r .
" W e ll, fir s t, y o u 'r e to o e a sy go ­
“ H e llo , G o v e r n o r ," s a id E rn e s t.
in g . G o v e rn o r. Y o u 're n o t h a rd
"W h a t can I do fo r y o u ? "
b o ile d e n o u g h f o r a b a n k e r. T h is be­
" P l e n t y , " s a id B la k e . " P le n t y to ­ in g in a h o le n o w p ro v e s it . Y o u r
d a y . Y o u k n o w th a t fiv e th o u s a n d b o rro w e rs k n o w y o u 'll a lw a y s h e lp
d o lla r fu n d I set up f o r y o u w h e n I th e m .
Y o u 'v e
g o t to g e t h a rd
y o u w e re 21? W e ll. I w a n t i t f o r a ' b o ile d ."
li t t le w h ile — need so m e m o n e y in
B la k e to o k a de ep b re a th , and g o t
a h u rry .”
■ up.
E rn e s t s to p p e d on h is w a y to the
" A l l r ig h t . E r n e s t,” s a id he. " B e
s w iv e l c h a ir b e h in d h is desk.
h a r d b o ile d ! T riuit'
h a t's th a t. T h e le o p -
NERVOUS
e
Ju st the lu nch for y o u r c e lla r o r g a ra g e
w orkshop. Send « cents In c a lti, m o n e y
’¿ '■'’'.'..'.'L
,u r • ‘‘’ •le n t No 13 to-
OJ,ÀUD POWld
H e lo o k e d at h e r. " N o t o v e r ­
d o in g , a re yo u ? W h a t'd th a t d o c to r
te ll y o u th is t im e ? "
GIRLS! WOMEN!
" • • ‘ r u fih .n . Ilu V « ,
IN D I V I D U A L L Y I N O I N l l K f D
“ G ood m o r n in g . M r B la k e . Oh.
I 'm fe e lin g fir s t ra te , th a n k y o u ,"
she sa id .
1 H um ped
r u m in a n t
6 La sso
11 U seless
12 D is c lo s u re
14 C o n ju n c tio n
15 F r ie n d o f
P y th ia s
W herever Drugs Are Sold
17 Y o u n g s te rs
Tsar Out This Ad as a Ramindor
18 B o u n d e r
20 U n u s u a l
22 Cask
23 On th e ap ex
of
25 Sw eetened
s h e r r y d r in k
try this if you're
27 S y m b o l fo r
t e llu r iu m
28 B a r used w ith
a fu lc r u m
30 I r r it a t e s
0a ‘CERTA1H DAYS’ Of Montb-
32 E p o c h a l
Do female functional monthly disturb­
34 W ith e re d
ances make you feel nervous. Irritable,
35 S ea m an
so weak and tired out—at such times?
38 M a te r ia l used
Then do try Lydia E. Plnkham’s Vege­
table Compound to relieve such symp­
in ta n n in g
toms. It’s famous tor this I Taken regu-
41 L o w note
htma “ Plnkham's Compound helps
42 L a w fu l
build up resistance against such dis­
44 N a m e
tress. Also a great stomachic tonic I
c la im e d by
Naom i
45 E th io p ia n
W N U — 13
t it le
01—48
47 P a in te r ’ s
sta n d
49 P r e fix : n o t
50 T o e n c o u ra g e
52 D o g m a
54 C o llo q u ia l:
Help Them Cleanse ih e Blood
m o th e r
55 S h a llo w
of H arm fu l Body Waste
Your kidneys are eonetsntly fllterlns
sound f v a r . )
from the blood atream. But
57 P e r ta in in g to
kidney« aometimea lag in their work— do
th e s k in
not act aa N atu re intended— fail to re­
59 G a llo p s
move Impurities th a t, if retained, may
Eody0^
! ^
“ * nd UP’ et th * Wh° U
e a s ily
80 S w ine
Symptoma may be nagging backache,
in c lo s u re s
peraiatent headache, attacks of dizziness,
b Ä tS v “
boy of 14 v r o ia of uge cnn u n i i n »tunrl und
" u in b e re d a s s e m b ly M u s ti allons w h ic h
? h“ * * ' X a c w h e r e each piece Is fa sten ed
to g eth er, w h e re to d riv e n ails, th e »|‘ .
to Ute. etc. A c o m p le te Hat of in a t n la la
Itin f t a n tie p u rchased at an y lu m b e r y a rd
Is also supp lied.
'
Bend ■
for illun
(ra te d , In fo rm a tiv e new
booklet on 7 way« lo save
o il. It * « fr e e a n d m a y
•ave you !<>(• o f m onay.
S e a le d P o w e r C o ri*
D e p t. W I . M uskegon.
M ic h
F
Once 180 lbs., Dorothy J. Miller,
2003 W. 70th S t, Chicago, lost
6 lbs. a-eekly for 13 weeks, with
th e rem arkable N E W A Y D S
Candy Reducing Planand she now
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p rin te d *« ! lia ­
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s a id B la k e . I
H e ra n th e p e n c il d o w n h is p r i­
v a te p a p e rs a g a in . N o use. “ G o t to
do s o m e th in g ." he to ld h im s e lf.
“ Y o u 'r e lo o k in g
g re e te d h e r.
p a lle t il fot h is k lu g t h i s h u i l t l v w u r b .
nt t. o f a ll cn iiip o iien t lia tta a f Iho w ot k .
Old engines can be made young again
C a r te r h a d been w ith h im long,
b u t he d id n 't ta k e m u c h re s p o n s i­
b ilit y .
" L e t h im re n e w i t , ”
A n d he h u n g up.
T ilt«
n é i-æ t./a ii" *** " *
39 A g re e a b le
o d o rs
40 A r t if ic ia l
w a te rc o u rs e
43 L o a n s
46 S ta te flo w e r
o f U ta h
48 A n c ie n t E ng -
lis h c o u rt
51 R a m
53 P r e fix : th re e
56 C o m p a ss
p o in t
58 P ro n o u n
A n s w er la Puxxle N um ber «7
1
Cl C 2. n r a n fïin
T A. 3
1
A D A J R U 3l El 3
2 A1 3 A S
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Merle« 11-4?
£
E
E T
B la k e w e n t o v e r to th e d r a w e r by
the c a s h ie r's cage, w h e re th e r e v o l­
v e r w as k e p t.
H e to o k it o u t
nnd fu m b le d w ith i t f o r a m in u te
T h e n he p u t it b a ck.
He w e n t to h is p r iv a te b o x and
to o k o u t a lif e in s u ra n c e p o lic y . H e
stu d ie d i t a w h ile and s lip p e d it in to
h;s p o cke t. He s ta r te d fo r th e s tre e t
do or.
B la k e fo u n d T o m M a r tin , the in ­
s u ra n c e m a n , in h is o ffic e . H e tossed
the in s u ra n c e p o lic y to h im .
" I w a n t to s u r r e n d e r t h a t . " he
said. “ J u s t w h a t is th e s u rre n d e r
v a lu e ? "
M a r tin lo oke d a t It. " F iv e th o u ­
sand d o lla r s , " s a id he. " A lit t le
o ve r. B u t. M r. B la k e , y o u ’ v e been
p a y in g f o r th is f o r E r n e s t f o r y e a rs
and y e a rs . I c o u ld n 't a d v is e y o u to
s u rre n d e r i t n o w — w h y lo o k — le t
me
e x p la in . "
He
re a c h e d
fo r
p a m p h le ts a n d ta b le s.
B la k e s to p p e d h im . " W h e r e do I
s ig n ? " he asked.
" H e r e , M r . B la k e . " sa id M a r t in —
" I f y o u r e a lly In s is t.”
" I r e a lly d o ,” s a id B la k e . “ E rn e s t
ca n ta k e c a re o f h im s e lf f ir s t ra te
n o w ."
O n F r id a y M a r t in b ro u g h t th e in ­
s u ra n c e ch e c k a n d B la k e cash ed it
a t C a r te r 's ca g e . A f t e r th a t he w e n t
in to th e v a u lt. H e c a m e o u t in a
m in u te a n d w e n t to h is o ffic e . T h e n
he ra n g f o r C a r te r .
C a r te r c a m e in , b e n t, lin e d w ith
w o r r y , p a le .
" J o h n , ” s a id B la k e . " T h e b a n k ex
a m in e rs w i ll be h e re on M o n d a y .
C a r te r 's h a n d s clo se d . H is fo re
h e ad w as w e t.
" Y e s , M r . B la k e , " he said.
B la k e sto o d up.
“ I t 's a ll r ig h t , J o h n ," he s a id
" D o n 't w o r r y a n y m o re . I 'v e ju s t
p u t th a t fiv e th o u s a n d in th e v a u lt.
Y o u r cash w ill b a la n c e w h e n th e y
c o m e .”
C a r te r s ta g g e re d an d h is fa ce
w h ite n e d .
" Y o u kn e w , M r. B la k e ? ” he fa l
te re d .
" Y e s , ” s a id B la k e , " I kn e w . 01
c o u rse I kn e w . I t 's m y b u sin ess to
k n o w . A n d 1 s a w ho w h a rd y o u tr ie d
to p u t it b a c k , t o o ."
C a r te r h e ld one h a n d in the o th e r
to sto p t h e ir tr e m b lin g .
"O h , I ’ ve t r ie d , " he sa id . "
p ra y e d . I t w a s n 't f o r m y s e lf,
B la k e . I t w a s f o r D o ris . S he’s been
so— b r a v e — T h e d o c to r s a id th e re 's
a sp o t on h e r lu n g - a n d she m u s t
go to a h ig h d r y p la c e — an d I —
th o u g h t— ”
" A l l r ig h t. J o h n ." s a id B la k e . " A l l
r ig h t . I ’ v e k n o w n a ll a b o u t th a t,
to o O f c o u rse y o u c a n 't s ta y h e re —
y o u c a n ’ t w o rk in a b a n k a n y m o re
—B u t y o u ’ l l re s ig n a f te r th e e x a m ­
in e rs O. K . e v e r y th in g . A n d I 'v e got
y o u a n o th e r k in d o f a jo b — in A r i ­
zon a— I ’l l te ll yo u a b o u t i t la te r .
Y ou ca n p a y m e b a c k w h en yo u get
on y o u r fe e t. A n d D o ris w ill be a ll
r ig h t no w . T h e a i r ’ s c le a r an d d r y
in A riz o n a . In no tim e a t a ll w e ’ ll
be h e a rin g sh e 's m a r r ie d som e fine
y o u n g W e s te rn e r.”
C a r te r ’ s lip s w e re m o v in g .
" T h a n k yo u — th a n k y o u — " he
w a s s a y in g . “ I t 's th e — th e M e r c y o f
G od. I c a n 't te ll you , M r. B la k e . I
c a n ’ t— ”
" S u r e ,” sa id B la k e . H e p u t his
h a n d in h is p o c k e t and d ro p p e d s ix
c a r tr id g e s on th e desk.
" L o a d th a t r e v o lv e r a g a in now ,
J o h n ,” he sa id . " I saw y o u lo o k in g
a t i t th e o th e r d a y, and I th o u g h t
I 'd b e tte r — ”
C a r te r p ic k e d up th e c a r tr id g e s
a n d tu rn e d to th e d o o r. He stop ped
a g a in w ith h is h a n d on th e kno b.
" Y o u ’ re a good m a n , M r B la k e ,"
he sa id h u m b ly .
H e w e n t out.
B la k e lo o ke d a t th e g re a se th a t
h a d been le ft on h is h a nd by the
c a r tr id g e s .
" I w o n d e r,” sa id he.
to r Comfy and
MENTHOLATUM TWINS
Air
soothe
in fla m e d
\nwnbnnes.
Q w c i MENTHOLATUM
• W h e n h e a d -co ld m is e ry m ake s
y o u gasp fo r a ir , a n d noae feels
ra w a n d te n d e r, rea ch f o r s o o th in g
M e n th o b tu m an d B -H -E -A -T -H -K I
M e n t h o b t u m c o n ta in s c o m fo r t­
in g C a m p h o r a n d m in ty M e n th o l,
tw o fa m o u s , la s t- a c tin g in g r e d i­
e n ts t h a t h e lp t h in o u t th ic k
m u c u s , r e d u c e s w e llin g , s o o th e
c o ld - in fla m e d m e m b ra n e s . S o o n
soreness eases u p , head s ta r ts to
cle a r. D o n 't ta k e he a d -co ld m is e ry
ly in g d o w n — use M e n th o b tu m .
AISO RELIEVES CHEST-COLO TI6MTNESS.
MASAI IRRITATION AMO CMAFPINfi
PRINCE ALBERT
MEANS MORE SMOKING
JOY FROM M Y PIPE. PA .
GIVES M E A MELLOW,
RICH-TASTING SMOKE
THAT IS EASY ON
M Y TONGUE
"IT'SAlov to load m y plpo
w ith c rim p c u t P r in c e
Albert," sa y s J. J. H art.
"P. A. packs right and
burns right for a rich-
t a s t in g sm o k e th a t's
really tongue-gentle."
7/
C
to n a l
Jot) Sme^ '
P ip . emohert hall Prince Albert«or
H , cool, long«—
»»>• >1“
for It» ••» » rolling,
PRINCE
ALBERT
ana ottotobaao
CRIMP CUT
PRINCE ALBERT IS
GREAT FOR CIGARETTE
'M A K IN G RA. ROLLS UP
FAST AND EASY; SMOKES
COOL A ND TASTY
1
IT S A CINCH to r o ll a c ig ­
a r e tt e w it h c r im p c u t
P rin c e A lb e r t," says H .
C. T u rn e r. "P . A. shapes
up In to neat, fu ll-b o d ie d
c ig a re tte s ."
». I ■waOdsm.ek.,WlasSm.fclMl.a.O.
re.-.VM
T W tl IN FOIWCE A L IE N T I "CAAHO OLI OPHT' tATUBDAV NICHT» OH N. » . C