Thursday, May 6, I937
The Gold Hill New». Gold Hill, Oregon
THE SUNNY SIDE OF LIFE
C lean C om ics T h a t W ill A m use B oth O ld and Y oung
thefeatherheads
THAT B u s «MOULD
HAY« B C E H H E R & .
A H A L F HOUR A G O 1
I Vs/ONOe» WHY IT
WASN'T SHO W N U p 2
W E L L — I ’M
M AvBL
ITS L A W
ö O ik KS
T o
MOT T
STAMP
HERE AMD
F R & E Z .B /
f l
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VVHY NO T MOVE
O V E R . IMT o
TH E
DO O UW AŸ—
AMD F R E E Z E -
-n -te R e 2
_
Star Center Doilies
In 3 Useful Sizes
T h e r e ’ s an added th r ill to lun ch
eon o r d in n e r w hen the ta b le s e t
tin g ’s of lu x u rio u s -lo o kin g d o ilie s!
T h re e p ra c tic a l s iz e s --6, 11, and
15 inch c irc le s — c o m p ris e th is e x
q u is ite b u ffe t o r lun ch en sem b le.
A nd guests w ill e x c la im o v e r the
loveliness o f th e “ s ta r ” c e n te r
Cold Shoulder
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FM M M V— B u T i p VO l )
VUËR& A 4 C O L D AS
I a m ---- 'iO Ü 'D G E T
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A CA&V
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D o i T K no w vjhy v o u
KBPT m e
S T A N D IN G O n
THAT CORNER S o
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L O N G / W A V D ID N 'T / t
VOU S U G G E S T A J
f
S A V --------
THAT W IN D
S (S E T T IN G -
COLD— r
cab
B efo r e ?
M O LA S S E 5
AMD Busses
B o T h r u m
/-«A *
mobb
slow ly
|M c o l d
W E A TH E R -
P a tte r n 5768
S*MATTER PO P— No Trouble to Start Trouble With Thia Fellah!
« L L O ,Ä *4 » l« A T v \
- A M io tto » » .!
J
♦ io v u *
'/o u ït
p a tte rn .
Y o u ’l l be astonished a t
the ease w ith w h ic h these c h a r m
in g “ d a in tie s ” a re c ro c h e te d . U se
m e rc e riz e d cotton o r s trin g .
In
p a tte r n 5768 you w ill find c o m
p le te in s tru c tio n s fo r m a k in g the
d o ilie s s h o w n ; an illu s tra tio n o f
th e m and o f th e s titch es u s e d ;
m a t e r ia l re q u ire m e n ts .
T o o b ta in th is p a tte rn send 15
cents in s ta m p s o r coins (co ins
p r e fe r re d ) to T h e S e w in g C irc le
H o useho ld A rts D e p t., 259 W .
F o u rte e n th S t., N e w Y o r k , N . Y .
W r ite p la in ly y o u r n a m e , ad
d ress and p a tte rn n u m b e r.
By C. M. PAYNE
~ A vjv <
f
O i 4 i * o * i-r io n
I WUL
6 T a m 5 ih
o n m V
! A b lo m g
^ooT /
»
Finding Pearls
i C ^ y r n M . IW « b , T h , « .I l «ynd,( , l . .
T h e B u re a u o f F is h e rie s says
t h a t a s a le a b le p e a r l has n e v e r
been found in a n e d ib le o y s te r.
T h e b u re a u p oints out th a t p e a rls
a re fo rm e d e ith e r b y an in ju r y to
th e o y s te r o r th e in tro d u c tio n of
som e fo re ig n m a t t e r th ro u g h the
s h e ll w h e re a p e a r l develops by
a process o f ir r ita t io n . P e a r ls o f
v a lu e a re found u s u a lly in w a r m
P a c ific w a te rs , b u t th e o ysters
fr o m w h ic h th e y a r e ta k e n a re
n ot e d ib le .— P a th fin d e r M a g a z in e .
1» )
MESCAL IKE
Not if We Know Milo
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KILLS INSECTS
(Copyright.
FIN N EY O F T H E FORCE
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HAVE A
D o u g h n u t
T A N K S - K i M
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SPARE
s____ IT
2
ON n O W II S • FRUITS
VIGETABIES & SHRUBS
Demand original «rated
Baker’s Dozen
O H V B S , IN D E E D
T w e V G o t a
H E IN û i P L .
POW N a t
t h e F A s iR e s
- , 5 HOPPE
y
W B L L - W H U T ’s
T h a t t o d o
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V B X
C s lM IN *
w an
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o ’ t h e s e :
N lS ? — U N
D ID S H E T E L L
V 6 Z THAT 2
n
SO W HUT ?
p iN N e y
M O -BUT 5 H 6 GAVE
M 6 T H E WRONG-
HUMBER — I
A SK ED FOR A
IV -
d o z e n a n d s w e liM
GAVE M E ,
1 ¡II
T H IR T E E N ' J
b o t t ln , fro m y o u r d e a le r
BAKERS-
CLA/M
THcY UOMY
HAVB £MMy
DOUGH-
tha T
HAME A
LOTTA
, CRUST r
F ir s t a Student
H e w ho proposes to be an a u
th o r, should firs t be a s tu d e n t.—
D ry d e n .
BRONC PEELER
'
I »iA W C
A
UuNCH
Pete Makes a Discovery
THA T THE M E N
I SAW
O C lV lM t A v *A Y O O ft CATTLE’
ACE HEADED B T V W
ol
T H C M A N iV K
Ó E C H T R A IL IN G —
W -
-y & P -W N «TC A Q S .
B
TT —
By FRED H ARM AN
H IM — IL L —
v— BUT F iR sT I MUST HELP BRONC
an o -THE 8 ots stop t h is c a ttle
s t e a l in g «— O M - THERE is the
L RU S TLER k C A M P / — MAYBE
AwL I CAN GET close « .
__
r— ANO W HEN
I F IN D
CDNS a RN I T / V J//A T v lo K E
M E U P - / * — l‘O S v O E A R I H e 'RO
s o m e t h in ' «■—
u n -L > M i
B lithers bed is ef \ pty //
s
I c a n t s l e e p , v N o r r y in
¿ out
F
T hat g u y — h e ’ s B i n S o ne our
H O U R S — Now inha R V a P éckon
vìe v i e n t «------- ?
W
fl
Sleepless, Nervous?
M o s t w o o « a t some
p e rio d o f th e ir lives need
a tooic b k e D r - p ,e rc e ’®
V
F a v o r ite P r e s c r i p t i o n .
P
-v.
M r > - J- 0
A d a m s of 366
V
W a r r e n A v e ., P o ca te llo ,
I
Id a h o , s a i d : " I c o u ld n ’t
y •
'
sleep w ell a t n ig h t a n d
f
"3^^
e v e ry th in g seemed to g e t
on
n e rve s.’
H ead
ache«
associated
w ith
fu n c tio n a l d isturban ce s m a d e m e v e ry m is*
e rab le . I used th e ’ P re s c rip tio n ’ as a to n ic ,
then I had a g o o d a p p e tite and fe lt i m
p ro v ed in e v e ry w a y .” B u y n o w l
n
BI
jw
W N U — 13
The Curse of Progress
MAVBE
S
FUNNV-
IT STARTED
A L L R IG H T
.
THIS
VOU HAVE T O
S T E P ON THE
SPA RK P L U G --O R
,
S O M E T H IN G " /
M O R N IN G /
,*a
W M AT«
TH E ALLEV
FO R V
«JU N K
Ï--
T h a t ’s A r t !
Son— D a d d y d e a r , w h a t is an ac
tor?
D a d d y — An a c to r? M y son, an ac
to r is a m a n w ho can w a lk to the
side o f a s ta g e , p ee r in to th e w ings
fille d w ith th e a ir ic a l p rops, d ir t and
dust, o th e r a c to rs , s ta g e -h a n d s , old
clothes and o th e r c la p -tr a p , and
s a y : “ V.Tiat a lo v e ly v ie w th e re is
fro m th is w in d o w .” — Sheboygan
P ress.
C h it-C h a t
O ffic e r (to c olo red d r iv e r w ho has
been w h ip p in g his h o rs e )— D o n ’t
w h ip h im , m a n — ta lk to h im .
D r iv e r (to h orse by w a y o f open
ing c o n v e rs a tio n )— A h com es fro m
N 'A w le a n s .
W h eah does y o u -all
com e fro m ? — S o u th ern L u m b e rm a n .
, Iv e NEV^H KN£^v WHAJ
W o n n y WAS U N r /L T H £
O LD BUS
S T A tfrro
A C T IN 'U P — WU£KI W£
weae o u r w ith o u r
BEST 6A L— / / '
H o rr ib le T h o u g h t
She (g u s h in g ly )— W ill you love
m e w hen I ’ m old?
H e — L o v e you? I s h a ll id o lize you ;
I s h a ll w o rs h ip the g round under
y o u r lit t le fe e t I s h a ll— e r — y o u ’re
not going to look lik e y o u r m o th e r,
a re y o u ? —S tr a y S to rie s M a g a z ire .
ALL
INTERFERENCE
COMFORTS
AT RATES
By GLUYAS WILLIAMS
ALL
CAN AFFORD
M Toi® THAT P A P tY
WAS » M W SURE M l®
W ill SF RIGHT BACK.
MOVES To OTHER CHAIR.
AUNT EM E ttlh lM S
I» RBOUÍTD S E fllE
S ir CHU® I» HURTiHfe
A4AIN, WHEN T A M IlV
Ml» EVE» ID ÍWAf COR CAltfc NOT IN sm rf
N E R ! G H i pp R t -
CHAIR, IT ISN’ T
WCTANTW
STRONG ENOUêM
«OES UPST ai RS AMP EX'
presses ms n m iN G s
8 T P lA V lH i VERY
N ft5 ilV ON Hi» HAR
MONICA
BROADWAY
& SALMON
SALMON
&■ PARK
«PRAWI4 ON n o o R IN
MISTAMORrlt POSITION
FOR REAPING
mothtr teus him 1 d
SET UP IN A CHAIR .IT S
TOO PRA06RIV ON flOOR