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TITE OREGON; SUNDAY JOURNAL,
SUNDAY MQRNING, MAY 21, j i 1922.
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By LADY DUFF-GORDON
1 HE atmosphere of the Parisiaaboulevardllwhere
I Mam'selle takes her afternoon beauty stroll.
A n
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holds a spirit of life. It is indefinable. Vet it
has a recognizable effect upon costumes no jtnatter
where the f rock or hat may be worn.
Can you not feel the spirit of Paris in these
creations I am off eiftng this week? j
There is the frock, with its emphatic, silhou
ette.' The back is quite as interesting as the
front. Its panel blouse seems intended mere!
to separate the chiffon embroidered inserts
of the upper sleeves. ' 4 , " m
Drapes for the woman of statuesque beauty N llWS 4
fire snlendid, Riit thft Parisienfi ia tint ctntoKr C v f . i W '-
fashion has created a hew line that holds all sem
blance of a drape, yet is not. The frbat view of "this
silk-crepe frock demonstrates the idea. It is not
draped, although it.borrows a note from- this knode.
having its tunic slashed and drawn high to form the
upward tilt, so fashionable. J
Notice, how the true Parisienne wears her iiash with
grace. On trailing streainer dips below the h to mark
t this frock ivith Paris approvaL v'
Fine lisere straw combines itself with a bandeau of
glycerined ostrich to achievethe fetching lines of the be
coming hatL
v If one selects her chic chapeau from the cue Paris of
fers in the model of viscastraw, she could -do no better than
to top it with a circular snrav of fine feathers. The feathra
curl down over a simple shape, giving to it the trot dash.
oi rans. .-. ;t. .-"'ii.-'.
Hats this season offer as much fashion interest as they
do variety. ) Shapes and materials used are charming, and
it is interesting to note that fabric hats are favored as much
as are those of straw. Faille and hairbraid are prominent
iamong these, the latter being a mixture of silk and straw
with a high lustre finish which is very smart in black.
The mushroom shape, with one side shorter and
slightly turned up and the other side long ; and slanting
downward, is one of the smart new interpretations.
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