2
THE SUNDAY ' OREGOXTAX, PORTLAND, DECEMBER 17, 1932
DECADE REQUIRED BY TULLY TO MAKE
BIG PICTURE QF "OMAR THE TENTMAKER"
That Was the Time That Elapsed Between the Conception by the Playwright and Its Appearance on the
Screen Author Traveled to Persia to Obtain Local Color.
1E 'I "ytfti ,fr v 111 .fit 3 145, vg- - I !
! i I tVixtft' f r- hit
Gay Bates Pout In scene from "Omar the Tentmaker," in which he scored a big hit on the stage and which
snccess he Is duplicating in screen version now the feature attraction at the Rlvoll theater.
WBNTY years to make a photo-1
play. That was tne length 01 1
i , r, a y. wr, t v, '
A. Hmo that alnneurt hstwsn th'Playe
m.. i-m i ..i
in which Guy Bates Post is starred,
and its appearance on the screen.
Just two decades ago Richard
Valton Tully, since become one of
the foremost of the country's theat
rical producers, decided that the
romantic career of Omar Khayyam
should be Immortalized in drama.
Several years were consumed in
reading the large number of qua
trains written by this famous Per
sian, and the books about him.
Then Tully traveled in Persia,
where he devoted a considerable
period to etudying the country where
Omar was born, and particularly
the city of his nativity, Naishapur,
in order to acquaint himself with
the traditions of the land.
' Returning to the United States,
he began actual work on the play.
Writing and rewriting, correcting
and revising, it was four years be-
NEWS OF THE MOVIE THEATERS
(Continued From First Pag-e.)
"The Bright Shawl." Miss Gish is
one who believes that in order to
give a perfect story to the public.
It is rrecessary to live the part she
is acting. She is therefore under
going an active and Intensive course
In Spanish, having as her teachers
two young Spanish maidens who are
now in this country.
DORIS MAY AT HIPFODR03CE
Vn and At 'Em" Is Ilvely Ve- 1
I
hide fop Popnlar Star,
Motion picture devoteca who pre
fer to laugh when they go to their
favorite theater will find pleifty of
opportunity if they see "Up and At
r.m," Doris May's swift-moving
cfl.nedy now at the Hippodrome
theater. Like all Miss May's ve
hicles it was fashioned chiefly for
laughing purposes. It has its
touches of drama, but the comedy
elements sparkle and glow and make
the picture delightful. Miss May is
in her most fetching mood. Little
madcap always, she doesn't miss an
opportunity to register all the vary
ing shades of comedy and Pathos ,
that make her character in "Up and
At 'Em" one of the most appealing
to which she has ever lent her tal
ents. - The story has to do with the ad
ventures of a blithe girl who takes
her life as one long good time. Doris
May is seldom serious. And In "Up
and At 'Em" she keeps the fun bub
bling from start to finish. In the
cast are such well known artists as
llallam Cooley, Otis Harlan, Clarissa
Selwynne and J. Herbert. William
Setter, who directed Miss May in
all her former vehicles, served in a
like capacity in the making of her
latest picture.
LLOYD FILM RUN EXTENDED
"Dr. Jack" to Continue lor An-
other Week at Majestic.
" The management of the Majestic
theater has again been compelled
to extend the run. of Harold Lloyd
in "Dr. Jack," his latest mirthquake.
which now enters into its fourth
week at that theater.
There has not been the slightest
abatement of interest in this splen
did feature. People who have wit
nessed it In the early days of Its
engagement have returned. And
they have brought friends, and the
friends then later returned bringing
more.
Lloyd, who is Bteadily clinching
his right to the title of comedy
king, has achieved something dif
ferent in comedy photoplays in this
production. Aside from the hilari
ously funny situations and scream
ingly funny episodes, he has man
aged to include a romance of con
siderable charm. -
Lloyd's comedies are clean and
wholesome. He does not have to
resort to suggestiveness to produce
laughing results. The present ve
hicle possesses an abundance of
snappy action and rapidly succeed
ing events that will please the most
hardened fan.
Ten years ago Harold Lloyd was a
high school student in San Diego.
He entered studioland and virtually
was nothing. Then one day, during
a comedy hit in a picture, he took
the liberty of putting on a pair of
spectacles. Those spectacles were
tne beginning of the making of
Harold Lloyd.
And he has continued to make
good. When he announced that he
would make five-reel comedies the
wiseacres declared that "it couldn't
be done." Well, he has done it and
the pronounced success of "Dr.
Jack" at the Majestic is only an
other indication of his achievements.
'SMUDGE' SHOWN AT PEOPLES
Charles Ray in Latest Release Is
Feature Attraction.
The manner In which a "-oung
country newspaper owner, fighting
1 P
- r -
fore the play was completed. Then ,
uo yiuuuvcu ti. iiiiiiaGxj., 4 ua, ,
played in it four years straight
"Omar
the Tentmaker" is an
adaptation of Richard Walton Tully's
stage play of the same name that
served Post on the speaking stage
for more than four years. It. was
directed by James Toung and is a
colorful story of Persia in the days
when Omar Khayyam wrote the
"Rubaiyat."
What is undoubtedly one of the
strongest supporting casts ever as
sembled appears with Mr. Post in
this picture, including Virginia
Brown Faire, Nigel de Bruliere, Noah I
Beery, Rose Dione, Patsy Ruth
Miller, Duglas Gerrard, Boris Kar
loff, Maurice Flynn, Edward M.
Kimball, Walter Long, Evelyn Sel
bie, John-Gribner, Will Jim Hatton,
Georga Rigas and Gordon Mullen.
Director Young has given the
photoplay the benefit of his rich
talents, wide experience and bril
liant leadership In the ranks of di
rectors. Settings for this master
film were personally designed and
against bitter odds and unscrupu
lous enemies, managed to get the
upper hand forms the story of
"Smudge," released by First Na
tional and starring Charles Ray,
which ia now playing at the Peo
ples. Ray plays the art of Stephen
Stanton, who, following his gradua
tion from col'ege, returns to his
home town, itrona, located in the
California citrus belt His father,
owns- at the Citizen, one of the
tv' daily newspapers In the town,
flimg nvpr in him thn Arittnnjnl
management of the sheet
Stephen soon discovers that the
burning question in the town is the
smudge" produced by the pots '
which the orange and lemon grow-t What " Is undoubtedly one of the
ers use to drive away the frost strongest supporting casts ever as
from their -groves. Dust and sootlsembled appears with Mr. Post in
literally cover the towns while the this picture, Including Virginia
pots are In operation, ruining ; Brown Faire, Nigel de Bruliere,
clothes and in other ways proving J Noah Beery, Rose Dione, Patsy
of considerable annoyance.
The women of the town, aided by
those not financially Interested in
growing of oranges, have started a
reform movement with the object
of preventing the orange growers
1 from using the smudge pots. The
citizen, being the organ of the
orange growers, has been dedicated
to a policy of defense of the de
vices.
But the women manaee to con.
vince Stephen that they are in the
right and, to the horror of his
father, Stephen turns about and de
nounces the smudge system. The
elder Stanton organizes a bitter
crusade of ruination, but Stephen,
uemg an ingenious youth, man
ages to solve the question in a
manner which pleases both fac
tions.
MODEL AT BLUE MOUSE
Audrey Munson Featured Player
in "Heedless Sloths."
Audrey Munson, the "modern
Venus," who has attained world
wide fame as an artist's model,
having been chosen by the greatest
modern masters to pose for their
great works?' has finally been in
duced to go into the movies.
That ,her maiden effort as a screen
star already sets her in the front
rank of motion-picture actresses, is
the opinion of everyone who will
see "Heedless Moths," the Audrey
Munson pnotopiay, now at the Blue
Mouse. As her director Robert Z.
Leonard declared when the picture
was completed, "Miss Munson take
to the screen life like a fish to
water."
The noted model was fortunate
enough to make her debut on the
serene In a picture that has rarely
been equalled In artistry and ex
travagance. In addition to the
magnmcenee of the production If
self, the picture possesses the added
interest of being a true narrative
of Miss Munson's life within artists' '
studios.
From the day when she em
barked on her career and was
forced to fight all the trickery and
hypocrisy of sham artists whose
only interest in art was to lure un
suspecting girls to their studios,
up to the present day, when Miss
Munson has attained the pinnacle of
her fame as the World's most beau
tiful art model, "Heedless Moths,"
describes every step in her career.
Besides the powerful love story
which "Heedless Moths" contains,
there are scenes in artists' cham
bers which have - rarely been
matched for picturesqueness and
charm, The figure of Miss Mun
son also plays prominently in the
picture, and spectators of this un
usual film, will find a delight in
beholding the most perfect woman
ly form of the age.
It will be easy to understand why
Audrey Munson was chosen as the
model for the country's greatest
statues. In every large city of the
country Miss Munson's person has
been the model which the artist
used In the statuary that adorns
municipal museums. .
It will be a treat to the eye to,
executed under the directibn of Wil-.
1 1 wuAiauu, . " i umu
field In the films and still recog-!
nized as its finest craftsman. A city ; Man" is said far to surpass it.
was erected to represent the streets j According to Joseph De Grasse, who
of 'Naishapur, the garden of Shireen, I directed Mr. Ray in the screen pro
the famous inn where Omar spends i duction, the screen art ' form pro
much of his time; the shah's palace I vides the more appropriate milieu,
at Teheran, the great Judgment Hall 1 The philosophy, gaiety and whole-
of the governor of the province, the
Temple of Zoroaster, the schoolroom
of Nizam ul Mulk and various
dwelling places. '
A vast number of costumes and
properties was . needed for these
great sets and the hundreds of play-
era who participated In the various
scenes. These were all under the
direction of Milano Tilden, who has
been associated with Mr. Post for
many years aB his stage manager. ;
Francois Nazare Aga was the Per
sian expert George Benoit, who
photographed "The Masquerader,"
was ' in charge of the cinemato
graphic corps. No expense was
spared to make the picturization of
"Omar the Tentmaker" one of beauty
and reality.
see this gripping photodrama and
a lesson to that multitude of young
girls who aspire to pose for the
masters.
STRONG FEATURE AT RIVOLI
Guy Bates Post Starred tn "Omar
the Tentmaker."
What Is declared to be one of the
finest of the Epson's cinema pro
ductions is now at the Rivoli thea
ter. It is "Omar the Tentmaker,"
with Guy Bates Post in the titular
role, and I-s an adaptation of Rich
ard Walton Tully's stage play of
the same name that served Post on
frha nn.1rtnff ntoo-A n wntCA than
four years. It was directed
four years. It was directed by
James Young and is a colorful story
of Persia in the days when Omar
Khayyam wrote the Rubaiyat.
Ruth Miller, Douglas Gerrard,
Boris Karloff, ' Maurice Flynn, Ed
ward M: Kimball, Walter Long.
Evelyn , Selbie, John Grlbner, Will
Tt "1 1 ...
( d 1111 n&llUU, UTBU1B fii&ao AUU UU1-
don Mullen-
Director Young has given the
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- I TODAY! I rj&t
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fgt tvSl v ii c - ij HimI wimnninrtmi yjt atmEy
i photoplay the benefit of bis rich
I talents, wide- experience and bril
i liant leadership in the ranks of
directors. Settings for this master
film were personally designed and
executed under the direction of
Wilfred Buckland, the first man In
his field in the films and still
recognized as its finest craftsman.
A city was erected to represent the
streets xrC Naishapur, the garden of
Shireen, the famous inn where
Omar spends much of his time; the
shah's palace at Teheran, the great
judgment hall of the governor of
the province, the Temple of Zoroas
ter, the schoolroom of Nizam ul
Mulk and various dwelling places.
A vast number of costumes and
properties . were needed for these
great sets and the hundreds of
players who participated in the
various scenes. These were all
under the direction of Milano Til
den, who has been associated with
Mr. Post ' for many years as his
stage manager. Francois Nazare
Aga was the Persian expert. George
Benoit, who photographed "The
Masquerader," was in charge of the
cinematographic corps. No expense t
wa sparea co m&Ke me prciuriza.
tion of "Omar the Tentmaker" one
of beauty and reality.
"TAILOR-MADE MAN" SHOWN
Charles Ray Starred in Circle
Theater Feature Attraction.
- A
From all advance reports, Charles
Ray made a, happy choice in select
ing '''A Tailor-Made Man; for his
initial United Artists production.
Heralded as setting a new, and
higher standard of screen comedy
drama, it is now at the Circle thea
ter. "A Tailor-Made Man." is a'slgnifi
cant production in more ways than
one. Not only is it "the costliest
photoplay ever produced by Charles
Ray, but it presents him in a new
character, - a nevel environment
and astounding situations. He Is
said to have made the role of John
Paul Bart one of the most colorful
and picturesque In the annals of
screen drama, and to have outdone
himself in point of . humor, charm
and tenderness.
Although the stage play was one
of the salient successes of the last
w, .
screen version of "A Tailor-Made
somehess of "A - Tailor-Made Man'
undoubtedly carried a particular ap
peal to American audiences, patrons
of the spoken drama.' The same
should hold true in the case of the
screen interpretation and elabora
tion. .
Supporting Charles -Ray In this
production are Ethel Grandin,
Jacqueline Logan, Thomas Rlcketts,
Douglas Gerrard, Victor Poter,
Thomas Jefferson, Stanton Heck,
William Parke, Edyth Chapman,
Kate Lester, Frank Butler, Nellie
Peck Saunders and others.
LIBERTY PLAYS KYNE STORY
'Brothers Under the Skin' Proves
Rollicking Comedy. 1
A rollicking comedy-drama, a pic
turization of a story by Peter B.
Kyne which ran in the Cosmopoli
tan Magazine, is the photoplay at
the Liberty. It Is "Brothers Under
the Skin," another of Goldwyn's
"Big Twenty," and, judging from
advance reports, will be on an
equally high plane with the pro
ductions that have preceded it
The domestic misadventures of
two young married couples and the
husbands' similar solution of their
problems furnished the plot of the
story. One couple lives In a Bronx
flat the other In a Riverside drive
apartment. Both husbands are em
ployed by the same firm in capaci
ties as widely different as their
salaries one a manager, the other
a humble shipping clerk. But each
encounters the same situation at
home a1 sweet lovable wife, whose
chief talent seems to be spending
her husband s salary and more.
E. Mason Hopper directed the pic
ture, which is said to be one of the
best things he has done. And Hop
per. It may be remembered, was re
sponsible for "Dangerous Curve
Ahead," which was a masterpiece
of directorial skill.
"Brothers Under the Skin" has no
one star; it is all-star. Consider
these names: Helene Chadwick
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V '?i'&JSi&2&SSi&&&&& 3 nWXA6enl
Jean Hersholt vrno Is rapidly making
and where he has also made
JEAN HERSHOLT is a Dane by
birth, but a mighty loyal Amer
ican citizen by adoption. Inci
dentally, he Is one of the greatest
delineators of villainous roles in all
filmdom. He has proved this to the
entire satisfaction of a very wide
consensus of opinion In three of the
biggest photoplays of the current
season, namely, Mary Plckford's new
Tess of the Storm Country,' Mae
Murray's "Jazzmania" and Marshall
Neilan's "The Stranger's Barfquet."
Mr. Hersholt came -to the United
States more than 12 years ago after
having devoted some 16 years to
starring In spoken drama through
out the Scandinavian countries. His
original idea was to merely pay
Uncle Sams domain a visit out
when he chanced to tour southern
California and saw the extent of
the film-making industry there he
decided to linger long enough to
try his hand at it Having been
a director-general ior ueamart a
Claire Windsor, Mae Busch, Norman
Kerry and Pat O'Malley. Surely a
cast to be regarded with respect
As the shipping clerk's wife Helene
Chadwick is said to duplicate the
success she achieved In "Dangerous
Curve Ahead" and other big Gold
wyn productions. Claire Windsor,
who was leading woman in "Grand
Larceny," and who will be seen in
Marshall Neilan's next production,
"The Strangers' Banquet" is the
other wife. Pat O'Malley is seen as
the shipping clerk and Norman
is-erry as tne manager.
"EBB TIDE" AT COLUMBIA!
Picture Screened From Story by ;
Robert Louis Stevenson.
The ' absorbing and sympathetic
story of how Robert Herrick was
mired In theswamps of. civilization
and of how he finally struggled
1
J
a record for himself in atudiolnadt
himself immensely popnlar.
largest film concern, he became a
director In Hollywood. He presided
over the plcturlzlng of many of Zane
Grey's stories for B. B. Hampton
and also directed some pictures in
which the Novak girls were starred.
Then he responded to the call of
the grease paint again and resumed
activity in his field of first love,
soon leaping into prominence be
cause of his extraordinary ability to
play so many widely different char
acters. Today he ia recognized as
one of the truly great stars of thepplayed at the daily concerts. Fol-1
cinema, and it is a foregone con
elusion, according to wiseacres, that
his interpretation of the terrible
Ben Letts tn Miss Plckford's "Tess
of the Btorm Country," which
coming to the Blue Mouse theater,
will en down In screen hwtnrv a
one of the high lights of histrionic
achievement while his portrayal of
Prince otto in Miss Murray a "Jazz
mania" Is said to be equally as im
pressive. back to firm ground Is the
theme of "Ebb Tide," a picturiza
tion of Robert Louis Stevenson's
famous story, now at the Colum
bia. Lila Lee, James Klrkwood,
Raymond Hatton. George Fawcett,
, c
1 Next Saturday,
f 4
Sunday
At 12..30
1 1
Noah Beery and Jacqueline Logan
are the featured players.
A young man of good birth and
too careful rearing he was never
allowed to face responsibility
Robert Herrick becomes a drifter
and is stranded on the beach of a
South Sea island. Here he meets
two other derelicts, a discredited
but likeable master mariner named
Davis and a shady, vile-mouthed
London clerk called, Huish. The
three are drawn together by the
bonds of hunger and exile, and they
barely exist until a chance offers
to take out a smallpox ship.
The voyage of the schooner with
its cargo of champagne and its na
tive crew tries the souls of the
three derelicts, and each faces the
crisis in a different way. When
food runs low they sight a mys
terious island, where they found a
remarkable white man named
Attwater, who lives there with his
daughter and a few natives. For
years Attwater has taken pearls
from the lagoon and this treasure
offers a new temptation to the
three adventurers. Herrick is en
snared against his will, but Attwater
cleverly defeats Davis and Hulsh
and wins over Herrick to the side
of honor. ,
Naturally there is a girl who
loves Herrick and her devotion has
much to do with snatching Herrick
from "the ebb tide in man's af
fairs." The photography is excellent, and
the ecenes on Attwater's Island are
of the most gripping character. A
desperate fight with a devil fish In
20 feet of water is one of the big
thrills of the picture.
. .
Getting Indians steamed up to
stage a battle before a motfon pic
ture camera is slow work, but get
ting them to stop once hostilities
have begun Is slower. The squaws
weep and pray and cheer them on,
they Tide wildly toward their ob
jective and every last Indian takes
a swing or a shot at something until
he Is exhausted. It doesn't make
any difference to them whether the
camera is running. The battle is
real to them and can't be Inter
rupted, and it is Just plain luck if
somebody doesn t get hurt.
James Cruz made all these discov
eries recently on a ranch near the
Utah-Nevada line, where he has
been camped, out for some time
making scenesy for "The Covered
Wagon" as a Paramount picture.
Special Concert Music in
Picture Theaters.
Directors Are Offering Attractive
Programmes Today.
AN EXTRA fine programme has
been prepared by Salvatore San
taella, the director of music at the
Rivoli theater for the noon concert
today. " One of the numbers Is "Pan
americana," by Victor Herbert, com
posed for the Pan-American exposi
tion. The overture, "Morning, Noon
and Night," by F. V. Suppe, Is also
on the programme and -will be
lowing is the programme for the
concert today in full:
"Faust" fantaala (Gounod) ; "Panamer-
loaua" (morceau characteristique) (V.
is; Herbert): "Love Birds" electlon (8.
Romberg) ; "ValM Trlste" (J. Sibe
leus) : "Czardau" from the ballet "Cop-
I pelta" (U Dellbes) ; "Morning Noon and
vertu" rQt) (Frauz V.
Suppe).
Henri A. Keates, popular Liberty
organist has arranged an interest
ing programme 'for his concert to
day. It will include:
Selections from "A Prince of Tonleht"
(Joe Howard); "Calm a the Night" (re
quest) (Carl Bohm); "I'll Be in My Dixie
Home Again Tomorrow," aong; Keates'
contest; iiberty grand chorus, singing
old and new tongs,
-I iTt-' f""- m'J"jt-'
Whitney Boys' Chorus of 50 Voices!
PLAYING TODAY
by
Peter B. Kyne
. - " with
Helene Chadwick
Claire Windsor Mae Buach - Tat O'Malley .
Marriage is no laughing matter, but you will howl at the trials
and tribulations of two husbands who discover that strong-arm
methods make wives all the more loving. ,
THE MANHATTAN
FRIO
"HAM" HAMILTON
IN 'THE EDUCATOR'
-NEWS WEEKLY
KEATES PLAYING
Keates' Kontest
AJfD ORGAN CONCERT
No.l. Selections from "A Prince
of Tonight" Joe Howard
No. 2.-"Calm la tne MfChl"
(request).. Carl Bohm
No. 3. "I'll Be in' My ' Dixie
Home. Again Tomor-.
row" Song. ' . .
No. 4. Rentes' Contest.
No. 5. Liberty Grand Chorus.
Singing Old and Jf ey Songs.
MARTHA'
-V
'White Frontier" Cast Is
Completed.
Strong- Support Selected for Sfext
Dorothy Phillip Film.
FTER an exceedingly careful
. combing of the fieid of avail
able players both in the east and in
the west Allan Holubar .has finally
completed the selection of the cast
which will support Dorothy Phil
lips in "The white Frontier." This
picture is based on an original novel
by Jeffrey Deprend and was adapt
ed py Violet Clark. The exterior
shots are now being made at
Truckee, CaL, -.fter which the com
pany win go to Montreal and tho
Canadian backwoods, ! returning
thence to the United stndios to film
the Interior scenes of this stirring
tale. "The White Frontier'" will fol
low "Hurricane's Gal" as the second
Holubar-Phillips production to be
distributed through Associated B'lrst
National Pictures, Inc.
Ju!ge: Duroscher,. the male lead
of the story, will be. played by
Lewis Dayton, hitherto unknown to
American audiences, but established
us a tremendous favorite in Eng
land where he has been starred on
t:ie stage and screen. Mayme Kelso,
one of our best known character
actresses, plays Nanette, the confi
dant of the stellar role. Some of her
best known parts were In "Cheating
Cheaters," "For the Defense," "Re
becca of Sunnybrook Farm," and
the recently completed "Kick In."
George Siegrmann, soon to be seen
as Bill Sykes in "Oliver Twist."
plays Scarborough, the heavy in
"The White Frontier."
Norma Talmadge, who has Just re
turned from England to begin work
on her next production, "Within the
Law," believes many of the big men
in that country could become screen
stars. She offers a chance for screen
applause to the Prince of Wales.
Lloyd George, Earl Balfour, Admiral
Beatty and promises wide distribu
tion through Associated First Na
tional. In an interview, she said:
"I would like to produce a film in
which many of England's famous
men and women appeared in the
cast. During my visit to England I
saw public personages who appear
to possess excellent 'film faoes." and
who, I think, would make admirable
film actors." ,
The castinsr of James Otis' "Toby
Tyler," in which Jackie Coogan wilt
star, is causing a great deal of in
teresting difficulty to which Eddie
Cline is bringing his well-known
sense of humor. Since the whole
story is laid in a circus, all the
characters of circus life must be re
vealed, and that includes "freaks.''
In the story the fat woman and
the skeleton man are great factors,
befriending the otherwise friend
less Toby and protecting him from
the cruelties of a brutal boss. They
must qualify not only physically for
their roles, but they must also b
competent players, for their roles
are important and charged with
heart interest.
"How to Bo Happy Though Per
secuted" is Katherine McDonald's
new problem. It is not hard for the
average screen heroine to show fear
when someone with black whiskers
and a nasty, ingrowing disposition
pursues her.
The real problem, however, is to
show fear when she Is persecuted as
attractively as only Arthur Edmund
Carewe can do it. For this young
continental star Is not only very
good looking in his Slavic way but
he is a most entertaining conversa
tionalist and is withal so ir
resistible that It takes a lot of Im
agination to be convinced.
But Miss MacDonald takes a fresh
grip on the gorgeous negligee she
wears in the first part of the story,
and her great appealing eyes do the
rest.
Konnan Kerry
whasi