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About The Oregon daily journal. (Portland, Or.) 1902-1972 | View Entire Issue (Oct. 29, 1911)
tin: oktuOji.5Ui':iAV jouunal, rouTLAJ.'i. su.njmy uoiwua, ozjgilu u. isn If fiM'v' i . T, M. v Jz4 )! :f$ " , ; tS?f (? ':st i ;-f " vvn uv - i , ' in r : , i " t tjpw i i r " " - - " ' ' i j i l :.l 111 1 -: ,Jl IH-i I " - ' '"aT!? ) iiuSs .'I I II - 111 W ill v ' . s ' ;.-- i 1 t J I ACE, Uffht and filmy as a spider's j web or heavy as. woven twine can , - make it, is ' enjoying a welWe- " sen-ed favoritism from modistes and wearers. Always "will there be a special niche in the gallery of fashion which lace will fill. Toda It has been 'given a whole corner in which to prove that our hopes , and trust are not misplaced. . , On the gown of chifTon over satin there is an exquisite fichu of lace. This is draped around the shoulders and the end is cVossed at one side, falling in a straight sash under a crushed girdle. The end is trimmed with fringe. Here is an excellent Way to' use a broadtraight band. li I Ay ,?v r IV. :ZZ MWjt yf I - -' , f I .4-4: if """--.. x I I . . -- .1 - 4 voV . a. completeness to the color scheme or a gown cot to be overlooked. ;. -1 4 ;0n a 'simple frock of doth or silk a lace collar Is successfully used! -The Irish r la.ee shape lends a whiteness to the bodice and can be removed and cleaned. It lifts a plain . frock to plane of .individual richness,' C '". - ', ? An adjustable lace set; includes a chemisette, a large revcr and pointed cuffs of heavy lace. It is practical and beauti ful and tarries in its lacy form possibili ties of decoration that well-dressed women should Instantly recognize. Lace on millinery, on scarfs, bags, wraps and little accessories dear to the feminine heart is "the edict that comes with emphatic insistence in our notes on , fashion.,' Anfl who can deny its beauty and. its' well-deserved importance after viewing these proofs of the vogue? - ill " :.':-?' ; MIS VI 1 U i i i J? it. j '4 " 4 L " J ' CjW lace cW-. yjacjeetthe'. 'slightly f gathered tunic- falls ' . -.Venetian point lace is, made -into the long.coat effect pver satin. ' THe lace, coat, , The bottom of. the satin skirt is edged with or luls s top isarouna .V lace, ' with " the- scalloped edge up. . The: tr"ar; na aropf aimosl ine ' w c - whole gown depends upon lace for its rich- '. P?". a ine - w !je Th'afii.iu'i,-iv ' . -i over: the pointed, train. There is a1 cut-. M"'- "The. striped : gown shows :an' unusual- W : effect.. jn front.,.' If,-you are; very and attractive arrangement of heavv Irish : ' clever, ,ypu can use bwad, heavy lace - lace. A jacket effect is given at the back and -form an overdress like this gorgeous "sides aniends at the front under the silk" modeJ; V . . ' . ... - ' . v V voile. Chiffon and silk formVgirdle tied' .eavy..8tragjace Is .quite the ;vogue. f nvpro khnrtmrtet' A rfppn he of Un' s frequently, dyed to match the fabric ' akaa u m-iM. oM,w .with.,which it is used. A. fichu effect ends "S"y -h .ctothe-skirt;:ny heavy,Iaceanbefa3h.- - Pm at me oacK on ; me gray r"??.' ioned over-material in this.way. ' , , ieii , ur'e "T Filet, Jn' a medieval jacket, is used on a chiffon after-' The;nf double. skirt. is : edged with -the noon gown.; -The hand-run-ecru-colored lace is shaped in - lace . and a flat panel or sash is a loose, straight bodice and peplum, with just a suggestion , weighted at the train by a square of the of kimono' sleeves. A jiarrpw belt confines the fullness" at iace edged with fringe, yeing Is very the -waist' line, ending, under -buttons. .From '.this '.lace easy-for the 'home' dressmaker. ; "It gives " " '' ' V ' L' " i ...... -.-r - ? fi- ' - - -j4 n fa m if .itslr:" : ll ) 1 ' a I - - If '..'..0 .:..- .i 5 .MMMfcMmi Mwiriiiw iinMiirfi 1 fir r"ri,'l'iiiitl'ii' irftfci AwMinwiil' "iiC. X M 1