1 for the Proper "Taming of Helen" ifnty Mtd fresh as,, a bunch of spring flowers are the gowna'worn by Mies Milwird Jn The, Taming of Helen.. There' Is an exQulait Bimplidtjr In the, gown worn In the flrt let, jtt hft an linde- 'finable grace that Is charging. -The -:- -. ',' gown is of Dresden s!Jk; wfth ft wb'ite ground, with a narrow stripe in pale blue with clusters of tiny rose buds and fort getfaie-nots between the stripes. The skirt is very long and clings close ly to the figure. It is absolutely plain. the graceful lines unbroken by any prim ming. The bodioe is a simple Uttie af fair, eut on the shirtwaist plan. It H eoilarless and turned back at the neck to Torm a tiny V. The Sleeves are beU shaped and show an undersleeve of tucked mousssline je sole. A most be coming turban, of pale blue lace and chif fon, with two soft silken tassels flang ling at the back,, is worn witlj this lovely frock. ' - In the second act Miss Mllward. ap pears In Ithe nost. dueling of evening gowns. The material la pompadour net, g white' ground with a Resign of roses shsdlpg from Uarkest to palest pink. The entire, gewn i heavily spangled in white and silver.. At the foot of the aiirt are numerous soft ruffles that give it a. very frou-frou appearance. The bodice is of the spangled net. and there Is a pink girdle. In the sleeves there IS intro duced that touch of blark which cun ning modistes know adds so much to the effec of a light gown. In this case the toQch. consists of a lattice work of. black velvet ribbon which forms a cap for the flowing lace sleeve. In the last net Miss Mllward wears a quaint eighteenth cen tury gown of rich brocade. The tight fit ting bodice and full gathered skirt open over a chemisette and petticoat, composed of ruffle nfter ruffle of cream-colored 1 about to .sail eway-from love and happl- lace. The rich tones of the brocade mln- l.ness, she wears a long traveling coat of the first act The skirt is k)ng and ,! plain, as Is the tlghtli-nt'ting thrsa quarter coat. A pink parasol and pink chiffon hat. trimmed with srnall pink roses compete the simple girlish cos. i tum; In the ballroom scene Miss Ellis ton wears a gown of white point d'espry, trimmed with, tiny inching of ch!ffOtt The 'an gel sleeves, which reach tho foot ; of the gown, give it a very airy, floating effect. In the' last act, where Helen is gle exquisitely with the soft yellow ot the lace. ' (irace Elllston. the obdurate Helen, wiari a smart gown of pink cloth In navy blue melton, trimmed with., bands of white stitched In blue. A plain little dark hat, most suitable for ocean wear, Is also worn. ' I I I. iKM,- Evenin, .own of wslts point fl 1 I S 0 V Afi8&fS)StS&nS ETeil (ows of wWt poitt f.ower. is being used instead of the buckle and silver. hJrJTK M I'lSgSO3 fl! HI 1 l XQWiJXa d'esprit and lace. on many of the light shade shoes for ifV(fe Zli,a Wi 1 LU2521' JL- I la Vu 20SSi: ' 1 evening wear. GOOD FURNITURE POLISH. A&Jt&KWW V- jlSS5 fl ml ft tfl X .FT ifflrfflp nnTTF.n VEGTTABT.eS ,K.alt 5-n1 . ?epPer, ?lo,h make8 very for a good furniture polish take one WJt4! XS" tt J? tt 1 v J 1 ! ,, , ! m , dainty NorWk Jackets .,r a ,,,nt of furpentlne. add two ounces of. ifK'&Ki v fl fft (I l l4-kXS. 0 TysZsiK A11 bolled verKetblc should go into men with girlish figures- iheeswax cut In small piece, fs n tin - XJV2?3 Y II lii ' w w r rrTHW boiling water wfth one teaspoonful of salt The popularity of the bright re!lpper !i,aBin Stmi itii In the oven when nT Sffr I II Ih n I to one auart of bollinK water. . as an appropriate footeVear to wear with B in mau tu a,a wiih.: lsr Shirtwaist dress of Dresden silk. Dress of yellow crepe de chine, embroidered in brown. BOILED VEGETABLES. All boiled vegetables should go Into boiling water wfth one teaspoonful of salt to one quart of boiling water. . Onions should be kept In a cool, dry place, but never placed in the Ice-box. They will keep well if put in paper bags and hung up. as an appropriate footAear to wear with very warm. bo as to melt the wax with-; white muslin or chiffon cW Is more i()Ut burnnK the terpentine Stir con- ! and more apparent. Champagne eta- !tantly. Apply to the furniture with nl mine Is one of the "delicate fabrics that ;WOol!en rag and rub vigorously with an promises to be vary popular. lother I Evening gown of lace and net over pale blue. Traveling coat of navy bine cloth, Trimmed with white. ej Details of To-Days Styles Gulled from a Century of Fashions 1 In the mad rush to bs strictly up to date and the desire of some women to keep a little ahead of the styles. If pos sible, few stop to think what a solid and substantial foundation for styles must" have been established years and years ago, for they have never been entirely abandoned, Take, for instance, the hoop skirts as shown In "When Johnny Comes March ing Home." A dozen different designs In skirts, but all held out like a balloon by their enormous hP skirts. How near annroach this stvle onlv a few seasons back, when skirts were cut j circular, measuring five and six yards around the bottom, and stiffened out with wide facings or haircloth. While not exactly conforming to hoop skirts, the "old-time" puff sleeve was ex aggerated by adding Ave or bIx more yards of material and then cramming them full of fiber chaniojs-to be sure they would "stick out." It Is not so many years ago since waists buttoned up tbe back came into almost instant popularity. This style carries us back into the forties, and even earlier than that. 1 While much improved in the fitting of the waist and hanging of the skirt, yet the Princess gowns of to-day are founded on the old-time gowns of this descrip tion. Even In the matter of shoes, the very latest design offered this spring, the "Uu barry Tie, takes us back Into the thir ties, when the fashionable shoes had a Beam from point to toe- to top of boot, with elastlo ribbon In the sides. True, credit must be given to the modern designer for greatly Improving the style, but not for originating It. In the fashion books of 1S3() can be seen skirts and waists shirred full and cord ed. This style is extremely .popular this summer for the wash China silk gowns and thin mulls and moussullncs. In "Pretty Peggy" Miss Grave Oeorge gives a glimpse of old-time gowns that are truly delightful. These costumes caVry one 'back to the eighteenth century, and vet in everv sown Is to be recognized atvl that wn used not less than fifteen years ago. especially is tnts true of her flrnt act town. The little panlores over, the hips td polonaise back remind one of th days whnn a skirt was not considered at all in style unless It were trimmed In this lasnion, ana the girl of twenty-five to day can well remember that period. An a matter of trimming, the fichu, which dates back to 173R. Is an Impor- f ri ,, t . f ....... In .Via tplmmfnV tf .rtMIl fl t the dainty summer gowns to be. Worn this summer. The circular capes and loose opera' coats worn In Napoleon's time are being Im ported for us now as 4he latest Parisian novelty. Possibly somewhat improved, more elaborately' trlmme-i and altogether more desirable, but nevertheless found ed oii the old model. A new pattern of heel for , the new spring shoes Is modeled after the old Louis XIV. style. Likewise fnds In jewelry ean be dated Imrk to the nays ot our great-grand-Krandmothers. Changeable green eashmere with tan-oolored bodioe and flohu. White crepe de chine and Bnlga , rian lace. White brocaded satin and real lace and silver sequence. Loose princess gown, white satin, with Irish laee. The Bridge of Sighs. The twilight fa'lU and lamplight praji Earh graepful bridge now ghoatly gray; Just a of old before my gaze FMInws the Seine her lampllt wsy; In the good old tlnfcp.3 Just so ihe Bhone Ah! the good old times, where are they ont Out of the Past, that land of haze, Comes to my ear a on:-e-kuown song: I see the cafes with lights ablaze. . Students drinking, a phantom throng Answer! y ghosts of a dream now done. Comrades of mine, where are ye gone? "Rome are living and some ar dead, Some still follow the dream of Art, Some who with you have-broaen bread Died long since of a broken heart. What say'st thou thr' on the bridge alojw? The good, old tlnii-s? Ah! they are gone." Out of ihe tVnl trie day departs, Stars on stars o'er the Seine arise. I Bland alone on the Hrldge of Arts, That bridge of lghs-that bridge of sighs! Htre "f his heart aks many a one; The good old times, where are thoy gene?' -Henry de Vere Stacpoole, In Ths London Outlook. Shirt Waists, Flimsy with Lace, Will Be Worn by the Summer Girl .'tii;