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About The Oregon daily journal. (Portland, Or.) 1902-1972 | View Entire Issue (Sept. 24, 1922)
i -5" THE OREGON SUNDAY JOURNAL, PORTLAND. SUNDAY MORNING, SEPTEMBER! 24, 1922.- v Jr Jt If TESIONEB8 long ago discovered that tinmen tctZZ MM jy Ly , ,n in , JLX not relinquish Ike fascinating crepe fabric II "s -sssn. sssw y rime and again they, have made unsuccessful at if . Tr 50 'f tempts to substitute one of the other fQJ$ fabrics v I ft f V f 4s-- Vs, 9' ""' 1 Noxo-couturiershave-found a toayv fUk crepe it jr f -Osss . A I'ff ?--' . am k&x A various weaves to the yy N.. ? roc formal-and informal hours.:- v II ll ' - fill 1 i'- 'J irw sr, I ; II li ' Jill 1 - ' I S. i .. -. ., - - ,m,.mtV $ fe ' r ; I ' i if -y ' ,' ' - I "L" J 1 1 i- ' t lis ' ' 1 '11 f. . . ( v - i I -Ax rA v tier's; A v : v j..JSm :-. vi - -J;5:A:!: . :. v 'k- I v : v Sun i '-r.:'" V v - - y iii f s- i . v s. - j- " r ' 'y 1 I . . ' ."-.X y'y ' "-.' . - S? SILK !repe is indeed a temperamental fabric. It lends itself to the gay elSn mood of morning; it holds forth inspiration for the lavish embroidery that marks the afternoon or dinner gown ; then it takes a complete change of heart when it fashions itself into an evening cloak or forms the background of a fetching little turban. But crepe has its own variety of weave to suit its mood. It takes its finer texture to the social affair of evening and leaves to the morning frock and t the evening cloak an entirely different pattern. The morning frock shown to-day is of crepe georgette, printed in smaE design and trimmed with, sash and bindings of the dominant color. Exotic in character is this striking afternoon gown of silk canton crepe with embroidered blouse and trailing streamer sleeves. The bodice affects the new low waistline, Mousing slightly above the girdle and clinging closely to the hips where it joins the skirt. Streamer fileeves will mark the more formal 'gowns of Kail, and who can deny their charm when they accent the "harmony of the trailing panels that deck jthe skirt so gracefully t The theatre" cloak milady throws gracefully about her. 'shoulders to conceal the silk gown beneath as she steps from her car takes for its f avorite fabric one of the varieties of crepe. It selects a heavier weave, almost like a silk canvas or twill, yet called crepe, to suit this temperamental fabric's desire for. recognition. Note, if you will, the new neckline offered. It rolls into two charming collars to ward off chill breezes when drawn close to the throat. Panels of self-material fall gracefully from the shoulders and turn a rosy surface to the world. For, you will see, tiny rosebuds dot the panels here and there and offer a becoming novelty to the simple cloak of silk crepe. The chic little turban is covered with silk crepe de china and embroidered in points across the brimX The pointed crown, in keeping with the design, is made up of four tri angular pieces, stitched together, and lavishly embroidered in an all-over pattern. Another smart use of silk crepe will be seen in the- over-' blouse Worn with the Jfodl suit. These gaily , embroidered blouses drop to a lowered waistline and serve to convert the, regulation suit into the modish three-piece costume.. '