R U RAL ENTERPRISE
NEGLIGEES SHOW NOVELTIES;
FRENCH GENIUS IS SUPREME
S
c e r ta in old (a n d 1 a r tis tic ) fa v o rite s
hold th e ir ow n, th e hu m b le corduroy
a n d th e
gorgeous m a n d a rin coat
am ong them .
In te r e s t c e n te rs In b e au tifu l, b u t In
ex p en siv e, fa b ric s a n d novel g a rn i
tu re s , In th e new negligees fo r w inter.
M a n u fa c tu re rs o f c o tto n fa b ric s have
m ad e such p ro g re ss In th e use of
ra y o n m ix tu re s a n d m ercerizin g th a t
th e y a re tu rn in g o u t hrocudes and
s trip e s and o th e r p a tte rn s w ith th e
ih e e n a n d su p p le n ess of silk velvet,
a n d th e se a r e su p p le m e n ted by th e
h e a v ie r goods In m any p a tte rn s , like
th o se " tu rk lsh to w e l" w eav es th a t
h a v e long been fn vored fo r lounging
anil b a th ro b e s B u t th e new p a tte rn s .
d re sse s," a n d regal evening w ra p s
coine Into bloom fo r th e a llu rem e n t
o f a w aitin g fem inine w orld.
In th e tw o evening d re sse s from
P a ris, show n In the sketch, th e o u t
sta n d in g sty le p o in ts of th e season a re
m ost su c c essfu lly em bodied. U neven
hem lines, flaring sk irts, long m olded
bodies, "V " sh a p e d neck openings and
m etallic e m b ro id erie s a r e all am ong
th e Im p o rta n t m eans fo r developing
th e se a so n ’s g ra ce fu l evening modes.
T h e d re ss nt th e left Is very sim ple
hy co m p ariso n w ith m ore gorgeous a f
fa irs , b u t Ju st a s effective a s any of
them .
I t c o n sists of a strn lg h tlln e
u n d e rd re ss of ro se sa tin p a rtly cov
e red w ith tra c e ry In gold a n d blscij
I
I I I I I H I I I I I I I I I I I I I I I I I I
E leanor Boardm an
I l I I I I I +- H --l--t--l- H t- t i t i l l i l i »
THE CRUSTY CROCOD ILE
«J~~)EA R. d ear, but th is has been a
dull day.” yaw ned C heerups.
stre tc h in g his a rm s above his head and
bru sh in g aw ay a passing fly. "H om e
life is splendid, hut a change now and
th en is good, too. I'm going fo r a
w alk.' Come on. Q utxle B oys; w hat
do you say to a stro ll dowu by th e
l ’ellow R iver?''
O f course. Rrlghte.ves, Q ulckear,
S oftfoot and Snlffsniff w ere willing.
So In single file down th e W inding
W ay they w ent. C heerups In th e lead
w ith th e Q ulxles behind, keeping th e ir
eyes on C heerups' little red shoes as
th ey tw inkled In and out of th e T all
G rasses.
T hey d id n 't w ant to lose
sight of th e ir lea d er and th e prom ised
lark.
On and on th ey tru d g ed until they
cam e to th e Yellow River, a n d th ere ,
on th e m uddy hank In th e sh a d e of an
old d a te palm w hich had been b earin g
m anner. “I am m rry we d id n 't recog
nize you a t once."
“ I b e a r th a t you can s ta y und»r
w a ter a long tim e. Mr. C rocodile." said
I heerupa, try in g to keep him lu a good
hunm r.
"H ight you are. Mr. C heerups.
I
can stay u nder w a ter w ith my m outh
w ide open, too, and th a t's m ore th an
any of you can do. I'll w ager."
•“G oodness;
I should say so I”
gasped th e Q ulxles In chorus.
" T h a t sounds a bit like a fish story.
C ru sty ," 'e a s e d C heerups. "b u t of
course I know It Isn't." he added h a s t
ily, as the C rocodile began to open
his Jaws and show his row s of te rrib le
teeth.
"N o fish story sh o u t th a t," he ru m
bled and grum bled. “ I'll ta k e yotx^ n
d e r w ater w ith me, If you w ould like
to prove It."
"Oh, no, th an k you. C ru sty ." cried
C heerups In alarm . "I am perfectly
su re you a re right about It, hut w hat
I w ant to know Is how you do such a
w onderful th in g .”
“ Well, It's tills w ay." replied C rusty
Crocodile, all good n a tu re ugaln.
“At
th e buck of my th ro at is a curious
valve which closes so tig h t w hen I
open my m outh th a t not th e tiniest
drop of w a ter can get down my th ro at.
B ut th a t Isn't my only accom plish
m ent. I can run very fa st on land,
and you Just ought to see me sw im I
By sw itching this pow erful lull 0
m ine from side to side. I enn KO
th rough the WHter Ike u stre ak of
lightning. B ut d ear me ! H ere 1 am
talk in g a bout m yself all th e tim e
P lease excuse me, Mr. C heerups, and
tell me why you chose to com e to
A frica?"
"Ob. we d idn’t exactly choose,"
laughed C heerups m e rrily ; "w e Just
cam e. You see, we lived on the top
of a G reat M ountain In A m erica and
nobody ev er cam e to see us so we
w ished and w ished for a chance to
fru it fo r h u n d red s o f y ears, lay a
rough brow n log. J u s t a splendid p lace
for w eary folks to rest.
“W hew, b u t I’m tire d ," puffed
Q ulckear, "tire d and hot. L e t's sit
down fo r a w h ile!"
“T h a t's a good Idea," said C heerups,
fa nning him self w ith a leaf. “I t's very
w arm ex ercisin g .”
“Oh, don’t,” cried Rrlghte.ves, Just
as th ey w ere ab o u t to s e ttle down on
th e old rough log. "P le ase d o n 't sit BIRDS ON W EDDING GIFTS
th e r e ; you m ight h u rt his fe elin g s!"
“ W hose feelings, fo r goodness' sake,
! MANY p a rts of th e co u n try It Is
B rlghteyes? You do say th e q u e ere st
considered unlucky to receive as a
th in g s," scolded Snlffsniff. "It w on’t w edding gift a n ything w ith b ird s de
h u rt m ine c ertain ly . You fo rg et th a t picted on It. T h is a ris e s from an a s
we h a v en 't all o f us S o ftfo o t's padded sociation of Idea»—a prim itive concep
slip p ers. W e a re tire d !”
tion of re la tio n s and, th ere fo re, cause
“ B ut don’t you see th o se round and effect, sy m p ath etic m agic of a sort.
shiny eyes In th e end of th e log?" B irds suggest flight—som ething fleet
cried B rlg h tey es
“ I t's Mr. A lligator, Ing—a n d fo r the m arried s ta te p e rm a
I do believe. Now w ouldn't It have nency Is desirable. T h ere fo re, the
been funny If we had all s a t on him ?" w edding gift should not suggest Im-
and B rig h te y e s c lapped bis hands p e n n an e n cy o r It will produce Intper-
riianeney. T h e su p e rstitio n 1» a n c ie n t:
gleefully.
‘‘You m u stn 't be ru d e even to a log It Is found In o th er co u n tries. It Is
of wood, B righteyes, fo r you see obviously prim itive.
T h o se su p e rstitio n s w hich a re clear
th e re 's no tellin g w liat It m ight tu rn
out to be. Ahem , good aftern o o n , Mr. ly of a prim itive origin p re sen t a most
A lligator." said C heerups, In his best in te re stin g problem In th e ir survival.
0
®
K
Albers
Carnation
M ush
Count on Carnation Mush not
only fur a better breakfast but
an eoster-to-get breakfast. Five
m inutes
and this delicious
whole wheat cereal is table-ready I
T h is is th e la te st pictu re of hand
som e E leanor B oardm an, th e well-
know n "m ovie" sta r, who advises the
too fa t or too lean to go on a m ilk
d ie t—e ith e r one will profit by auch
diet, a sse rts th is popular fe a tu re play
er, who h a s been seen in m any p leas
ing pictures.
S painues - ste P
Rubber Heels
'Greater
C om fort
-Longer Wear
Unltsd Stitts Rubber Comp.
broaden o u r acq u ain tan ce. T hen we
decided to trav e l, and here we are.
We really cam e to help people, and I
am sorry, Mr. Crocodile, th a t we
h av en 't done a n y th in g for you.”
"Oh, hut you have, sir. It has m ade
th in g s looks b rig h te r Just to talk to
you, Mr. C heerups.
"S o m e tim es a s m ile , ss y o u w i ll find.
Is th e v e ry best w a y o f b e in g k in d ."
T hen Into th e w a ter slid C ru sty
Crocodile.
“ W atch me sw liu," he
called, ng he w aved Illg tall and van
(sited In a curve of th e Yellow ltlver.
i<fc) bv
L ittle .
B ro w n
A Co. I
/-Los A n g e le s N e w e s t
Main Street
bet. 6th & 7th
7 0 0 ROOMS
300 "“ J" $1»
200 X *2“
2 0 0 ;“ C $ 2 »
GOOD
GARAG I
HE W H Y sf H.
SUPERSTITIONS
Î5
IR V IN G
. K IN G
T hey w ere th e prim itive m an's science.
T hey w ere th e best lie could do w ith
bis defective system of ra tio cin a tio n
to explain th e phenom ena by w hich he
w us su rrounded. B ut to th e civilized
m an of today they a re ao fa r from be
ing th e offspring of his reasoning th a t
they are d irectly opposed to It. It
m ight be supposed th a t when the
sta g e of In tellectual life w hich pro
duced su p e rstitio n s hail been p a sse d —
had died out un d er civ ilization— the
su p e rstitio n s evolved from th a t sta g e
w ould die With It. But such Is not the
case. It has been said th a t In the past
hundred y e a rs th e re lias been a g re a t
decline In p o p u lar su p e rstitio n
But
m any still cling Io th e ir beliefs.
It may he said th a t these su p e rsti
tio n s have been handed down from
g eneration to g eneration to account
for th e ir p e rsisten c e lint unless th e re
Is som e o th e r quality Io su sta in It a
conception handed down becom es void
when en larg ed experience and more
p e rfe c t reaso n in g disprove. It. T he
By M ILD RED M A R S H A LL-----------------
conception of the e a rth ns a plane wus
Facts about your name; its history; meaning; whence It A
handed dow n for ages, but w hen ex
was derived; significance; your lucky day and lucky Jewel w
perience proved th e fallacy of th is con
ception It ceased to exist. P rim itiv e
tloned. Monica Is also a fa v o rite In su p e rstitio n s a re ns milch opposed to
M O N ICA
F ra n c e and th e p e a sa n try call It Mon m odern experience ami reason as the
ique. Monclia Is the Irish form.
conception of the e srtli s s a plane, yet
K /JO N IC A Is not n e arly a s p o p u la r a
T he em erald la M onica's talistn an lc th ey p ersist w ith asto n ish in g vitality.
•kv-k nam e as It de se rv e s to be
Not
gem. It Is P elleted to bestow upon
1 only h a s It b e a u ty o f sound and sig her th e gift of foretelling o r sensing M odern n iilo e lu a tlo n and prim itive su
p e rstitio n would ap|»ear to he Incom-
nificance. but a strik in g ly In tere stin g fu tu re events.
She will have espe
h isto ry , s s well. It com es to us al- ciully keen perception w hen she w ears p stlb le , yet they exist sid e by sld *
■ m ost d irec t from th e S panish, but Is the jew el and will be g u ard ed a g ain st W hat Is th e an sw er?
Ucl br M c C l u r . N «w.pBP»r S y n d l c a t .l
> n e v erth ele ss re g ard e d a s an E nglish deceit. W ednesday Is her lucky day
O —
nam e Hnd Is m ore p o p u la r In E ngland and 1 h e r luckv num ber
■ th a n In Its n a tiv e co u n try . M any a
by W h M l n r S y n d ic a te >
-------- o --------
golden-haired, blue-eyed E nglish girl
b e ars th e nam e first used to d esig n ate
a rav en -tressed , red-lipped, c o q u ette of
r
N
■’=
B B R EV IA TED
STORY
, Spain.
M onica Is th o u g h t to h av e Its enrll-
est origin w ith th e G reek te rm “ dotno,”
j m eaning “to ru le .” D om inica Is a dl
re ct offspring o f th is w ord a n d th ere
have been S a in ts D om inica. Dom ingo
and Dom inlco, w ith o u t num ber, tin e
' holy m an by th a t nam e, w ho is asso-
! ela ted w ith th e Inquisition, had n a m e
sa k e s In all th e R om anist lan d s and
j th e fem inine o f th is p o p u la r title cam e
to be officially D o m e n lc a ; for short
Menlca.
T h e m o th e r of S a in t A ugustine w as
j th e flrst to he called M onica. Some
e tym ologists even believe th a t her
1 nam e ahould be clasalfled a s one com-
FILMY EVENING GOWNS
! Ing d irec tly from th e I-arln verb
“m oneo." m eaning “to advise." hut th e
In bold m o d ern ist figures and vigor th re a d . A b o rd e r design Is w orked out
con sen su s of opinion Is th a t M onica
on
th
e
scalloped
hem
line
and
a
t
the
ous colors, o r In s o f te r sh a d e s and
T h e v e stee Is w as evolved In th e m an n er aforem en
floral p a tte rn s , have Inspired d esig n ers neck and arm h o les.
o f negligees to new efforts. B orders plain. A m ere h in t of a black chiffon
I I I I d- I -H I I I I I I I I I I I I I I I I I
a n d c o lla rs like th e wool f u r used on o v e rd re ss is posed over th e ro se sa tin
s w e a te rs a n d c o ats add to th e coziness slip, hut It se rv e s to provide th e flare
A LINE O’ CHEER
o f negligees th a t a re a s useful a s th e In th e sk irt, a n d ends In p o in ts a t
p o p u la r corduroy.
In p ra c tic a l g a r th e front.
By John K en d rick Bangs.
m en ts, silky c o tto n s th a t look like
P e a rl-w h ite s a tin a n d w h ite geor
very fine corduroy a re m ade up w ith g e tte give a good account o f them
I 1 I 1 1 I 1 I- I I I I I I M -I I I I I I - H
lin in g s o f sh e e re st J a p silk and bro- selves In th e cle v er d re ss a t th e r lg tt.
A PL E A SIN G PLAN
ra d e d p a tte rn s a re used In th e sam e T h e s tra ig h t u n d e rd re ss Is o f sa tin
w ay
Chiffon hy way if adornm ent. em broidered In p a le gold a n d th e o ve.-
ID In a a a fa d»p*>alt bos
I'v e filed m y c a r t e a w a y
Is used w ith th e se In tw o sh a d e s of d re ss is p lain except fo r a little tra c e -y
M a tu red w it h a r m o r - p la t e d lo ck«
th e color cWosen fo r th e negligee and ab o u t th e hem line, also In gold. A
F o r use som a o th e r day
a p p e a rs In Jabots, re vers, b o rd e rs and long s c a rf o f th e geo rg ette, w ith gold
And th e re u n t il I need th e m I
h a n d -m ad e flowers.
In effect these em broidery a t th e end. Is a tta c h e d u
T o le a v e th e m w i ll e n d e a v o r.
W
h ic h as I fig u r e w i ll com e by
g a rm e n ts a re a s ric h a s silk velvet, th e rig h t ahoulder.
Some elx w e e k s a f t e r N e v e r
but they a re co n sid era b ly less exp en
JU L IA BOTTO M LET.
i by McCiere ffewepaper Syndicate »
H
l £ , i l l * . W M t.ru N . e . p e » . ' I Btas.1
ttanJi fnr »
Better B n a ifa ia “
6 / Grace Plisj Steward
“Q / I RHAT’S
IN A NAME O
’
I ---------
r
s iv e
■ A 3 wt »
With Chcerup5 anti the Quixies
“Oh, No, T hank You, C rusty,” C ried
C heerups in A larm .
N E G L IG E E IN N E W P A T T E R N
æ
JUNGLE
J U ing ST .up w hen w ith o th e e la r b g o a ra rm tio e n n ts and a re In ta tri k
T h e g enius o f th e F re n c h fo r
b eauty re ac h es Its clim ax In rom an-
cac y In th e ir m aking, negligees ap p ea r i tic clo th es
for evening — w h e th er
to be tra v e lin g In th e direction of they u n d e rta k e to m ake them gorgeous
sim p lic ity a n d c o ncerning them selves . o r only guy and dainty. W hen the
w ith th e b u sin e ss of being pra ctic a l m a tte r u n d e r consid eratio n Is evening
a s well a s p re tty . O f course, fo r the d re ss th e fancy of th e F re n c h deslgn-
b enefit of w om en o f leisure, and as j e r sp re a d s Its bu tterfly w ings and files
c o n trib u tio n to tro u sse a u , th ere a re w h e rev e r It will in th e wide, wide
a ir y a ffa irs w ith lace, like th e negligee I w orld of b eau tifu l things, g a th e rin g
p ic tu re d , b u t even these. In th e new t Ideas to bring them back to P a ris
d isp lay s, a re m uch m ore sim ply de w orkroom s. In th e salo n s flow erlike
sig n ed th a n usual. A long w ith them , frocks, "robes de sty le" o r "p ictu re
/ntfte
4 > ............... 1 1 1 1 1 1 1 1 1 1 1 1
DW INDLE DOW NS
NCE upon a tim e th e re w as th e
d e are st, p re ttiest, cu te st little girl,
and h e r nam e w as Goldilocks, a n d she
a cted In th e "m ovies" so dearly and
p re ttily and cutely th a t every one th a t
saw h e r fell In love w ith tier and waved
up to see her In her next picture, and
G oldilocks m ade g.Vl.tkkl a week and
nobody begrudged It to her except one
person, and th a t w as her landlord
H e r la n d lo rd ’s nam e w as Dw indle
Downs, and he raised G oldilocks' rent
and ra ised It and raised It and raised
It and ra ised It until poor G oldilocks
was d riven alm ost to d istrac tio n . But
she could n 't move because all th e o th er
houses w ere being lived In. and at last,
when D w indle D ow ns told h e r she
would e ith e r have to pay him i'-ssi a
m onth n r move, she sum m oned Cream -
puffia. h e r good fairy
" If you ra ise G oldilocks' ren t once
more, you w icked m an,’’ said C restn-
tmffia to D w indle Downs, "I will wave
my m agic w and and change you Into a
bee hive, and all th e bees will come
and live In you free of ch arg e w ithout
a cent o f re n t."’
Jl Health b u ild er
O
"Ha. ha. hs I" laughed Dwindle
Downs ^ ornfully. "On« mors threat
why can't I have a skin llks
other girls? Why do I have to
have these ugly pimples, blotches and
blackheads?
"If I could only find something that
would clear up my skin and give me
back my soft, rosy complexion, I know
I would be the happiest girl lu the
world! What can I do?"
Is that you talking? If It Is, you
don't have to worry a minute! Just
build up the rich, red blood In your
body. Then your skin will be as clear
and soft as anybody's.
That’s what 8. 8. 8. has been doing
for generations— helping Nature build
rich, red blood! You can build red-
hlood-cnlla so fast that the Impurities
that cause breaking out on the skin
hardly got Into the system before the
pure blood annihilates them — kills
them right out — stops them from
breaking out through the skin.
And then this rich, red, pure blood
feeds and nourishes the tissues of the
skin and keeps It looking healthy.
That's all there Is to
It
Healthy, vigorous. t
red blood such as 8. 8 8.
helps N a t u r e build,
makes you healthy all
over. It boautlfles your
skin — drives away plm-
ples, blackheads, blotches, rash, bolls
and eczema—gives you back your ap
petite—builds firm, plump flesh and
(Ills you full of new life and energy
All drug stores sell 8. 8. 8 Get the
larger bottle. It’s more economical.
H O STET TER 'S Celibretcd Stomsdi
P itt« -, la ■ whotewsn. tonic.
K eep. the Momach la
good condition and
Improve. th .
appetite.
A f Aff
D raggist«!
' rs s e<srrwrru <» . rw .
Dickey's OLD RELIABLE Eye Water
r e lie v e s nun a n d w in d -b u r n e d
eree.
[bK-en t h u r t
G e n u in e In Med F o ld in g
H o«.
26c n t a ll d ru *a rl« ta o r b y m a l t
D IC K E Y D R U G OO „ B ris to l. V a .-T e n n .
o u ta yon a n d I ’ll send w ord to the
Affiliated I «and I o r da of F a iry la n d to
ralae your ren t to a hu n d red ounce« of
th la tlrd o w n a m onth ”
W ith a cry o f frig h t CVoamptiffia
flew aw ay, and poor G oldilocks had to
pay S‘200 at her 1200,000 a ruonth fur
rent.
&F Ue«r«e M a lta « « A4aa»a.j
ERUPTIONS
«
Resinol
ly and annoying - . im .
proved by one appbc«bon of
-----
a
Af. N. U« San Francisco, No. 44--1B2lb