The Bulletin. (Bend, OR) 1963-current, June 17, 2021, Page 41, Image 41

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    TV • PAGE 27
THE BULLETIN • JUNE 17 - 23, 2021
BY JAY BOBBIN
After almost 40 years, ‘The Big Chill’
still spreads warmth
If you’ve ever had a friendship, or even just heard of friendship, “The Big Chill” is a movie for you.
As it comes up on (hard to believe) its 40th anniversary, director and co-writer Lawrence Kasdan’s 1983 comedy-
drama – currently streaming on Hulu – is as fresh and engaging as ever, owing to the universality of its themes and
an ensemble cast that simply couldn’t be better. A great soundtrack principally drawn from the Motown catalog of
classics underscores the picture’s warm feel, making it even more nostalgic nearly four decades later. (Fun fact: It
was one of only two movies made by “Tonight Show” legend Johnny Carson’s production company.)
The story’s central character is barely seen ... somewhat ironic since the role went to Kevin Costner, whose scenes
were cut. He (almost) plays Alex, whose suicide draws several of his college friends back together for the funeral
and a post-service reception that turns into a full-blown weekend reunion. Lingering hopes and old issues come to
the fore as the regathered acquaintances share fairly close quarters.
Included in the group: athletic-shoe magnate Harold (Kevin Kline) and his doctor wife Sarah (Glenn Close);
feature-story reporter Michael (Jeff Goldblum); disillusioned attorney Meg (Mary Kay Place); actor Sam (Tom
Berenger), alias television detective “J.T. Lancer”; restless wife and mother Karen (JoBeth Williams); and eternal
rebel Nick (William Hurt, reunited here with Kasdan after “Body Heat”), whose “line of work” (as Harold puts it)
is drug dealer. Lending touches of outside perspective is Chloe (Meg Tilly), who was Alex’s girlfriend at the time of
his death.
One only can wonder how much footage was left on the floor overall, but what “The Big Chill” showcases are
wonderful combinations of its then-rising stars. The scenes range from the comical to the introspective to the
downright soulful, the latter crystallized by a kitchen scene in which the group packs up dinner leftovers while
simultaneously dancing to The Temptations’ “Ain’t Too
Proud to Beg.”
Other movies in the vein of “The Big Chill” have
followed over the years, but there’s a special magic to the
original, making it – if you’ve already seen it – the sort
of film that prompts you to feel something the moment
you hear the title. Likely more often than not, that
feeling is warmth, and it makes you wish the film didn’t
end where it does. The Goldblum character sums up that
hope with the final line: “We’re not leaving. We’re never
leaving.”
With that said, it’s fortunate that the inkling to make
a sequel (which surely arose, given the movie’s success)
“The Big Chill”
never has been acted upon. “The Big Chill” is pretty
much perfect standing alone, just as it is.
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