THE MORNING ASTOMAN, ASTORIA, OREGON. WEDNESDAY, FEB. 26, 1901. We are headquarters for all kinds SEEDS Flower and Garden Extra Choice Variety of Sweet Peas, all Colors ' and Nasturtiums. A. V. ALLEN I Pbonb , Branch UniontowkI Main 711, Main 2371 Phone Main 713 I Sole agent for Baker'a Barrington Hall Steel Cut Coffee. I i asaaaa CHARLES FROHKIAN Speaks Upon the Growth of His Stars. THE THEATRE-GOERS TASTES It is the Play That Hakes the Actress as it is Opportunity That Makes the Man and This Would be so in Maude Adams Case. NEW YORK. Feb: 25.-The place breathed the energy of some tremend mi nrcnnalitv. It was the crowded - i rf- j day before his departure for Europe. All appointments were being kept to the minute. William Seymour, General Stage Director, hurried out with his hands filled with notes and memoranda, as I passed along the corridor, Coed on either side by great oaken cabinets, leading to the private office of Charts Frohman. As I entered, he stood eating his lunch from the tray that rested upon his desk. And I, having had mine, declined participation in it, and threw myself in a great leathern chair to be confronted by scores of photographs of stars, female and male. To look at them was to think of Mr. Frohman as the bin brother of them alL Those who know him best say that the only - companions Charles Frohman has are his stars - - - the only conversation that interests him is new ideas, the only scenes he cares for are the views from his window at the streets of New York and of London. The man whom all these stars af fectionately refer to as "C. F." has the manner of a man surcharged with energy. f He is in his office every morning Mrs. Fowler's Free Lectures At Astoria Theatre beginning Wed nesday, Feb. 26, 2:30 p. m., ladies only; Wednesday, Feb. 26, 8 p. m., gentlemen only; Thursday,, Feb. 27, 8 p. m., to all; Friday, Feb. 28, 8 p. m., to all; Sunday, March 1, 2:30 p. m., to alt Phrenological examinations and health consultations .given daily at Occident Hotel, from 9 a. m. to 9 p. m., till March 11th. Her classes n the use of electricity to cure dis ease will begin March 3rd at 2:30 and 7:30 p. m. before nine, however far into the night rehearsals or new productions may keep him awake. His conver sation is never theoretical or hypo thetical It is a series of statements never uttered until thought into the most economic form. A man who, at his day's work, is lavished with his means beyond the wildest dreams of extravagance, he never wastes single word in conversation. Mr. Frohman never argues; he states con elusions. Renewing an acquaintance, begun in his apartments at the Savory Hotel in London, when, one night, I sat with him upon the balcony overlook ing the Thames, and gazed up the river at Westminister, with Parlia ment in session, my greeting now, as then, was more by a kindly twinkle of the eye than by a tamely conventional salute. "I am glad you have come," was his beginning, "because, before sailing for Europe, I wish to state my grati tude to the press for exactly reflect ing the motives, the significance, all the feelings that impelled me to the most important production of my managerial career. I mean The Jesters. .The feeling that gripped me most and perhaps determined me to secure that play for Maude Adams was pre cisely the sensation that made me in stantly fond of J. M. Barrie's 'Peter Pan. There can be only one Peter Pan, we all know, as there is only one Midsummer Night's Dream, to which the spirit of Peter was frequently likened. But 'The Jesters,' like the story of Barrie's boy Pan, is the glor ification of youth. It is the embodi ment of all that is optimistic, vigor ous and healthful in life." "Then why don't you produce more plays like 'The Jesters' and 'Peter Pan," Mr. Frohman V "For two reasons. Because plays like 'The Jesters' only come along in decades, and in the next place, when they are written they do not leap into popularity of themselves, but through the interpretation given them by a popular star. That s, the audiences go to see the star and stay to love the play." Will the success of 'The Jesters induce you to buy more poetic plays abroad?" "The significance in the great suc cess of 'The Jesters' is not so much a returning public taste for the poetic drama as it is the complete develop ment of Maude Adams. And I'D show you the steps in her progress from a superb actress to a finished artist "When Miss Adams played 'L'Aig lon,' and crowded the large Knicker bocker Theatre, at the same time Sarah Bernhardt was filling the small Garden Theatre, the press and the public had their first demonstration ASTORIA THEATER 2 Nights, Commencing Sat. Feb. 29 FRED RAYMOND'S SEMI-MUSICAL MELOETRAMATI C COMEDY SUCCESS OLD AN SAW WITH ITS WEALTH OF START LING AND REALISTIC SCEN ERY AND EFFECTS! Have You Ever Seen That Eccentric Old Man With the Funny Laugh, JEREMIAH SNODGRASS? A HAPPY BLENDING OF PATHOS AND COMEDY SKILL FULLY HANDLED BY AN EXCELLENT COMPANY MMcE Yew IIMif To the largest load of merchandise it ever pulled. Make your money work overtime for you. The Great Clean Sweep Sale at the HERMAN WISE Store opened some marvelous purchasing opportunities. Today Will :; RocM leaker If indications count for anything. We expect to do busi ness unprecedented in volume in Astoria. Some of Our Prices We have not space here to quote all. $5 Stetson Hats now 50c and 75c Ties now . . 35c Regular $3 and $3.50 Hats selling 25c Ties now ............... 15c for ........... ... $1.40 100 dozen of fine Black and Tan CSf Hose, regular 15c, now selling at Six pairs only to each customer. - r Boys' Knee Pants and Overcoats Regular $1.50 Hats..... 45c Half Price No stock is being reserved. Lewis Bros. & Co. of Spokane, who are in charge of the sale, have decided to let the selling price cut no figure. Be ing entirely without regard for cost or loss, they have offered merchan 'dise at prices far less than would be paid for inferior goods elsewhere. MERMAN WISE - Reliable Clothier and Furnisher - - - - Astoria, Ore. Regular $2 and $2.50 Hats selling for Musical Numbers, Specialties, Singing, Dancing, and the Famous "OLD ARKANSAW" Quartette PRICES 25c, 50c, 75c. Advance Sale at Box Office. of what Maude Adams could express in world of pity. "It was a trying task, lo carry it off was to induce her audiences, not mlv to pity "the prisoner at the Court of Austria, but to respect the son of Napoleon the Great. Every moment of the play the audience had to be made to feel for and with the boy. "This is what Maude Adams did In TAJeW in English, while Madame Sarah was achieving the same results French. "As certainly as .you knew that a great French artist had arrived in ew York, you felt that a great American artist was arriving. "Two weeks ago Maude Adams nneared in 'The Testers.' assuming a i r - - w character that "required humanncss- id poetry of expression. The part calls for the management of an in tense and lengthy love scene, acted bv a woman in the guise of a man. The sympathy of the audience" must be gained for the character, not for the actress playing the character. 'Chicot,' the jester, is a young man filled with a poetic feeling and sub ject to the same quick comedy turns required and given by Edwin Booth in his performance of 'Brutus' in 'The Fall of the Tarquins. ' .' ' "My test of a good actress is the ability to play a straight character so truly that the. .author will unconsci ously murmur to himself, 'I've met just such a person.' But my test of an artist is the "power to depict a character of conflicting impulses and be equally true to each impulse as it arises. "That was the glory of Booth's Brutus. That is the excellence of Maude Adams' Chicot. A new Maude Adams has arrived." "Do you mean new to you, Mr. Frohman?" "Not at all. It is the play that makes the actress, as it is opportunity that makes the man. We had the satisfaction of feeling this would one day be so with Maude Adams' case. We knew It, In fact, when last sum mer he acted 'L'Aiglon' in the Greek Theatre of the University of Califor nia and aroused five thousand people, largely made up of students not the easiest of audiences into the enthusiasm of cheers." "Yet the wonder is, Mr. Frohman, that Miss Adams should turn aside from the surety of 'Peter Pan' or 'Quality Street' to the experiment of 'The Jesters.'" "Miss Adams could have gone on acting Mr. .Uarrie's plays for many seasons to come and doubtless will one day return to them. 'But in those plays it is her personality that charms in 'The Jesters' it is her artistry that compels. It was her own wish that she essay the poetic drama. And the success ofjt all proves to me that the way to make the poetic drama suc ceed is to lift it into popularity upon the shoulders of a great popular star." "It is said you are to bring Miss Adams to London. Why haven't you done so sooner?" "For the wisdom there is in pat ience. I chose to wait for the full maturity -of America's most popular actress, and exhibit her to London audiences at her best But more than that ' I have always wished that Miss Adams visit London with a reper toire. "Now my idea of obtaining a reper toire is not the simple act of saying, 'I shall play this and that and the other.' A repertoire is made, not chosen. The only way to get a reper toire is to have had a series of suc cesses year after year. , Hard work and popular success bring repertoires r -not a vaguely imagined fitness 'for certain parts, selected off hand." "But why bring your stars at all to London, when here in America they can play to greater audiences and to greater returns?" "In the first place, because it's the finest kind of development for the actress or the actor, and the liberali zing of the public. An American actress before an English audience finds herself confronted with new tastes, new appreciation, new de mands. She must meet them or fail. What does this result in? Versatil ity, flexibility and, in the end, a firmer grip on her art. Just as, long ago, I predicted that the work ofour home playwrights would be taken up abroadi so, too, I feel that the Ameri can actress will firmly establish her self in the older countries. It is a fine result for us as a nation." "How do you go about procuring plays abroad for America Mr Froh man? Do you limit your negotia tions to established successes in Eur ope?" v- , "No. I start out by asking certain requirements of every play. If it's drama, it must have hcaltlifulncss and comedy as well as seriousness. We are a young people, but only in the sense of healthy mindedness, There is no real taste among us for the erotic or the decadent: It is for eign to us because, as a people, we have not yet felt the corroding touch of decadence. Nor is life here all drab. Hence I expect light as well as shadows in every play I accept. Naturally I am also influenced by the fitness of chief parts for my, chief stars. But I often purchase a man uscript simply after learning its cen tral idea. I" commissioned Clyde Fitch and Cosmo Gordon Lennox to go to work on "Her Sister' after a half hour's account of the main idea. Her work in that play, by the way, is the best instance I could give yoirof the growth of Ethel Barrymore." "Is it true that Miss Barrymore will undertake Shakespeare next Sep tember?" ( "Yes,' and what has not yet been announced, she will not , only play Rosalind in 'As You Like It,' but 1 intend to present her in the old com edies - -especially in 'She Stoops to Conquer' and The School for Scan dal.' These will follow a season of twenty weeks in 'As You Like It,' , "The particular skill that Ethel Bar rymore has obtained - - and this ia a test of an actress worth remember ing - - is the art of acting scenes that are essentially melodramatic in an unmelodramatic manner, "After all, what is melodrama? Life itself Is melodrama. And life, put upon the stage, only seems untrue when it is acted melodramatically, that is, unnaturally. !. "I would venture to submit to Miss, '-.,' ' ... ...f; Barrymore' delivery any scene sup posedly melodramatic, and, if it is not absolutely theatric in thought and in dialogue, I am sure she would carry conviction for its every moment by the naturalness and simplicity of style which she has acquired. I took for a scries of Shakespearean revivals as the result of her forthcoming Rosa lind." "It was recently said, Mr. Frohman, that until very lately you had stopped buying farces. Why was this?" "Shakespeare invented farce com edy, and whenever I consider the pur chase of a farce comedy, I compare its scenes with the greatest of alt farces, 'The Taming of the Shrew.' And wjicnever I produce a farce, it goes without saying that its spirit is akin to 'The Taming of the Shrew.' " At that a bell rang. The faithful "Willie", silently entered the office and announced a name. For the first time 1 realized the length of my visit. "Well, Mr. Frohman," said I, "as 'Peter Pan' would say to Wendy, 'Mind the tree tops on your travels'. " Vlfome soonl" he rejoined. Save Money by Buying Chamber ( lain'i Cough Remedy. You wiU pay just as much for a bottle of Chamberlain's Cough Rem-' edy as for any of the other cough medicines, but you tave money id buyng it. The saving it in what you get, not what you pay. The sure-to-cure-you quality ii in every bottle of this remedy, and you get good re sults when you take it Neglected cold often develop serious condi tions, and when you buy a cough medicine you want to be sure you are getting one that will cure your cold. Chamberlain's Cough Remedy al ways cures. Price 25 and 50 cents a bottle. For sale by Frank Hart and leading druggists. Kodak Supplies. A full line of films, papers, cameras, kodaks, etc., just received at Hart's Drug Store. 9