! . P. If" I- ft t r. i. the TOEGow-'SuwiyAyTouiaj'ia; ;';TtATn;SUNDAYMORNINO,-JULY: I v ILK IS 1 ' ' :1 .. "its , 4 WE f1 'mi -4 i AVE you .noticed the alliance of linen and silkt It li the new touch lor Bummer dresses. Never mind about the washing of a ailk-trimmed garment, for there is always a way. You will have to remove collar, cuffs, fr jdlea before the cleansing. But in the interim the ilk reigns supreme, and deservedly bo. On the suit of white linen there are black atin cuffs and large revers that terminate in the sailor, collar at the back. Here again we see black and white. '; The black satin is of a fine quality, and it were well to remember that a first sight high price is really an economy when pur chasing black silk. The little morning dress of delft-blue linen is trimmed with royal-blue silk. This is used as a sailor collar at the back, coming over the shoul ders and held down under the bib effect in front. A tie is knotted under the white embroidered collar. Turned-back cuffs are attached to the half-length sleeves, and a folded girdle heads the gored skirt, with its hanging panels in front and back. This little dress is ideal for the morning at the hotel or during the after-breakfast walk. An afternoon model from Paris is shown in tan-striped linen. A pointed yoke shows the stripes meeting, while bands of the material have the stripes running in opposite directions. - A black satin girdle is fastened under a shirred satin buckle, and rosettes of silk are used at is if " f 4. 7 f -) M i -;it'., ' s ! 5 -e -- " "'"L""" " ' 11 mmmmmm - A - ' the side of bodice and skirt Surely, this French idea is copyable by American fingers! ' Black silk is held down by bands and plastrons) of colored embroidery on the white lWn dress of peasant cut. The kimono blouse is trimmed with bands of black on each sleeve and a shallow colla of the silk above the circular embroidered yoke. A straight sash passes down the front beneath two squares of embroidery. Dark-blue silk on gray, or brown on yellow, would be a charming use of silk after this fashion. On the dressy coat suit black satin appears. II carries out the black note of the eyelet embroidery that forms the revers and cuffs. The square collar is of black satin edged -with eyelet-worked linen. Turned-back cuffs are of satin and embroidery When this attractive linfen coat is removedyou will see satin-covered buttons and a black satin girdle striped with linen bands. Cerise silk on stone-gray linen is shown in the simple button-trimmed model. The turned-back cuffs are straight, and are of cerise silk edged with dark-gray braid. A piece of embroidery is placed over this, on the outer edge of the sleeve. The em broidered collar is held under a triangle of gray, from which drop two tabs of cerise silk. And thai is all. On the last exploitation of this silk-and-Unett combination black silk is formed into a fringed sash that is knotted at the front. A' neck trimming of black silk is. knotted and tasseled,. and completes th story. The. 'bodice is embroidered in eyelet, with crescent-shaped inserts -'of Irish; lace. Crocheted buttons trim sleeves and skirt. Silk and ' linen,, then, must be the dominant' thought in your summer plans. If possible, maka the silk trimmings detachable. The introduction of the new trimming is a relief, and undeniably becom ing. Therefore it should be greeted .with joy by the woman who is looking for "something different.'' 's?' V' K 3 1 i it ts5 V-rr Afrit 't.-'r -VV., Z). r '. '.fi' V 5 v St 4 f 1 f 1 . ,r.-- ! V, V, t. Cer'se SVf orf "'(.. I." :'v'l',:'