t
KEEP THE COWS CLEAN
Pure Milk Cannot Be Secured
From a Filthy Animal.
SUMMER TROUBLES OF SHEEP
W a rm 8eason W o rrle a Flockm aater
and Discouragea Inexperienced
F a rm e r— G ru b s A re Nuieance.
This Is th e season which troubles
che flockm aster and discourages the
Inexperienced farm er.
C u r r y Com b and B rush as E sse ntia l in
G rubs In the head of sheep produce
g reat Inflammation, difficult breath
D a iry B arn as in H o rse Stable—
ing, sneezing, nasal discharges. In
R em ove Bedding F ro m the
fact drives the sheep alm ost crazy;
Stalls E v e ry D ay.
T he curry comb and brush are just
as essential to th e health, com fort and
appearance of the cow as they are to
th e horse. Clean, pure milk cannot be
had from a filthy cow.
A well a r
ranged barn and plenty of bedding as
sist greatly in keeping th e cow in
a sanitary condition at all tim es.
By the use of good stanchions the
cows are kept much cleaner than where
they are simply tied w ith a rope oi
halter, as by th e use of stanchions the
cows are not able to back off and lie
down In th e manure, as they do with
oth er m ethods of stabling. S traw Is
usually cheap and plentiful on most
dairy farms, and It does not pay to
neglect to bed the cow well. T he bed
ding should be removed from th e stalls
every day, and fresh litte r provided.
Choice Bunch of S p rin g Lam be.
T he m anure should be hauled from the
barn to th e field or storage pit often,
th e anim als fall off In weight and oc
every day or two If possible to prevent
casionally one dies.
It from being a breeding place about
D uring th e w arm season the fly
th e barn for files, disease germ s and
lays its eggs on th e edge of the
bad odors which ta in t the milk.
sheep’s nostrils and the larvae, mov
It Is a good plan to disinfect the
ing up through th e nasal cavities to
stables occasionally, w hether th e ro la
th e organs above, produce Inflamma
any apparent reason for It or not. It tion and som etim es death.
Is not expensive, can do no harm
A fter th e larvae has become fully
and does much good in the way of de developed it loosens Its hold and falls
stroying lice and disease germs. to th e ground and passes Into the
W here enough cows are kept to make pupa stag e and la te r becomes a full-
It profitable It Is advisable to use grown fly.
T his fly th en deposits
m ilking machines, as we believe milk its eggs Just as th e p aren t did, and
can be produced much cleaner In this th is process is repeated until th e pest
way than can possibly be done by hand Is m ultiplied millions of times.
milking.
If the sheeps' noses are rubbed with
W here hand milking Is necessary ta r th e p arasite will give little or
see th a t the hands are always clean no trouble. Some flockm asters pro
before milking, and use a covered pall. vide very narrow troughs a t th e bot
Curry and brush the hind parts of the tom, sm earing the sides of the trough
cow well each morning at least half w ith ta r so th a t th e sheep in seek
ing th e troughs will anoint them
selves.
If th e sheep a re provided w ith
darkened sheds in which to lie during
th e h eat of th e day they will suffer
very little annoyance.
PROTECT L IT T L E SONG BIRDS
Best H e lp e r F a rm e r Can H a v e Is H o st
of Feathered Songsters— D e v o u r
M an y W eed Seeds.
W e ll-K e p t D a iry Cow .
an hour before milking tim e, which
should always be regular, and rub the
udder well with a brush or burlap
sack, to remove all d irt and dust th a t
m ight get Into the milk.
Dry, well-drained and well-kept feed
lots assU t greatly In keeping the cows
clean, hence, also In producing clean
milk. W here cows a re compelled to
stand all day in a w et or muddy feed
lot, unless much care Is used, th e eve
ning m ilk will be far from pure. A
naturally high, dry and well-drained
location Is advisable for the feed lot
during w inter and spring, and If It can
be gradod and stoned It is much better.
It Is preferable to have the feeding
pens provided with feed racks, In place
of feeding on the ground, as the' cow
Is a very cleanly animal, and will not
readily eat soiled food if it can be
avoided.
(C o p y rig h t, 1915, b y W . G. C h a p m a n .)
Some men a t th e club had brought
up th e old problem of wife versus
m other. W hich should a man save.
If he w ere struggling with them in
th e w ater? Then It w»» th a t Merrill
told this 3tory.
“Sotheby had been out boating
w ith his fiancee, Evelyn, and h er lit
tle crippled sister, Mollie,” he said.
“I think th a t problem was still harder.
O rdinarily, of course, his duty would
h a re been to save his fiancee, but Mol
lie was lame—had been so from birth.
She could walk, afte r a fashion, but
she couldn't have swam, and she was
far too frail and delicate to swim for
h er life In such a tide as E ight Mile
race.
“H e knew Evelyn could swim like
a fish, too. The girls were staying at
N orth Cliff when he went to see them.
K e had met Evelyn a few weeks be
fore, in town. He knew she and her
sis te r w ere orphans. They had h ard
ly a relative In the world. Sotheby had
become engaged a week or two before,
and he was madly in love w ith Eve
lyn, and the envy of all th e other
m en who adm ired h e r dashing beauty.
“I th in k his predicam ent was worse.
It was about half a mile to the land,
and Evelyn could probably have made
It. Mollie was helpless. Sotheby did
not know w hat to do. He acted on
impulse. He saved Mollie.
“He never knew how the boat had
overturned. He was trying to bring
th e tiller around and le t th e boom go
when they found them selves in tha
w ater, and clinging to th e overturned
boat, which was drifting rapidly out
to sea.
“H e saw Evelyn struggling beside
him, and Mollie sinking. Quick as a
flash Sotheby grabbed Mollie by the
hair. He lost sight cf Evelyn. He
knew he could not save both girls, and
he could not let Mollie go. A lternate
ly swimming and treading w ater, he
managed, In u tte r exhaustion, to get
Mollie ashore. Then he fainted.
“H e aw akened in a fisherm an's cot
tage. Mollie was upstairs and doing
well. T he next day he saw her. He
Birds a re th e chief p ro tecto rs of
our trees. Who ever heard of cod
ling m oth and San Jose and o th er
scales w hen th e orchards w ere full of
birds? Now th a t th e se feathered help
ers have been driven out of wood and
field, man is com pelled to reso rt to
all so rts of vexatious and difficult
struggles ag ain st th e enemy of fru it
and tree.
T he b ird s are th e very b est de
stroyers of weeds. N ative sparrow s,
finches, grosbeaks, redpolls, long-
spurs, catbirds, m ourning doves and
sim ilar birds feed hungrily upon th e
INJURY BY CORN ROOTWORM
Insects A re More o r Less A b u n d a n t In
A ll o f C o rn -G ro w in g States of
M ississippi V a lle y .
(B y J . T R O O P , P u rd u e E x p e rim e n t S t a
tio n .)
N um erous le tte rs have been re
ceived by this station, concerning two
cornroot Insects, vis., the corn root-
worm and the corn rootaphts. It Is
evident th a t these insects are m ore or
less abundant In all of the corn-grow
ing sta te s of th e M ississippi valley.
T he corn rootworm has destroyed
millions of dollars worth of com dur
ing th e la st thirty years for farm ers,
end yet tt is one of the easiest species
of insects to control, when once the
farm er becomes acquainted with Its
habits.
Like m ost Insects of this
class, It is useless to attem pt to hold
It In check by the application of poi
sons; it covers too much territory,
and, during the period when It does
Its Injury, Is concealed beneath the
surface of th e soil. As one becomes
b etter acquainted with Its life history,
therefore, th e more evident It becomes
that the application of good, up-to-date
farm ing methods Is the only remedy
Deeded.
As th e larvae do not feed upon any
thing but th e corn roots, it Is evident
that If a regular rotation of crops is
practiced, so th a t corn Is grown on
the sam e soil only once o r tw ice In
three o r four years, there will be no
chance for th e Insects to Increase.
T ha R obin.
fall weed seeds a t a tim e when th e
crops have been g athered and th en
can do no harm to 1L
T h e best helper a farm er can have
is a host of birds.
But instead of
recognizing th ese efficient helpers, so
generously provided by nature, we
w antonly slay them by th e hundreds
for fun.
TOADS ARE OF GREAT VALUE
F a rm e rs L e a rn in g M ore and M ore tc
A p p rec ia te N a tu ra l E n em ie s o f
D e stru c tive Insects.
W e have heard th e statem en t made
th a t each toad on a farm la worth sev-
eral dollars a season to the land own
er. It Is difficult to place an exact
value on any beneficial species, but
we a re learning m ore and m ore to ap
p reciate th e n atural enem ies of our
destructive Insects, and when one of
them shows such distinctly beneficial
habits as does th e toad, It deserves
special consideration.
Snails, grasshoppers, crickets, ants,
wlreworms, potato beetle*, cutworms,
arm y worms, te n t caterp illars and
m any o th ers of equal Im portance have
been found In the stom achs of toads
Toads have many n atural enem ies
such as snakes, haw ks aud th e like
and num bers of them are killed by
W a te r S u p p ly fo r Cow s.
In th e m atter of w ater supply for lawn mower* and farm m achinery ol
the cows if It cannot be had from ▼arloua kinds. W e can well afford
running stream o r spring it should to study toads, with a view to giving
come from a deep well th a t Is kept them protection. T hey should not be
clean a t all tim es and not subject to killed for sport, as many anim als are,
surface drainage, and the w ater for for they are too valuable.
use in th e barnyard or for w ashing
th e dairy utensils should be kept free
Make H o n s y A n yw h e re .
from foreign m atter and ta in ts of all
T here are few places in th e country
kinds.
where one* o r more colonies of bees
cannot m ake honey. It is tru e th a t
L ife o f A spara gus Roots.
:he n atural surroundings may be un
A sparagus roots, properly planted, favorable to the bees, but one who
fertilised and given good culture, will hae no experience Is often aston-
continue to produce large spears for shed a t th e distance bees will go la
fifteen to tw enty years In succession. March of n ectar of th a flowers.
H e L o st S ight o f E v e ly n .
had not dared to ask about his fiancee;
everybody knew she was drowned. To
his astonishm ent Mollie seem ed al
m ost unconcerned.
"It w as a tiny fishing village, and
th e tragedy, though it stirred th e
place, was not widely reported. A fter
Mollie and he had recovered th e girl
gave up th e little cottage and w ent
home.
" ‘You m ust let me come an see
you. for Evelyn's sake.’ said Sctheby.
“H e was rath e r astonished when
Mollie resolutely refused. ‘1 bear you
no fll will. Jack, and I ewe you my
life,* sh s said. 'B ut I feel th a t It
would be impossible afte r—w hat has
happened.’
"T he girl's
uncanny
calm ness
shocked John. However, th ere was
nothing to do but acquiesce. It was a
year before he saw Mcllle igatn. They
m et on Fifth avenue, '.nd *he recogni
tion was mutual.
Mollie told Jack
Sotheby th a t she was living w ith an
ctd au n t in an ap artm en t uptown.
“T h ai had been a jar«*. period for
Sotheby. He knew .h at he shadow
J o v er his life would deepen ra th e r than
I disappear, as th e years w ent an. And
! yet, strangely enough, he began to
realise th a t he had not truly loved
Evelyn. T heir m eeting and engage
m ent had been rapid, and th e re had
been no communion of ta ste s between
them . It had been lnfaliiatlcn, and.
In spite of the tragedy. Jack thought
of Evelyn as an episede in his life,
r a th e r than hts lost love.
“W hen he looked a t Mcllle h e was
conscious of a sudden aw akening of
In terest tn th e frail girl, whose beauty
had developed until she seem ed a
replica cf Evelyn—less dashing, less
vivacious, but th e Evelyn whom he
would have loved ra th e r th an th e one
he had known.
“ 1 am com ing to see you. M e llle ,'
HE WANTED MANÏ WAYS TO USE COFFEE
he said. And this tim e the girl did not GOT REALISM
refuse.
“W eeks passed. T heir Intimacy deep F ilm D ire c to r W en t A fte r Subetantlal W ise Housekeeper W ill N ot A llo w
T h r ills , and P ic tu re ^ Show H e
ened. T he girl was becoming very dear
L e ft-O v e r M aterial to Be
O btained T h e m .
to Sotheby. At last the day arrived
T h ro w n A w a y .
when he felt th a t the shadow which
Ned Finley, one of the V itagraph
hung over them ought to be lifted.
If you have coffee left over from
“ ‘Mollie,’ ho said, taking th e girl’s directors, believes In realism and al breakfast o r dinner by no means aU
hands In his. ‘I w ant to tell you, dear, ways m akes every effort to Inject low it to be throw n eway, but see th a t
th a t I love you. I w ant to ask you su b stan tial thrills in his pictures, it is saved from da>' to day and kept,
to be my wife. I feel th a t you and I often going to the extrem e lim it of In a bottle, as it can be used in many
have som ething inseparable, some caution. In a very recent film 6tory different ways. One of th e best w ays
thing th a t makes our lives one. R is on which he was a t work, he en of using coffee is in making coffee
Evelyn, and yet I never cared for Eve gaged the services of a sharpshooter, Jelly.
But th ere are o th er equally:
whose duty was to m ake a “h it" as as nice. F or instance, th ere is cof-t
lyn as I love you.'
"The girl looked a t him, and then, to close to th e director as he dared. fee souffle, th e recipe for which L
Sotheby’s am azem ent, she burst into The scene of the picture shows Mr. stum bled upon quite by accident not1
Finley shooting from a dism antled so long ago, and which I have used
passionate weeping.
“ ‘I can never m arry you. Jack ,’ she b arn with bullets splintering th e many tim es since, alw ays w ith good
cried: 'You do not know—Oh, you do wood w ithin a few Inches of his body. success. T ake a half cupful of milk,
not know, and I cannot bring myself In the sam e picture. Mr. Finley falls one and a half cupfuls of coffee, two-
from a horse and rolls down an em thirds of a cupful of sugar, one table
to tell you.’
" ‘But you love me, Molly?' he cried. bankm ent. The first tim e he essayed spoonful of gelatin, a good pinch of
“He took her In his arm s, and for an th e fall, it was so realistic th a t a sa lt and th ree eggs. F irst, soak the
i
in stan t h er head lay on his shoulder. new cam era man became so in te rest gelatin for an hour in cold water.
'“ Yes, I love you,’ she said. But I ed In its sensational realism he neg Then, mix w ith th e coffee, milk and
cannot m arry you.’ She raised her lected to film th e scene. A second half of th e sugar. H eat in a double
head and looked him frankly in the attem pt, th e next day, was spoiled boiler. B eat the yolks of th e egg
eyes. 'Listen, Jack,' she said. ‘I have by a spectator, who, thinking Mr. slightly, add w hat is left of th e sugar
loved you since I first saw you, and Finley was hurt, rushed In front of and the sa lt and pour slowly into th e
The third tim e was coffee m ixture. Cook un til th e mix
I have never loved anyone else. T hat th e cam era.
Is why 1 m ust send you away. It Is successful, so far as th e actual tak tu re becomes thick and th en add the
ing of th e scene was concerned, b ut w hites of th e eggs, beaten stiffly, and ,
because of Evelyn.'
B eat ‘i
"H e could find no answ er to make. Mr. Finley, in his headlong descent half a teaspoonful of vanilla.
He bowed his head and w ent away. down the em bankm ent, failed to no the whole thoroughly and turn into a
It was another y ear before he saw tice a tree stum p and a collision re mold.
T hen th e re is another: Take seven
Mollie again. Then be was a t A tlantic sulted In a very much bruised direc
tor, but a happy one, because of his lump of sugar, half a cupful of cof
City.
“H e was seated In a secluded corner realistic am bitions being fully real fee, half a cupful cf Santa Cruz rum.
H eat th e coffee, mix the rum and
by th e Boardw alk when he saw Mol ized.
sugar w ith it and allow It to stand un
lie coming tow ard him. A t first he
S tars In a N e w P la y.
til cold. You have made a most de
thought, so striking was the resem
Blanche Sweet is featured In “For licious cordial, which may be served
blance, th a t she was Evelyn herself.
Then, as he w atched her, he saw Eve H er F ath e r’s Sins," a two-reel film afte r dinner.—Exchange.
lyn in th e flesh, a t her side, and, be play produced by Jack O’Brien. In
th e production Is told how a college CHICKEN IN SPANISH S TYLE
side Evelyn a man.
“T he trio were advancing tow ard girl, daughter of a w ealthy, m iserly
him, and Evelyn and the man were departm ent store owner, leaves h er V a ria tio n From Accepted Method
engaged In anim ated conversation. home and works under an assum ed
W h ic h Is F a m ilia r to the House
Evelyn had grown sto u ter and flesh
w iv e s of A m eric a .
ier; she was still the dashing b ea u t/
of old tim es, but the dasbingness could
not carry Itself so well under th a t ac
cookery w hite onions, tom atoes and
cum ulated load of flesh. It was over
olive oil play a prom inent part. Lit- .
done. and the woman was obviously
tie b u tter is used for frying. If good **
too artificial. T he h a ir was too light,
olive oil is not obtainable they pre
th e eyes too dark. Sotheby stared.
fer a vegetable fat.
H e could not be m istaken. It was
T his way of stew ing a chicken is
Evelyn.
delicious and m akes a pleasant varia
"Sotheby was not superstitious. He
tion from any American style.
knew th a t Evelyn was a t Mollie's side,
P u t one large cooking spoonful of
and he rose aud followed them to
olive oil in a frying pan; cook in it
th e tr hotel. He w atched them enter,
until ten d er one large peeled and
and all th a t day h e w aited until he
sliced onion and one tom ato (or half
w as rew arded a t last by seeing Mollie
a cupful of canned ones), and half
come out alone. She walked, with her
a banana. P our th is boiling hot over
lim ping gait, along th e Boardwalk un
th e chicken in a stew pan.
To a
til she cam e to th e sam e place where
four-pound bird add one and a quar
Sotheby had sat th a t morning. T here
te r quarts of boiling w ater, one table
she sa t down, and th e re he accosted
spoonful of salt and an eighth of a
her.
saltspoonful of w hite pepper. W hen
th e m eat is done stir in th e thicken
"T he te rro r In th e g irl’s eyes alm ost
ing, cook and stir for two m inutes
unnerved him. She glanced a t him
and drop in one tablespoonful of
fearfully, and saw th a t he knew all.
m inced parsley. You may require a
“ ‘You have seen h er?’ she cried,
little m ore sa lt and pepper; th a t is
w ith a quick in tak e of breath.
left to individual taste.
"Sotheby nodded.
‘Tell me the
Serve in a deep dish w ith the sauce
tru th , Mollie,' he said, taking her hand
poured around It.
in his. And he knew then th at, al
Som etim es half a cupful of rice is
though It was not th e same Evelyn
used (uncooked of course), then
whom he had loved, it was ju st the
boiled In it for th e la st 20 minutes.
sam e Mollie who had been so dear
In this case om it the thickening.
to him, who had always been In his
thoughts, night and day, since he had
T w o W a y s to Use U p C old Ham .
learned to love her.
Cup Omelets.—B utter half dozen
“ 'She Is not dead,’ said Sotheby.
custard cupfuls and fill lightly w ith
'But—Mollie, tell me th e truth, and
equal quantities of stale (soft) bread
tru s t me.’
crum bs and cold ham chopped fine
“ ‘Yes, I will tell you th e truth,' an
and seasoned well. B eat three eggs
sw ered th e girl. 'W hen you became
and add one cupful m ilk and divide
Engaged to Evelyn you looked on it
am ong the cups—adding m ore milk if
as a serious m atter. But to Evelyn
necessary. Set cups in pan of hot
It was Just a joke, a sum m er flirta
w ater and bake in m oderate oven un
tion. She gets engaged at least two
til firm in center. T urn on p la tte r
or three tim es every summ er. When
At FillEon.
and
serve w ith w hite sauce.
you looked on It as som ething lasting
T hese can be made with cold roast
Evelyn w as—well. Just plain scared. nam e to learn how the underpaid
m eat and served with a tom ato sauce
She liked you well enough to become clerhs live.
and are equally as good as the others.
engaged to you, but she never loved
As the resu lt of her Investigations,
A Good B reakfast Dish.—T ake
you. Jack. Why, Evelyn couldn't lovo sh e forces her father to Increase the
anybody. T he man she Is engaged to wages of hts employees and incident deep oatm eal dishes and put a small
now Is rich, and she will probably ally saves him from being killed by a quantity of cold chopped ham in each,
m arry him ; but she never Intended to dissatisfied workman. A pretty ro m aking a hollow In center. Drop an
egg In each, season with salt and pep
m arry you.
m ance Is woven into th e production. per and a sm all piece of bu tter on
" 'You frightened her. Jack, and be W allace Reid, Billie W est and A1 each. Bake In a m oderate oven until
cause she really did care for you in Flllson have prom inent parts. T he
w hites are firm.
a way. she was afraid th a t she might scenario was w ritten by A nita Dooe.
n o t be able to help m arrying you.
Meat Succotash.
And you w ere s o t a rich man. not
N e w Series of P lays.
H ere Is a recipe for succotash:
"(
rich enough for Evelyn. I didn’t know
Four new series of photoplays by F our to five pounds of lean corned
w hat she was going to do, but I knew prom inent authors are announced for
th a t she was planning to do some fu tu re presentation. Each play will beef, a sm all fowl, four quarts of
thing, because she was mad with fear be com plete in Itself, trea tin g an indi hulled corn, one large turnip, six o r
seven fair-sized potatoes, one quart of
when you c a n s down to N orth Cliff.
vidual In cid en t “Below the Dead w hite beans. Cook beans alone until
“ 'You know she can swim. She told Line,” by Scott Campbell, will be a
they are real mushy and strain. Cook —
m e afterw ards—she sent nr.e a le tte r detective series; "Young Lord Stran-
m eat and fowl together and when w
while I w as in the fisherm an's house,
leigh," adapted from th e stories by p artly done add turnips. T ake m eat
before you came up to see me. She
R obert Barr, which appeared In a
had upset th e boat, knowing th at you well-known weekly, will be produced out when cooked. Then add your po
tato es as you would for a stew and
would ta k e care of me, because I
In four two-reel subjects; “Olive's Op when done add your strain ed beans
could not swim. When th e boat upset
portunities,” w ritten especially for and hulled corn and keep stirring.
Evelyn dived and climbed out and
hid behind th e rocks. She waited there motion pictures by Mrs. Wilson Wood- Season to taste.
until th e saw th a t we were safe, and row, and “The Girl Who E arns H er
Corned Beef H ash .
then she ran home and changed her Own Living,” by Mark Swan, are th a
T ake corned beef w ithout gristle or
dress, packed up and ran away. That* o th er fu tu re serial plays.
skin and equal parts of hot baked po
was “o prevent your knowing th a t she
tatoes (I use cold boiled), w et them
N o v t l M oving P icture.
w as alive. She w anted you to think
A novelty In motion picture presen up with beef stock If you have it. if
h er dead, ao as to escape m arrying
tation la promised in th e forthcom ing not tak e milk. Just a flavor of onion
you.'
' 'And you knew all th at. Mollie? moving picture, entitled 'T h e Bache and nutmeg. A fter you put It in your
And th a t was why you forbade me to lo r’s Baby.” a comedy dram a, tn frying pan never stir. P u t milk o r
which two tiny children tak e th e lead stock in pan first with a generous
see you?'
“ ‘Yes.’ cried the girl. 'And when ing parts. The story deals w ith a piece of b u tte r o r drippings. Now
I was living w ith my aunt I could wealthy girl's financial ruin, her fight tu rn in hash and sim m er till liquid is
For a -j
sea you, because Evelyn had gone to support herself as a governess, and absorbed, brown and fold.
WesL But I dared not let you love h e r final reconciliation to her form er change use b its of celery o r pieces o f
sw eetheart through the children sha bacon Instead of butter.—Exchange.
me.
cares
for.
“ 'B it I have always loved you, Mol
Baked Beets.
lie,’ said Jack. 'I love you now, dear.*
B eets retain th e ir sugary, delicate,
H o o s ls r Poet Seen In Film«.
“He took h er in his arm s and kissed
An interesting future Selig produc flavor to perfection If they are baked
her. And th is tim e they knew th a t
th e re was no obstacle to th e ir happi tion Is a dram a based on Jam es W hit instead of boiled; tu rn them frequent
comb Riley’s famous first poem. ‘T h e ly while in th e oven, using a knife, as
ness.
, “ 'Jack, dear.' said Mollie presently, Ole Swimmln Hole.” The noted poet a fork allow s th e Juice to run out.
‘if Evelyn m arries th a t man they will will himself be seen on the screen in W hen done rem ove th e skin and serve
w ith bntter, sa lt and pepper on th e
go W est to live. You w on't w ant to a prologue.
slices.
see h e r again. Can you w ait two weeks
longer until I send for you to come
Bernstein'a Play to Be Filmed.
For Colored Goods.
to me?'
H enri Bernstein's dram atic success,
To wash delicately colored goods so
“H a laughed. 1 have watted two "T he Thief.” which w as produced In
years, Mollie,' he answered. ‘I think th is country by Charles Frohman, Is th a t they will n ot fade g rate raw po
I can w ait two weeks longer—for you. now being adapted for pictures, and tato es into th e w ater and wash with
out soap.
n ot E v ely n .'"
will soon be "filmed.”
4