The Oregon daily journal., February 19, 1905, SECTION TWO, Image 17

J
tii:: cnnccn cuiiday : jouhhal, rcnTL'AriD, suiidayv iioruinio, fzesuary Jl9
.
MISS REHAN IN "THE TAM
ING OF THE SHREW" -:"
Bj JULES ECKERT OOODUAN,
.'. (From Tb Joarael'a Own Con-MPoadant.)
, Tv T Tor. ' pen, IkThe upper
-- 1.!" Mit ud Mt aide of New
I J , Yorta' have recently been trou
. , Died by the work et high
- , - wayman, wboae methods were so str
tllng as to recall the days of the wast
era desperadoes. His plij of action was
a simple aa it waa oinni. . ne ran
.'the fr.ont door bell,-preaanted a pair of
revolvers- to the maid ' or whoever ap-
! peered and demanded money. ,' Almoat In
, every Instance receiving It, he walked
:. calmly away. often, by ba own sonjrea
Ion. past a nolieeman standing near by.
- The next day be would telephone to the
' "poople robbed and tell - them that ' he
' ' had dona the deed. In some cases send
ins or giving' back 'a ring or article
: " prised for associations.. This man was
' arrested the' other 'day. -largely on ac
count of bis own- boasting.? According
. to some aoounts be clalma to have done
all thla not for the mere' money, but
with some sense of artistry, his ambl
s tlon having been te emulate the deeds
of .gentleman-thief as depicted In a
recent successful play. ... ..
' It Is good to And this evidence of the
v"t Influence of the play, upon the idoitkhuu.
Perhaps- that sentence may sound some-
what paradoxical -In- the - present la-,
stance. But 11 the dram has the power
:' to influenoe toward evil, why has It not
also the power to Influenoe toward goodT
We have heard for, years ana yesrs
of the bad Influence of plays. Is not
this a proof positive of their. Influence
toward good? For. 11 some plays in
yoke feelings In .one direction, others
must Invoke them la another direction.
, Deep down In the receaaes of our .being
lie- the dormant impulses towara w
- and evil. .Will anyone dare maintain
that we are more prone to 'the evil
than to the good? Therefore, healthy
plays Should make as .strong as Impres-
. sion as the unnesjiay ones, ine quw
tlon thus resolves Itself Into a eon
' stderatlon whether or not plays are for
the moat part' healthy or not healthy,
sanitary or not sanitary the term Is
" chosen advisedly! tor Indeed, thero are
some products of the stage -that , are
sadly in .need or lumigauon. - w ;
one thing must- never be forgotten
'' the manager who produces plays Is dis
tinctly In the position of the shopkeeper
.with wsres to selL He must cater to
- " all aorta and manner of people. - There
are soma who like the shoddy; there are
others who will .take nothing but tne
genuine. There are soma who are for
"the gaudy; there are others who -want
7 the sober." -He must recognise' 411. - Of
course he can "specialise" and build up
. ' a trade for high class goods;, but even" in
' that a wide margin muat be left for
"; fluctuation of taste. Style too has much
to do with It - Ton : cannot pieasa au
V, the people all the time, and what pleases
one may be most displeasing to. another.
This above alU (ha drama that does not
aim straight at I the head of the great
'.' mass Is . an anomoly. All the great
dramatists of the past were popular
dramatlats. Think of. the Urge crowds
who saw the. tragedies of Sopbocles-and
V the comedies of Aristophanes and the
"dramas, of Shakespeare. -"Select" au
i dlences never hgyrndrnver will i
' dues a great drama.''
. - Thla does not mean, of course, the
other extreme, that the appeal muat be
. entirely to the groundlings. Too many
. of i the men writing today misprise the
, intelligence of their audiences.,. There
are great broad charaeterlatte - which
appeal .to- all alike. Olven these and
.you amy add all the rennemenia you
will. "Othello", and "Hamlet"- appeal
a the audiences ot tb Bowery almost
as strongly aa they appeal to the more
fashionable audiences, more so - if the
truth were known. It is because un
-deriving-the poetry and art and all
that co tor -make them mastarptecea.
they tell stories of vital Interest and
eternal truth. "The Merchant of Ven
ice" has been produced before the deaf
"and lias been followed with Intense ln
, teres t. , ". , '- ' ' """"
In a word, then, too much blame must
not be attached to the manager. It is
safe to say that he would like to put
on the best and the most "literary,' but
1 ' he has to live and to do thla be must
' give the public what It wants. Bo he
' sprinkles the good with ..the bad. And
' If one.wUl look broadly at the whole
' matter, one must- confess that the ln
: : Cuence is la tb main for the good.,
. snagssrpieo of Acting. .
'iio example la at ' nand which - In a
, way gives a proof .to the contention.
lt Monday night Miss Ada Rah an re
. turned to the city . In her remarkable
v performance of "Tho Taming of -- the
. Shrew." . Almost across the street from
' the theatre In whten she Is playing
'; there Is a musical comedy, produced
; under the ssme management whletr-xM--f
-rect. Miss Rehan's tour. Miss Rehan
-had scarcely more than half a house;
.-. the musicaT comedy was crowded. - Are
the managers st fault? They are glv
ing both sorts . of- entertainment and ;
putting their beet, efforts into each.
-' And of the two ' performances, both
good in their ways, the "Shrew" is In-1
. : finitely . the' more , amoving and - more
, entertaining. - ;' t .-..:. I
Tet Miss Rehan's performance Is such
that Mr. William Winter has written of
its "This impersonation has been seen
' vjn France and Germany as well as In
; England : a6d7 thsT "Vnlted . States , and
. wherever seen it has been deeply sd-
PAUL. OILMORE
Oomes Again to the KABQVAlf OKAJTO Friday and Sararday, Febrm-'
. .. . V - ' ary 4 aaA SB Matins tray txt , ; -.;
fiii! Kvnm AMD the tiuwwiNai
PRICES Night M IO, 1, 7 So, 10(5, I6 and Itc' Matinee, $r. Ta 10a .
- 15o and tic Advance sale will open next Wed ne a day at 1 a. m.
mlrsdr Rtaga history does hot record
any performance Of the ' "Shrew", that
ean 'be thought, to. have approached it
in power and K Is- certain that -no por-
trayal ..or. the -.part .haa rivaled tit.-
popaiarity." And yet-Xand yet,: there
was' only half' a house, .LetithOae who
esn,. flgurs it out, i . .- , ; .-; ,
"Tho Taaala o t gluww."
; This comedy off era very. little . that
Is- highly suggestive concerning Us
author,- nothing that la not as- welL' If
not .better exemplified , In other: of his
plays. In origin- it goes back to one or
more preceding- storle and possibly
preceding pisy ny Kya. in composition
it is typical of the usuaf Shakespearean
metboda the mingling of several dls
tlnct . themes, bound by the, slenderest
connection, "n the first place there Is
the Christopher" Sly Incident. - This all
promlnent-at flrst, -within sn act drops
from sight. Then there Is Petrucbio
Katherlne story.' which - at bottom Is
farce , lifted . by . characterisation; and
finally the story of' Bianca and the rival
lovers, which is pure comedy.. It la evl-i
dent that1 here Shakespeare- had . three
plots any one of -.which he- might have
made the dominant- one. -1 fancy If the
truth - were - known, it . would . be- found
that, he i chose . the. Shrew Incident as
much with sense of what bis audience
would Ilk as beobuse of personal pre
dilection. . .The version used by Miss
Rehan Is' In the main. I : believe, the
oarrlcK version - with . slight variation.
If my memory serves me right, it or a
very similar - version was - played In
Portland several years ago -under the
title of "Katharine- and Petruchlo."
To come, at once to Miss Rehan's ant
ing, It max be said that' in many ways
it might ne called greater than the part.
It is characterised by a' genius that
goes far beyond the mare reading, of the
poet's - lines. - It is so subtle that It
might - bo , termed the 1 genius - of - inter
pretlng genius. - It combines fores with
piquancy, humor with pathos. It is one
of those rare bits tf acting which can
with Justice be designated great
Baptist - wss gentleman . of 1 Padua.
It would .have' been interesting to know
what his wife. was like. --The once or
twice that he mentions her. he does so
with reverence and love; so : we may
tan u that -she-was or gentle -and
kindly disposition. 1 The sweet V char
acter of Bianca, ''.his - other : daughter,
would Indicate tho same thing. . In her
interpretation of Katharine, these are
things which Miss Rehan never forget
She Is always the- daughter of a gentle-
. always subtly suggesting, the
lady. . And however much she mar rail.
however much of shrew she appears
sne never lets you forget that perhaps
down In her nature., she has tho gentle
ness ana tenaerness or her sex. - It Is
just In this that her perrormaneo rises
to Its true height It )s here that you
sea wherein her greatness lies.- It Is
personally - and Individually that she
reaas into inis character. ; it Is not a
shrew.- but Katherine. the shrew, that
she mirrors forth. So at the end where I
ua uanira, jira ere- not surpriseo.
Here; snd there all through the play you
bad seen glimpses of this woman of
tne last act .
The humor that aha finds in the char
acter Is alao of the suhller sort -Soma.
times It is almost mischief taklna- the
audience Into Its confidence. At other
time it is bitter with the sting of sar
casm and of pride, still at other times
it 'ls-downrlght waspish. --Tht-it al
ways rang true was evident from the
wsynt oaugnt the. audience. Such i
tinnal laughter as greeted this play
wouia oe envied ny tne writer of mod
ern corned le i.- -7
Of the company surrounding Miss Re.
han, mention of only one is aj all neo
easary. Mr. Charles Rich man, with his
training at the hands of Daly. Drove
delightful robustious Petruchio. He
catches,' too, the right spirit of the
thing, always showing his good humor
underneath his ; apparent severity.
Above all he gives dash-and fore to
his performance that makes it per
fect foil to Miss Rehan's acting. '
' A Amarloaa Flay.
Mri Robert Edeson has been maUns?
specUlty of plays, purely American,
written by American -dramatists. This
year he has gone back to the. real and
true American. . the American Indian.
Mr. WUllam-Pe MUle. son of the well.
known dramatist who some years ago
collaborated not little with Belasco,
wrote the play. . Mr. Edeson is playing
It at the Hudson theatre.. ...
f' A' Oood. !,;.
- Soongataha, known -as 8tronghert"
la the son of an Indian chief. He has
been' sent-by-his tribe to college to
"learn the wisdom" of the white man.
While "P. O." at Columbia he ab
sorbs -the aforesaid wisdom, and - Inci
dentally falls in love with MoUy Living
stone, the sister of friend.- He also
plays football. The first set takes place
in the rooms ef Dick Livingstone and
mranit. nelson at Columbia college.
'mere are juniors- -seniors and
"grind" and a "special" and alao mis.
cot, dog by ' the name of Siegfried.
There is great deal of talk concerning
an approaching football game. There
is also a scoundrelly atudent who steals
the signals and malls them to the coach
of the opposing team. : - - -
The next act occurs la ths dressing
R5adwha1
The JOORSLT
said February
C : 9, 1904
In the local theatrical calendar .
for this season the strong ver-
Ion- of Isaac Henderson's "The .
Mummy and the Humming Bird,"
as given at the Marquam Granl
theatre last night - by Paul Oil- '
more -and a consistently-cleve?
cast will stand forth aa on of the -
.": most pleasing offerings. '
The story commences with Loiil
, Lumley's departure for Paris
from London on business, contln-
ues with bis unexpected return
. home and discovery that Ladv
Lumley haa received too-marked '
attention, from hr admirer. Slr-.
1 nor D'Orelll..- and tells of theT
' women's flight and the reunion
.with-her husband In Parts. "
- Panl GHmore brings to th role
of Lord- Lumley the character
istics and mentality that one
. gives man Immersed In his labo
ratory experiment
Mr. Ollmore responded to In
sistent encore after the third act'
in a neat curuun speecn. ,.
room of tUi' Columbia football team.
The ooach of the opposing team comes
and returns the signals In very honor
sble way. Suspicion falls upon Strong
heart In order to shield his friend. Pick,
In whose handwriting the slgnala are,
and who of course t innocent Strong"
heart -permits himself to be suspected.
As a result: he is prevented from play
ing the second half.- However,! he' stay t
In the dressing room, whence there Is
good view of the field, and tells of tho
progress of the game to the audience.
And of course Columbia win' '
The rest of the, play Is taken up tn
fixing . the blame - on the rights person
and in.. 8trongheart's love affair. ' Al-
tbaiigbstrenuously objected to because
of his race, he wlna the girl's rove ana
I about to take-her- Way -with, him.
In spits of her. family's opposition, when
a messenger arrives from his tribe and
tells him his father Is dead and tluft he
la now chief. ' There 'la a struggle be
tween love and . duty, and Strongheart
finally gives up the girl and goes bach
to his tribe." , .. -. v- ' i ' ' - - ' ' , -
' There are many flaws that might nat
urally be - picked In thla play. There
is too much college- and football for one
thing, and not enough- subtle study of
the struggle in the Indian between bjs
love for the girl and his duty toward the
tribe. But the play has novelty and
freshness, and is not without touches of
humor. As first effort It la promising
snd Mr.1 De MUle ought to be able to do
good work. - He certainly has both train
ing and natural Instinct
Mr. Edeson, aa the Indian, la surpris
ingly successful. - His makeup was
splendid snd hi dialect, excellent t He
also added certain amount of glamour
and poetry to the character, which It
really needed .very much. - The play
ught to provo . popular success. , One
curious similarity may be remarked.
The treatment of the football game re
calls Mr. Ade's play, i "The College
Widow," ; though undoubtedly1' It was
written long before the : Ade, play- was
produced, and could have thus received
no suggestion from it '.;.
A new theatre opened It door last
'Wednesday night It Is 'called the
Colonial Music hall, and .Js under, the
direction of Messrs. Thompson ' and
Dundy. - who were the originators of
Luna Park, Coney Island, and who- are
at present completing' a hippodrome on
Sixth ; avenue. . The new playhouse - is
far up Broadway, near Sixty-fifth street
It. is rather beautiful bouse In red
and gold and wlU seat about MOO.) A
few quotations fronvUbo program will
describe - it - and Us -character as-well
a anything: - :
"If ii modejea paruy arxer in-.
mou' London musio halls and depart
from ne accepted routine of all modern
variety entertainments.
. ."A feature of the house are axier
noon tea. A cosy room has been pro
vided off tho messanlne balcony, where
patrons can partake of light refresh
ment as In the English theatre. There
will be no liauor sold. Smoking 1 Al
lowed in the smoking stalls and balcony!
No smoking wiU be permitted at mU-
In staging the. perform an oea and tn
the selection of the bill it is the pur
pose of the management to cater espe
cially to th ladiea." . .
That ought to be enougn to. suggest
It quality. Its price are moderate,
ranging from It cent to IL- It open
ing program consist of several airly
good vaudeville turns, followed by
very clever ballet, and terminating with
a- abort musical., comedy. - In point of
quantity, at least the - return for the
far a quality 'goes, it has some things
that are mediocre and other that are
excellent . The ballet for example, was
a charming little pantomlne,. called A
Duel in the Snow." It was done' not
without some degree of art and "With
considerable effectiveness. -. ' -
Thla musio hall . should prove lm
mensely successful. Not only-Is It
charming, Attractive theatre, .but It is
managed with evident capaouity. it
has. too. some degree of novelty. Its
ushers are rich in red uniforms with
rilt braid. The 'Programs are banded
to you by girls in neat costumft. Above
all. there is general- air or. comion
about th place.' There should be ' no
difficulty In keeping the performances
bright and entertaining. "Entertainment
for th masses" will . pay along line
like tni. . .
ASTXOa FOS BTT.T.Tgmi) - rtATMI.
John Henry Frees In February Outing.
Men of verge skill of ten ask. what
they can do to Improve their game, so I
shall make a few suggestions for their
benefit In th first place, I cannot urge
them emphatically enough to play more
carefully for position. Nine out of ten
players play nine out of ten shot much
too hard. In the long run, force without
forecast Is -bad policy. 8uooess by de
sign 1 th rule. Tou can't depend on
luck. Tbe chief bugbear of common
players Is a failure to play the easy shots
right . Master tne easy a raw. - Many
players do not strike the cue-ball down
low enough in drawing. ' This Is neces
sary in playing without much fore.
Then. the stroke must b quick snd
anarp. ana wavn wie imim w new to
gether, very delicately applied,' In order
to- guard against msanng poxe.- to
draw well, use an elastic tip of medium
slse. Tbe very small tips ana old nara
ened ones of any slse, so often seen, are
poor Implements for effective execution.
Don't use th English unless you have
a reason for so doing, for with Its nsaj
aiming Is more difficult An hour's in
telligent practice Is better than a year
desultory time-wasting. Play with the
beat players; use a straight cue. and
make short stable "bridge" or hand-rest-
for1 your cue. - Use the same cue
continuously, ,- good deal depends
upon getting used to it weight balance
and the else and texture of the tip. Use
plenty of chalk. Practice much. Prac
tic nursing in the corner and along the
rail, trying over tn shotgun which you
JL WOBDUFTSXi CIsLLLD.
At years of age John .Stuart Mill
began? the study of Greek, with "arith
metlo as- an - even!'--relaxation.' aa
Samuel Wellington puts It in the West-
minster Review. ' -
-At.f he begun Latin, . Euclid and
algebra, and had to act as tutor to th
younger children. He was a stern and
efficient tutor. . " ' ; . '
At It he began scholastic logic and
political economy the latter his main
life work.
- At 14. while paying long visit to
Sir Samuel Bentham- In southern France,
he learned French aa relaxation from
studying two or three hours before
breakfast trv hours between breakfast
snd dinner and two or three hour la
th evening. Being for th time msster
of his own hours and not subject Afr
stern father, he took lessons also In
his spar hours In masks, singing, danc
ing, fencing and .riding, but never be
came proficient
At 1 Mill could speak in defeat with
adult with ease and freedom. At Is
h contributed to th Westminster Re
view. - At It he Wss made asslatant in
the India ofnee and . received-- large
salary for those dsys. .
But Mill was bald at XI. Hs did not
marry until be was ti. Hs himself
Id: "I never was boy. It I better
to let nature have its own way." . . ,,t .
Smart fOe at
Mia Pert What an Intelligent little
thing your dog la. . .
Cholly Taas; I taught Mm BvfSolf. '
Mis Pert The 3ueal It seems im
possible, 4 - - ' '
' "Mcanxii of
Oriental JcSyclry.
From" th' jeWelerST Circular -Weekly.
HE 'oriental Jeweler, seated 'upon
th floor of his little-shop In
4 haling the fragrant; odors of hi
I nip i and .coffee,- conceive his
design and Jealously envelops . lt with
mysticism, adding to It the quaint charm
of symbol snd superstition. Th brace
let the earrings, the necklace, th clasp,
th buckle and .the button grow , step
by step Into special ' ornament ac
cording to th rank, means, tastes and
wants i of the wearer an evidence of
clan -and dignity. - Those same orna
ment are considered to ; have soma
representative i purpose, , even , ftr
death, as Is abundantly proved. , .
: Bracelets are, by orlentala. worn. In
pairs; each hand la' provided with one,
a otherwise 'Jealousy will spring - up
between the manual member and evil
deeds will follow. - Earrings are popu
lar among both sexes in certain parts
of th orient The ears are pierced at
birth; the perforations are mad nn
necessarily large, so as not to permit
a residue of gossip.' Then ornaments
are offered the . ears- as consolation.
Necklaces are worn most conspicuously
to avert th evil eye and to denote dig
nity and distinction. Festoon necklaces
seem to have been In vogue from time
Immemorial, ' and not' Infrequently - do
they' adorn -th whole cheat of th wear
er. In India.1 ' th ' men often borrow
their wive' necklsoe to decorate them
selves .with. ..Maaeulln vanity Of oar
tain sects tot th Persian far exceeds
that of women. and aside ' from wear
ing earriags and necklace they almost
monopolise "th .tinyi seed - peart, by
stringing - them in -their beard, each
hair being 41teraUy - covered with. -
lustrous pearf.) - . .
Beads are among the earliest forms of
ornament, and ' are considered potent
charms for felicity, a these are often
cut and sold "by priest or' shouts, who
maintain themselves solely by this
mean. .The pear-shaped drop so much
in- vogue in Europe and America la of
decidedly, oriental origin and has at
tached to it a quaint myth. The Kaaba
atone In Mecca ha this peculiar shape,
and, according to j th theory of the
Mohammedans; this stone' waa th
actual guardaln angel who was sent to
watch over Adam In Bden and was pres
ent at - his ' fait - As punishment for
not - having more . vagtlantly executed
his. trust, the angel waa oanged into.
a stone and hurled from Paradise. Most
Mohammedans wear pear-shaped ' pend
ant made . of wood , or some precious
ston as ' reminder of ' Allah' wrath,
and the are held among them In , the
same esteem s I ths cross among th
Christians. . ' . ' , ' , .
Armlets are regarded as east mark
and worn I only- by women. Anklets
have a healing power, and so re worn
nor ornaments only.- Little tinkling
bell are often attached to these, which
lend- pleasing sound to aa approaching
step and serve to denote the superiority
snd rank i of the wearer, and thus in
passing render ' due homage. An Ara
bian poet describes these as 'the swak
ener of dormant senses." ' -
Rings are worn tn great profusion.:
and are made of all sort of metal
However, they Invariably ; have ex.
quisltely carved or open' work shank
i atrmw hav their symbols gad
are worn accordingly. In the orient no
prejudice -exists against opals. ' V
Signer Tings were of great Importance
among the earlier orientals, and even
to the present day letters are rarely
otherwise signed by those who- send
them. Thus th authenticity of all or
der and communication even . mer
chants' bill depend wholly upon an4
Impneealon of signet ring. Th oecn-
patio of th seal cutter Is regarded as
one of great trust nd danger. Such
person is obliged to keep register of
every ring seal he makes, and if one be
lost or stolen from the party tor whom
It was cut, his life would answer- for
making another Just like It- The loss
of a signet ring Is regarded as a disas
trous; calamity, and the alarm which an
oriental exhibits at the loss of the sig
net can only be understood .by a refer
ence to these circumstance, as the- seal
cutter Is always obliged to altar th teal
date at which th seal waa cut . The
only resource of person who has lost
bis seal 1 to have another made with
new dat. and to writ to hi correspond.
ents to Inform them that all accounts.
contracts and communication to which
his former signet is amxea are nun
from th day on which It was lost,
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Nest WeellRicHard Mansfield's "Old Heidelberg"
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Wed Cocacadd Konday, Fch.20
The New Lyric Stock Cccpiny
-.In a four-act comedy drama, '
Beyond the
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Nothias: But Fun!-.rr4
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