Capital journal. (Salem, Or.) 1919-1980, February 12, 1953, Page 18, Image 18

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1ft CaptUl Journal, Salem, Oregon, Thurs., Feb. 12. 1953
RADIO PROGRAMS
FRIDAY P. M.
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Br DAVE BLACKMER
ARTISTS TAKE OVER
nt Mar. j COIN I LI. a.ai. ta u .a BIX MX I la I .ak
DIAL LISTING KOAC, 65
VftkC F M. 11 1
IWeHiea U:1S, Naaa ram
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Newa, Weather :, M.dllatl.nai lt:N,
sin Off.
False Teeth Lodge in His Throat
Blrmlnihani, Ala., A honse painter wu hoipitaliied
after hit false teeth lodfed in hU throat at a auburban tavern
yesterday.
A waitress, Mrs. Elsie Smith, said she saw Albert Tate
choke and torn black la the face. He threw his head back
and she spotted his upper plate lodfed in his throat.
She said she pulled out the plate.
Tate was listed in food condition at a hospital.
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MITCHELLS
Radio -Television
Htsion
Associalion
Salem
Complete Sales,
Installation,
Service
We Give
Green Stamps
1880 Stalest.
Phone 37577
. Stars of Radio and Television are currently spending
a great deal of their time for various civic duties. A few
news notes came to Tele-Views today.
BENNY APPEALS FOR HOLLAND FLOOD RELIEF
Jack Benny, comedy star of CBS Radio and CBS Tele
vision, launched in Washington D. C. last Sunday a nation
wide drive to collect funds for flood-stricken Holland. Ben
nv appealed to Americans to send contributions -to the
Netherlands-America Foundation, 1140 15th St., N.W,
Washington, D. C.
Mr. Benny, who was in the national capita to emcee
last Saturday night's annual dinner of the Radio-TV
correspondents' corps, started the campaign as he posed
at the Foundation with a five-year-old American girl
of Dutch descent. Carla PfanstiehL
The comedian also visited with President Dwight D.
Eisenhower for 15 minutes at the White House. Asked
what they discussed, Mr. Benny said. "We just reminisced
about the war." He headed USO troupes in the ETO during
World War II.
Mr. Benny tied in the flood relief drive with Valen
tine Day (his 39th birthday) Feb. 14 by asking Amer
icana to Bend an extra Valentine with flood donations
to the Netherlands-America Foundation. He an
nounced the drive's slogan as "Send A Heart to Hol
land." The comedian arrives in Hollywood today.
Irene Dunne will be featured in a tribute to the work
of the Heart Fund when KOIN-CBS Radio presents a pro
gram of "Songs From the Heart" played by D'Artega and
his orchestra and dedicated to the 1953 Heart fund Cam
paign, Friday, Feb. 13.
Emil Cote and his Serenaders mixed chorus will sing
" with the orchestra and Sam Liner will be spotlighted as
piano soloist.
Opening the program with his own song, "New Hope
For Hearts," D'Artega will probe the musical heart rep
ertoire with Gershwin's "Love Walked In," Spina's "The
Beat Of My Heart," Roger's "With A Song In My Heart"
and "Lover" and Hanley's "Zmg Went The Strings Of My
Heart."
The 1953 Heart Fund Campaign will be carried on
throughout February on a national basis. Proceeds of
the drive are used to help in medical research and
health education of the public on the problems of
heart disease.
YOURS FOR THE TELEVIEWING, THURSDAY
QUIZ KIDS at 5:00 again will show some of America's
smartest children answering the most difficult of the dif
ficult questions.
CLUB EMBASSY at 7:00 will graphically portray Old
Man Winter his moods, joys and pranks with such songs
as "June In January" and "Winter".
FORD THEATER at 9:30 co-stars Joan Leslie and
John Agar in "The Old Man's Bride", tale of Agar who
plays agent for a wealthy Texan and goes to New Orleans
to find him a bride, and falls in love with her himself.
NITE OWL THEATER at 11:30 presents "Forged
Passport" starring Paul Kelly, June Lang and Lyle Talbot.
FEBRUARY 13 (Friday)
KATE SMITH SHOW at 1:00 will have the Nicholas
Brothers, tap dancers: Phil Napoleon and His Memphis
Five; and an interview with Senator Henry M. Jackson
(D., Washington).
MATINEE THEATER at 8:00 again presents "Hol
lywood Stadium Mystery", with Neil Hamilton, Evelyn Ven-
able and Jimmy Wallington.
CAVALCADE OF SPORTS at 7:00 will match Rex
Layne of Midvale, Utah, against Roland Lastarza of Bronx,
New York, in a ten-round heavyweight bout from Madison
Square Garden.
Dictionary-Maker Describes
Job Involved in Word Book
By ADELAIDE KERR
New York VP) Did you ever
realize, when you pick up a dic
tionary, that you may have con
tributed to its making?
"The big business of a dic
tionary maker is to know the
times," says Clarence L. Barn
hart, one of America's leading
dictionary-makers, now working
on his ninth.
The language is growing all
the time. Every period brings its
new developments and Interests
and produces special new words.
"I estimate that, in every dic
tionary, about 5,000 new words
come up for consideration and
about 3,000 of them get in. One
such word is 'simulcast,' a word
coined by a press agent, meaning
to broadcast by radio and tele
vision simultaneously. Another
is 'fluoridate' meaning to add
small amounts of fluorine to
drinking water.
a a a
"Words are dropped out too,
as they drop out of general use.
In the last analysis, educated
people make the dictionary."
Barnhard, a big brown
haired, scholarly - looking man
who loves a laugh, has been
making dictionaries for 23 years.
He started with a part-time job
with a Chicago textbook pub
lisher while he was a University!
of Chicago student.
He is now in business for him
self in Bronxville, N.Y., under
contract to Doubleday and
Company. New York publishers.
and Scott Foresman, Chicago
publishers of schoolbooks.
At present he is working on a
new college dictionary which he
hopes will be ready In five
years.
a
"The dictionary is divided
into the common vocabulary
words like go, get and give (and
the technical vocabulary scien
tific terms)," says Barnhard.
The technical keeps growing and
crowding the common. The hard
est Job becomes deciding how to
define the common words,
which have so many meanings.
"The meticulous work requir
ed on thousands of words can
make dictionary making an ex
pensive business. The dictionary
maker is in a constant race
with time. A college dictionary
often has 125,000 to 150,000 en
tries. If 100,000 of these are
technical terms and the average
time for a definition is 10 min
utes, this means a million min
utesor more than eight years
of one person's time, working
40 hours a week. '
"Then there is tne cost of typ
ing the manuscripts. There are
generally three of these and they
cost $15,000 apiece to type."
a a e
This is the way the Barnhart
crew assembles a dictionary:
The boss does much of the
work on the common vocabu
lary, using a complicated system
of semantic counts and checks.
For the big job of selecting
the right technical words, he
reads two hous a day. A corps
of readers reads all year, every
year. The words they select and
their definitions are written on
slips and go into an alphabetical
file.
The slips are divided among
a group of editors. Each editor
checks his list against such
questions as "How many news
papers and magazines use
Three-Dimensional Films
Demand New Techniques
(Editor's Note: Second of I aew-dimensional revolution),
three articles on Hollywood's I ,
By BOB THOMAS
Hollywood, on Looking atjard Fleischer wrestling with the
the movie world through third- technical aspects of the new film,
dimensional glasses ing method.
The scientists have come up
with new gimmicks to broaden
the dimensions of the movie
screen. Now the creators and
artists take over.
Hollywood is converting to
new-dimensional movies much
faster than it switched to sound.
That doesn't mean that flat-
screen films are being dispensed
with entirely.
Only ont studio 20th Century
Fox has said it will soon make
no more "flat" pictures. New
films using the new methods are
announced every day and some
are already before the cameras.
"They told me you couldn't films, the eyes have to ehang
film a closeup in 3-D," he re-'focus, Just as they do In normal
marked. "But I tested with one, use.
and it looks great. The face on "One way to avoid eyestrain is
the screen Is no longer Hat. you xo cnange wier iu. ul uie cam.
can see the contour of the nose
and eyes, and it's entirely life
like. "The important thing Is to
avoid eyestrain. You see, a per
son's eyes remain in the same
line of focus when looking at a
fiat screen! But when the scenes
change in third dimensional
eras, in order to 'save the work
done oy me eye.
"The film technicians hav
made amazing strides in solving
such problems. When we first
started out, we had to focus each
of the two cameras we shoot a
scene with. Now they have In.
vented a dial that will focus both
cameras at once."
I visited Warner Brothers,
where the first horror picture In
three dimensions Is being filmed.
It is called "House of Wax" and
is aimed at scaring the bejeepers
out of movie fans.
The story, filmed in Natural
Vision, presents Vincent Price
as the mad operator of a wax
museum.
I found Price in a corner of
the commissary, where he is re
quired to eat apart from the
other studio workers.
The reason is his horrific
makeup, which harks back to the
Lon Chaney days. "Just call me
Old Repulsive ," he mumbled
through layers of plastic.
We're doing everything pos
sible to scare the audience," he
said. "Wait till they see this
face! And we've got a fire scene
In which a blazing wall falls
toward the audience. If that
doesn't scare them, nothing will."
i
Over at Paramount, Pine and
Thomas are making a costume
adventure called "Sangaree."
The picture had already been
shooting for three weeks when
the producers decided to film it
in th-ee-dimensional Paravision.
This meant re-shooting the
previous scenes and upping the
budget to two million dollars,
the biggest picture bill for P&T.
Edward Ludwig was directing
a scene with Francis L. Sullivan,
who could fill the screen in any
dimension.
The director told me he was
filming the story as he would an
ordinary style of film, except for
some action scenes. The audience
may be ducking punches and
missiles hurled in the fight sequences.
a
The new technique requires
more lighting, he added, and
closer spacing. "When I did a
banquet scene, the actors could
not figure why I placed them
right next to each other," he re
marked. "But they appear sev
eral feet apart when you see it
on the screen."
MGM is getting ready to film
its first 3-D, a rodeo story called i
'Arena." I found director Rich-1
them?" and "How important has
the term become?" -
He decides which ones meet
the test and writes a finished
definition. If there is any ques
tion, Barnhart has the final
word.
a a
Common and technical words
then are assembled in one list
and typed by a corps of house
wife typists living between here
and Chicago. The. list goes back
to the editors, who read it all,
make corrections and cut. It
then goes to Barnhart for com
plete reading and editing. The
second typing incorporates
changes. The third is generally
the final manuscript.
After three to five years of
work the new book is ready for
the market.
Built Best for the West
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