The Bulletin. (Bend, OR) 1963-current, February 04, 2021, Page 41, Image 41

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    THE BULLETIN • FEBRUARY 4 - 10, 2021
TV • PAGE 27
BY JAY BOBBIN
Robert De Niro appeals as
Anne Hathaway’s ‘Intern’
The idea of a movie that casts Robert De Niro as someone known as “The Intern” is amusing to begin with.
Add to that the fact that the 2015 film (which AMC shows Friday, Feb. 12) was written and directed by
Nancy Meyers – who also has met the needs of such veteran talents as Meryl Streep (in “It’s Complicated”)
and Jack Nicholson and Diane Keaton (in “Something’s Gotta Give”) – and you know you’re not going to get
something particularly hard-hitting.
Which is OK, since no one does this kind of middle-age or post-middle-age fantasy better than Meyers
does. By casting Anne Hathaway as De Niro’s boss in “The Intern,” the filmmaker also services a younger
demographic, just as she did in the entertaining “The Holiday” ... and it’s a very pleasant blend.
The Hathaway character oversees a fashion-oriented website, and since it’s a new venture, the heat is very
much on her. She resists getting too familiar with De Niro, who’s part of the firm’s senior internship program,
but he eventually proves invaluable to her not only for his own background in the business world, but also for
the sympathetic and reliable ear and shoulder he is.
Often echoing “Baby Boom,” on which Meyers also
was a major creative factor, “The Intern” makes a lot
of points about the differences between generations.
If those seem a little heavy-handed at times, Meyers
absolutely has hedged her bets by making an extremely
agreeable team of De Niro and Hathaway. There’s no
question the two Oscar-winners will “bring it,” and
they appear to have a true joy in working together that
transcends their roles and the plot.
Frankly, it’s the kind of magic you watch movies for
... and it works so well, the film seems to lose some of
it mojo any time the camera is off the two of them,
though it’s nice to see Rene Russo as an intended love
match for De Niro. There also are subplots involving
Hathaway’s home life and De Niro’s exchanges with
younger male co-workers, and while they’re meant to
flesh out the story, De Niro and Hathaway together
remains the main event here.
“The Intern” happily supplies a lot of that. It’s a nice
addition
to the resumes of both stars, and it lets Nancy
Robert De Niro and
Meyers keep her crown as the queen of the kind of
Anne Hathaway
movie she does so well
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