10A • April 6, 2018 | Cannon Beach Gazette | cannonbeachgazette.com Lots of laughs in comedy at the Coaster Theatre Climate films debut in Cannon Beach Haystack Rock Awareness Program volunteer hopes to make annual event Coaster from Page 1A another Coaster play, “Fit to Kill.” “There’s no way to rehearse without the set in place,” said Mick Alderman. “It’s so phys- ical — this is an action play. The challenge for the actors is that it all moves at a light- ning pace. They don’t always have lines — they have to cue off stuff, listen and remember what they are supposed to be doing.” He likened it to a crazy inventor’s work. “With nine people, it’s an amazing Rube Goldberg process. If one per- son is not where they need to be at that moment, the whole thing falls apart.” By Brenna Visser Cannon Beach Gazette For two days in March, the Antarctic came to Cannon Beach. Science and film enthusi- asts came out to see the debut of the climate films “Guli- ya” and “Byrd 1933” at the Coaster Theatre. The films, which center around scientific research done at the south pole and Guliya Ice Cape in Tibet, were the first in what orga- nizer and Haystack Rock Awareness Program volun- teer Cynthia Bryden hopes become the Rockdance Film Festival, an annual festival to encourage through the arts environmental awareness in the Pacific Northwest and im- proved health for the planet. All donations went to benefit the Haystack Rock Aware- ness Program. “I am an oceanographer, marine biologist and geol- ogist … climate change has been a continuous concern for me, our planet and all it’s living creatures. I first saw the film ‘Chasing Ice’ premiered at Sundance and wanted to screen that environmental cli- mate film or something equal- ly as good,” Bryden said. Film Producer and Direc- tor Pamela Theodotou, based out of the Ohio State Uni- versity Byrd Polar Climate Research Center, was at the showing and explained how she blended her scientific background with her passion for filmmaking. Theodotou, who has a background in both biology and law, got involved with doing film work for the center after she had just fin- ished her masters degree in fine art in filmmaking. An A play about a dying play PAMELA THEODOTOU Frayn reportedly dreamed up “Noises Off” after watching from backstage in 1970 while Lynn Redgrave performed in another farce he had written. The title comes from a script stage direction. It won awards during its first five-year run in London and has seen three productions on Broadway, one winning a Tony for Katie Fin- neran. A 1992 movie version starred Michael Caine and Carrol Burnett. Roles include a director involved in a love triangle, a stuttering leading man, an ac- tress who misplaces her con- tact lenses, a deaf actor with a drinking problem and the long-suffering stage manager who tries to fix everything. Coaster cast members are Cathey Ryan, David Ridley, Daric Moore, Katherine Laca- ze, Katrina Godderz, William Ham, Ann Bronson, Richard Bowman and Thomas Ryan; lighting operator Ryan Hull also appears. “It is the most challeng- ing rehearsal process,” said Moore, who has to race up staircases, cope with door handles falling off, and isn’t the only one who slips on a plate of sardines. “It’s like a giant choreographed dance — the whole thing depends on a Admiral Byrd in a scene from “Byrd 1933.” ecologist friend at the time asked her to tag along to take photos of her while she was at the center, and Theodotou instantly was enthralled with polar research. “I was enraptured with what they do,” she said. “Byrd 1933” is a histor- ic film following the expe- dition of Admiral Richard Byrd, who, with a large crew of men, sled dogs and other various livestock, explored the south pole for two years in the 1930s. What makes this film unusual, Theodotou said, is that everything viewers see is made from the original, salvageable footage. Before Theodotou’s project began, the old reels were slotted to be disposed of because of its deterioration and possibly safety hazards that come with decomposing film strips. “It’s uncommon to make movies with such old film, mostly because it’s a treach- erous process to work with it,” she said. “The cost is high to conserve and preserve old films.” The other short mov- ie, “Guliya,” was about the “third pole,” otherwise known as the Guliya Ice Cap PAMELA THEODOTOU Scene from “Guliya.” in Tibet. Other than the two poles, it harbors some of the oldest ice in the world, as well as serves a source of water for more than 4 million people in the region. While Theodotou was un- able to go on the expedition herself due to danger and ca- pacity, a research volunteered to take the footage that view- ers see on their screens — all on an iPhone. “You forget it was shot on a phone the footage is so beautiful,” she said. This film centered around one dangerous expedition to extract an ice core more than half a million years old. This unusual sample has provid- ed dramatic evidence of cli- mate change such as a recent and rapid temperature rise at some of the highest, coldest mountain peaks in the world. “I hope (the audience) is inspired, because that’s whole reason I do work like this,” Theodotou said. “It might inspire them to embrace sci- ence. It might inspire them to understand climate change. It might inspire them simply to appreciate the aesthetic of this kind of film.” Alaina Giguiere Marty Giguiere Owner/Principal Broker c: 503.440.3202 f: 877.812.1126 e: alainagiguiere@mac.com Owner/Broker c: 503.440.7676 o: 503.436.1777 e: mr007@pacifi er.com PATRICK WEBB PHOTO Three actors playing bur- glars, left to right, Richard Bowman, Thomas Ryan and David Ridley, cause conster- nation and some surprises. IF YOU GO “NOISES OFF”: A farce by Michael Frayn, direct- ed by Mick Alderman. Some adult themes. WHERE: Coaster The- atre Playhouse, 108 N. Hemlock St., Cannon Beach WHEN: 7:30 p.m. Fri- days and Saturdays: April 6-7, 13-14 and 20-21; 3 p.m. Sunday, April 8 ADMISSION: $20 or $25 INFORMATION: coaster- theatre.com bunch of people, not just one or two.” Thomas Ryan appears with his wife, Cathey. “This play is about a play that is dying, it’s never coming together,” he said. “At the ending of the play, it’s chaos. We are so fa- miliar with it that it doesn’t matter what you say — you just keep going.” The Coaster production features costumes by Judith Light, with each character hav- ing a color theme. Alderman said friends who attended other productions have said it is the funniest play they have seen. “If you like to laugh, you’ll like this,” he said. “At the first rehearsal, the actors had barely met each other and within an hour they were in stitches. 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