Page 2 The Skanner June 8, 2016 ® Challenging People to Shape a Better Future Now Opinion Bernie Foster Founder/Publisher Why We Must Never Lose Sight of Our Roots Bobbie Dore Foster Executive Editor “S Jerry Foster Advertising Manager Christen McCurdy News Editor Patricia Irvin Graphic Designer Arashi Young Reporter Monica J. Foster Seattle Oice Coordinator Susan Fried Photographer 2015 MERIT AWARDS WINNER The Skanner has received 20 NNPA awards since 1998 The Skanner Newspaper, es- tablished in October 1975, is a weekly publication, published every Wednesday by IMM Publi- cations Inc. 415 N. Killingsworth St. P.O. Box 5455 Portland, OR 97228 Telephone (503) 285-5555 Fax: (503) 285-2900 info@theskanner.com www.TheSkanner.com The Skanner is a member of the National Newspaper Pub lishers Association and West Coast Black Pub lishers Association. All photos submitted become the property of The Skanner. We are not re spon sible for lost or damaged photos either solicited or unsolicited. ©2016 The Skanner. All rights re served. Reproduction in whole or in part without permission prohibited. Local News Paciic NW News World News Opinions Jobs, Bids Entertainment Community Calendar RSS feeds BE A PART OF THE CONVERSATION #SkNews o Dad has joined the other [ancestors] up there. I feel that they do watch and guide, and I also feel that they join me in the hope that this story of our people can help alleviate the legacies of the fact that preponderant- ly the histories have been written by the winners.” – Alex Haley, from the conclu- sion of “Roots: The Saga of an American Family” On the 40th anniversary of the publication of Alex Ha- ley’s landmark book “Roots: The Saga of an American Family,” a new television ad- aptation is bringing renewed attention to the story that opened so many eyes to the harsh truth about American slavery and its atermath — an atermath that continues under new guises despite much progress. The publication of “Roots” in 1976 came at a seminal mo- ment in American history. Cities across America were hosting celebrations of the nation’s bicentennial and the founding creed set forth in the Declaration of Indepen- dence: “We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Cre- ator with certain unalienable Rights, that among these are Life, Liberty and the pursuit Marian Wright Edelman Children’s Defense Fund of Happiness.” In 1963 Dr. Martin Luther King, Jr. reminded our nation and world on the steps of the Lincoln Memorial that Amer- ica had never fully lived up to that promise: “When the ar- chitects of our republic wrote the magniicent words of the “ note insofar as her citizens of color are concerned. Instead of honoring this sacred ob- ligation, America has given the Negro people a bad check, a check which has come back marked ‘insuicient funds.’” With “Roots” Alex Haley provided an epic lesson in American history through the story of his American family — slavery from the en- slaved people’s point of view. His book spent months on the bestseller list and the original television adaptation of Roots that aired in January 1977 shattered viewing records For the irst time descendants of slaves, descendants of slave own- ers, and people of all backgrounds were sharing a common experi- ence and understanding of Amer- ica’s original sin Constitution and the Decla- ration of Independence, they were signing a promissory note to which every Amer- ican was to fall heir. This note was a promise that all men, yes, black men as well as white men, would be guaran- teed the ‘unalienable Rights’ of ‘Life, Liberty and the pur- suit of Happiness.’ It is obvi- ous today that America has defaulted on this promissory as it gave tens of millions of people a visual, visceral ex- perience of the true horrors of slavery. For the irst time descendants of slaves, descen- dants of slave owners, and people of all backgrounds were sharing a common expe- rience and understanding of America’s original sin whose ater efects still radiate across our land. Acknowledg- ing that truth together was a transformative experience. In the past year we have seen a welcome surge, prodded by new books on slavery, campus debates, and student protests, of new commitments by some universities and other insti- tutions to confront the truth about their own histories, es- pecially the ugly legacies of slavery and Native American genocide. Black Lives Matter protests denouncing indefen- sible deaths of Black youths and citizens at the hands of out of control law enforce- ment oicials in Ferguson, Baltimore, Cleveland, New York City, Texas, and else- where and the shocking rac- ist vigilante citizen killings of Trayvon Martin in Florida and the massacre of praying Black church people in South Carolina heightened the need for greater racial awareness and national action. I hope the renewed interest in “Roots” will spark much greater and sustained in- terest in an honest retelling of our history and promote new dialogue about the ways today’s structural, cultural, racial and economic inequal- ities relect racial seeds from our violent past of slavery and Jim Crow which still poi- son the soil and political dis- course of our nation. Read the rest of this commentary at TheSkanner.com Why Snoop Lion Should Write, Direct and Produce Black Movies L ast week rapper Snoop Dogg put up an epic vid- eo rant on his Instagram. In the verbiage that only Snoop can conjugate, he said in no uncertain terms that people should not watch the 21st-century remake of the epic TV miniseries Roots that aired on The History Channel last week. I must say that I thoroughly agree with Snoop Dogg’s posi- tion 100 percent, though I can do without the raw language he used. “Roots: The Saga of an American Family” was a book written by famed author Alex Haley in 1976. In the book, Ha- ley traced his ancestral roots back to The Gambia in West Africa. He was able to trace his family lineage all the way back to Kunta Kinte. Kinte was captured as a teenager in The Gambia and ultimately sold into slavery and brought to the U.S. The book was turned into a block- buster TV miniseries back in 1977. The remaking is what led Snoop to do his now-viral vid- eo on Instagram. His position was that he didn’t want to see any more movies about slav- ery. “Where are all the movies about Black success?” Snoop asked. I totally agree with Snoop. I refused to watch the remake Raynard Jackson NNPA Columnist of “Roots.” I was watching my N.B.A. basketball playofs. Following Snoop’s rant, TV personality Roland Martin addressed the subject on his news program on TV ONE. “ tive produced, produced, di- rected, or distributed a major movie or TV program about the Holocaust? You can’t, be- cause it hasn’t happened. But most movies about slav- ery have non-Blacks in major positions of control or power, even though there may be a Black producer or director at- tached to the project. I am not aware of one movie about slavery where Blacks have had total control of the process from beginning to His position was that he didn’t want to see any more movies about slavery. ‘Where are all the movies about Black success?’ Snoop asked The one point that I do agree with Roland on is that more Blacks need to step up and be willing to help inance the production of some of these movies about success- ful Blacks. That’s a legitimate challenge that Snoop should address. Martin launched into this tirade about Jews “never” get- ting tired of movies about the Holocaust. He is way of base with his analysis. Martin and those who agree with him are missing a few, very germane points. I mean can anyone name a Black per- son who has inanced, execu- end. The movie “Amistad” (1997) was written by David Fran- zoni, directed by Steven Spiel- berg and produced by Debbi Allen (Black), Steven Spiel- berg and Colin Wilson. John Williams composed the musi- cal score. “12 Years a Slave” (2013) was based on the life of former slave Solomon Northup and it was directed by Steve Mc- Queen (Black) and produced by Brad Pitt, Dede Gardner, Jeremy Kleiner, Bill Pohlad, Steve McQueen (Black), Ar- non Milchan, and Anthony Katagas. John Ridley (Black) wrote the screenplay and Fox Searchlight Pictures distrib- uted the movie. The 2016 version of “Roots” was written by Lawrence Konner, Mark Rosenthal, Al- ison McDonald (Black), and Charles Murray (Black). The four-part miniseries was di- rected by Bruce Beresford, Phillip Noyce, Thomas Carter (Black), and Mario Van Pee- bles (Black). Now, let’s look at a few of the top Holocaust movies. “The Diary of Anne Frank” (1959) was based on the writ- ings of Anne Frank and di- rected by George Stevens and written by Frances Goodrich and Albert Hackett and dis- tributed by Twentieth Centu- ry Fox. “Schindler’s List” (1993) was written by Steven Zail- lian and produced by Steven Spielberg, Gerald R. Molen, and Branko Lustig. Steven Spielberg also directed the movie and “Schindler’s List” was distributed by Universal Pictures. Do you notice anything that stands out to you here? There are no Blacks in any position of control or authority in any of these movies. The Jewish community tells their history through their own eyes and from their own perspective. Read the rest of this commentary at TheSkanner.com